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Malevich Cube
From working through the ideas presented by the frame in relation to Sol Lewitts' 'Serial Object #1' I found the way the laser cut parts interlocked interested me. By chance, the number of pieces cut produced a cuboid shape with the inner square rotated through 90 degrees producing a black square from the burnt edges. How it looks and feels are quite different. To view it, a cuboid shape although small in size has the potential to be a monument, but it stands just as a cube.
However to touch, it opens up to a sense of interaction, the cuboid can be distorted negating its apparent solidity, the inner squares pushed to extend its volume in space, and the outer squares that frame it opened out further as if stretching the cube.
The objects size lent itself to a sense of interaction and something to be handled and toyed with, reminding me of Lygia Clarke's Bichoo's, her interactive sculptures that came from her interest in moving away from the purely visual relation between object and subject enhancing the idea of the encounter.