#igor posavec

Artwork-Series for exhibition in Seoul/Korea. Artists: Sven Sauer & Igor Posavec

Finally, there was Alys, the “witch queen” of Harrenhal. When last the histories mentioned Alys, she had been with child by Prince Aemond One-Eye. Now she ruled a Harrenhal filled with broken men, robber knights, outlaws, and their followers, so the Hand dispatched Ser Regis Groves of the Kingsguard to purge the castle of the dregs that filled it and reclaim it for the realm. Regis and his escort were joined by Ser Damon Darry with a small troop of Darry men. At Harrenhal, Alys Rivers presented her son, whom she claimed was Aemond’s trueborn heir and thus the rightful King of Westeros. When Ser Regis refused to bend the knee to this infant king, Alys raised a hand and his head exploded. Some claim that her gesture was magic, and others that she was signaling an archer or slinger. What is known is that, after his death, a company of riders burst out from the castle. Ser Damon and thirty-two of his men were all that survived of the hundred that had set out.

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SAME OLD FEARS par svensauer In 2014, two digital artists from Berlin inverted this theme in a smart move. In their art it’s the machine who turns on the viewer, putting us humans into an empathy test.

Machine Dreams (Maschinenträume) par svensauer SA-PO is the artist team of Sven Sauer and Igor Prosavec. Again and again, the two artists are thematically pulled to megacities such as Tokyo, Shanghai or New York. Their works show symptoms of a society and the tempo of a technology development that has exceeded the measure which a civilization is capable to absorb. The result is an exhilarating rationalist romanticism for a civilization which is obsessed of being addicted to reality... Rich in images, the artists tell of the lonely search for identity and intimacy amid the global brand epidemic.