29,33, & 45 for Amparo and Anatole
29. What is one of the most courageous things your character has ever done for a loved one?
Anatole
I was going to separate this between apprentice and non apprentice timeline, but you know what? I think I wonât. This is because while everyone probably expects something heâs done for a single person he loves, his biggest love is Vesuvia.
Heâs done a lot for Vesuvia, not that he thinks heâs special for it.
So when heâs not the apprentice, he does step up to become the Consul, knowing his life will be fully in the public eye, that this is something he has to choose everyday. Like he loves his partners, and every day he makes the choice to be the best he can be, and if he has a bad day to try again tomorrow, he has to do that same choice with politics.
In his apprentice timeline I was going to say dying for Vesuvia, but still, both of these things look over the fact he decided to stay and help during the Plague. He came to Vesuvia with the decision to serve it, and he did. Whatever the consequence, when things are done in love, love conquers all things.
Amparo
This one is also Plague related.
Itâs nursing Anzano Ventura, her grandparent, in their deathbed during the Plague. Amparo did not let her parents do it, she insisted on doing it herself. In her apprentice timeline, this is how she contracts the Plague.
Could also count standing with Anatole in times of dissent, and dancing in the streets in Vesuvia during the Plague, to bring people some joy, but none of these compare to her resolute determination to not let Anzano die alone.
The link leads to the family tree post, where you can scroll to the end of it, or ctrl/command f and type anzano, to read about them.
33. If your character wanted to be alone, where would they go?
Answered here!
45. Is your character the kind to hide their true emotions or do they wear their heart on their sleeve?
Anatole
Heâs a Scorpio, what do you think that makes him?
He knows what he wants and once he admits things to himself thereâs no going back. Anatole is very, very honest, and his honesty is a choice.
However, honesty does not mean he will reveal that truth to everyone. Heâs very private about his personal life and it shows. However, if you know him and he trusts you, he leans more towards the heart in his sleeve side.
Professionally, his debonair charm becomes his footing, so his intentions are less likely to come forward, tho he will not deny them. Itâs imply a matter of profession, saying everything makes you a bad negotiator, and revealing too much of yourself in a scenario where it is neither necessary nor advisable, foolish. Except for injustice, gross incompetence and abuse of power, even if he shows annoyance, the new Consul seems to take everything in stride. Everything is workable.
Just donât piss him off. Heâs slow to anger, but doesnât mean you want to witness it.
Amparo
Amparoâs a weird mix because dear Gods, Amparo is forward. Amparo has opinions and you will listen to them, however sheâs right in the middle. Her emotions are apparent, but that doesnât mean sheâll let you know whatâs going on with her.
She doesnât often let you see to which extent. It does make her a very colourful speaker, however.
But sheâs a dancer, an artist, and she feels things so very deeply: so whenever she is in the scale, what she feels, she feels. So her emotions always end up pulling forward in some way, and she doesnât believe in repressing them, she prefers to find an outlet for them. They are fires she can kindle or gently put out.
Emotions are a good way to know the world around you, an inevitable way, even.
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