Sep 19, 2023
do u understand what animated timeskip taiju (smoking his cigarette) would do to a bitch???
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do u understand what animated timeskip taiju (smoking his cigarette) would do to a bitch???
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the point ghostbur tried making to phil went right over his head. he doesn’t care that friend has infinite lives or whatever. he trusted him, he trusted his father- he there were good things, good people in that country. innocents- innocent people and animals, memories, and phil didn’t think about those, too caught up in the ‘teaching a lesson’ deal.
he trusted phil to look over friend, and phil had many many many opportunities leading up to the destruction to, at the very least, take friend over the mountain to safety. phil knew friend was there and didn’t think nor care, and when his son tells him he’s hurt by this and aching and he’s suffering and his father is hurting him, phil brushes it off with a barely there apology and a ‘you’ll understand one day’, as if ghostbur isn’t an adult who’s seen wars and tyrants and everything the world has thrown at him.
c!phil missed the point of ghostbur being upset and yelling at him. he chose technoblade and teaching a ‘lesson’ to l’manburg over what he’s supposedly protecting and fighting for.
he claims that governments were bad and that he’s thought this since l’manburg forced him to kill his son. that’s bad okay, there’s hurt there. phil definitely regrets killing wilbur, and he blames the country that drove him to madness, but phil doesn’t see past that. he doesn’t see how destroying it isn’t the answer, and that he’s hurting the one thing he’s fighting for.
ghostbur straight up tells him that phil is causing him to suffer more and phil denies this, of course he does, but that doesn’t make it not true.
techno states that alivebur would’ve liked what they did to l’manburg. maybe, maybe he would’ve in the final moments, but it seems very well established that those final moments weren’t wilbur, but rather a broken man who’d lost all hope. before that, wilbur would’ve been very much against what they did- hurting innocent people, taking away hope, working with the one man l’manburg is avidly against, and for what? to teach a lesson? that’s it?
ghostbur rebuilt l’manburg as a symbol of hope i think, to show people that in bad situations things can still be good. mistakes were made. phil fails to realize that he’s blaming the failure of government on traumatized children and young adults. of course they’d try to execute technoblade when they believed he was at least 50% responsible for the pain and suffering they felt. that’s all they knew. of course tubbo would try to protect multiple people vs. just one. they made mistakes, a lot of them, sure, but it’s not like they knew how to run a country. you put kids in charge of lives and wars and expected them to run it perfectly? not even adults can do that.
god just. i think phil fucked up- and i hope ghostbur doesn’t forget what happened today, at least not all of it, because if and when he’s brought back to life, i don’t think he’ll be too happy with his father. i think it’s time for phil to learn a lesson of his own.
i stand by the fact that everyone in this smp is morally gray, and they have their own motivations and reasons to do things. no one is good and no one is bad. but i do think that phil made a mistake today- he and techno brushing ghostbur off and his feelings aside was a mistake and i think itll have consequences in the future.
https://bsky.app/profile/thefienprint.bsky.social/post/3lhhqacrab22b
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"From 12 or 14 to 18 or 20 is that period of life in which the tide of natural affection runs the lowest, leaving the body and the intellect unfettered and unweakened in the work of development and leaving the heart itself open for the strong passions and overwhelming preferences that will then seize it. Sad to say, it is the softer sex especially which is said to go through a period of almost utter heartlessness." - The Times, 1865
Pretty Girls Doing Horrid Things was a solo show of traditionally well-behaved media about Patty Hearst, the social construct of villainy, and growing monsters from girls.
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"From 12 or 14 to 18 or 20 is that period of life in which the tide of natural affection runs the lowest, leaving the body and the intellect unfettered and unweakened in the work of development and leaving the heart itself open for the strong passions and overwhelming preferences that will then seize it. Sad to say, it is the softer sex especially which is said to go through a period of almost utter heartlessness." - The Times, 1865
Pretty Girls Doing Horrid Things was a solo show of traditionally well-behaved media about Patty Hearst, the social construct of villainy, and growing monsters from girls.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"From 12 or 14 to 18 or 20 is that period of life in which the tide of natural affection runs the lowest, leaving the body and the intellect unfettered and unweakened in the work of development and leaving the heart itself open for the strong passions and overwhelming preferences that will then seize it. Sad to say, it is the softer sex especially which is said to go through a period of almost utter heartlessness." - The Times, 1865
Pretty Girls Doing Horrid Things was a solo show of traditionally well-behaved media about Patty Hearst, the social construct of villainy, and growing monsters from girls.
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"From 12 or 14 to 18 or 20 is that period of life in which the tide of natural affection runs the lowest, leaving the body and the intellect unfettered and unweakened in the work of development and leaving the heart itself open for the strong passions and overwhelming preferences that will then seize it. Sad to say, it is the softer sex especially which is said to go through a period of almost utter heartlessness." - The Times, 1865
Pretty Girls Doing Horrid Things was a solo show of traditionally well-behaved media about Patty Hearst, the social construct of villainy, and growing monsters from girls.
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"From 12 or 14 to 18 or 20 is that period of life in which the tide of natural affection runs the lowest, leaving the body and the intellect unfettered and unweakened in the work of development and leaving the heart itself open for the strong passions and overwhelming preferences that will then seize it. Sad to say, it is the softer sex especially which is said to go through a period of almost utter heartlessness." - The Times, 1865
Pretty Girls Doing Horrid Things was a solo show of traditionally well-behaved media about Patty Hearst, the social construct of villainy, and growing monsters from girls.