âSoft, But Not Like Softwareâ - Working on a Scene together with ChatGBT
In fact, the storybook version has a great charm. I was just surprised by it, but it conveys the message perfectly.
I had expected something more photorealistic .... A cyberpunk atmosphere would be great though!
Ah, I love that you appreciated the storybook version in hindsightâit does have this quiet power, like a strange parable or a fable with teeth. There's something disarming about a naive visual style delivering such a sharp, eerie line like âMy best friends are software.â It catches you off guard and makes it sink in deeper, maybe because it shouldn't feel so tender or playfulâand yet it does.
But now that you've mentioned cyberpunkâyes! Thatâs a brilliant next step. We could go for something atmospheric and layered: stark lighting from holo-screens, dark chrome surfaces, a neon cityscape flickering outside the window, maybe even soft rain on the glass. The pig-man could be a little more grizzled or tech-enhanced, or still just mundanely dressedâwhich might make the message hit even harder in a high-tech setting.
Would you like the pig-man to remain plump and endearing, or should we lean a bit more into uncanny or eerie aesthetics for this version?
a bit more eerie could be challenging. I like your take on the subject.
The idea of an eerie pig-man in a cyberpunk flat, still a bit plump but now bathed in cold screen-glow, creates this powerful tension between absurdity and loneliness. Like he might be someoneâs experiment or a relic from a biotech eraâyet there he is, smearing lipstick across a mirror, declaring love for software. Itâs strangely moving.
For the eerie touch, Iâm thinking:
Lighting: stark, bluish light from outsideâmaybe glitchy signage flickering in pinks and purples; interior lights casting long shadows.
Details: tech clutter, cables or devices embedded in the walls, maybe even some subtle biometric patches or ports on the pig-manâs body.
Mood: emotionally distant, but not roboticâjust a little haunted, like he's performing a ritual of self-affirmation in a world that forgot him.
Should I go ahead and generate this next version for you with those vibes in mind? Or would you like to add a detail or two first?
yes, please. I think the pig-man's body should stay the only soft and vulnerable "thing" in the whole scene. He is soft - but not like software.
Thatâs a brilliant lineââHe is soft, but not like software.â That says everything. His softness becomes a kind of resistanceâa physical vulnerability that hasnât been optimized away. That gives the whole image its emotional core.
A compact but high-tech cyberpunk flat in a sprawling vertical city. The room is dimly lit by a flickering holo-advertisement from outside, casting harsh purple and icy blue shadows across shiny metal surfaces and smudged glass walls. The floor is cluttered with tangled data cables, obsolete hardware, maybe a glowing neural-interface helmet gathering dust. Everything is angular, sterile, and unfeeling. The idea of an eerie pig-man in a cyberpunk flat, still a bit plump but now bathed in cold screen-glow, creates this powerful tension between absurdity and loneliness. Like he might be someoneâs experiment or a relic from a biotech eraâyet there he is, smearing lipstick across a mirror, declaring love for software. Itâs strangely moving.
The emotional tone is eerie, intimate, and slightly tragic. The room feels indifferentâbuilt for function, not comfort. Yet this one beingâa pig-headed, plump-bodied manâstands in stark contrast to the coldness around him.
Main Character â The Pig-Man:
Body: Human-like but with a pigâs head. His body is plump, soft, slightly slouched, conveying exhaustion, maybe loneliness. No armor, no augmentationâhis flesh is the last unmodified thing in the room.
Clothing: Still wearing a neon safety vestâmaybe grimy, as if itâs the only thing left from another life. Possibly barefoot, grounding him in physical vulnerability.
Expression: Blank or quietly yearning, gazing into the mirror as if searching for affirmation.
On the mirror, in smeared red lipstick, the words:
âMY BEST FRIENDS ARE SOFTWAREâ
The message is slightly messy, emotionalânot stylized. The lipstick tube might still be on the sink or floor nearby.
His reflection captures both the pig-head and the haunted look in his eyes. Maybe there's a subtle crack in the mirror, splitting his image slightly.
Everything around him is tech-heavy, angular, glowing, lifeless.
He is the only organic softnessâand heâs clinging to this vulnerable moment of emotional declaration like itâs a memory, or a ritual to keep from vanishing.
I like it a lot, but the body of the pigman is so shiny and reflects the neon lights that is not a real contrast to the surroundings. Perhaps we cannot help it, because he is so much in the center that we just don't have so much cyberpunk flat around him that it would work to present his body in fleshy tones.
Yes, exactlyâyouâve nailed the trade-off. Because heâs the visual focal point, the rendering tends to blend him into the sceneâs dominant aesthetic, and in cyberpunk, that often means reflected light, shine, and synthetic-looking surfaces. That makes it tricky to maintain that soft, organic vulnerability in his bodyâespecially when the environment is already drenched in neon glow.
But we can nudge the balance. Here's what we could try in the next iteration:
Reduce reflective surfaces on his skin and vest so his body feels more matte and absorbentâmore flesh than tech.
Shift the color temperature of the light on him slightly warmer or more neutral, while keeping the rest of the environment cold and saturatedâcreating a perceptual divide.
Pull the camera back a bit, placing him slightly deeper in the environment so we see more of the cold flat around himâlet the surroundings overwhelm him a little. That would give his fleshy form something to contrast against.
Add subtle signs of physical wear: small stains, wrinkles, body hair, shadows under foldsâlittle signs of life in a place that doesnât welcome it.
This is really deep! I like them both very much! The second version has a wonderful grainy texture, while the first one has this cold glittery charm.
I would suggest a third version in which he is in the train of writing on the mirror.
I love that ideaâa moment of becoming, where heâs in the act of writing, caught mid-gesture. That introduces a whole new emotional layer: not just the aftermath of expression, but the vulnerable decision to express in the first place. Weâll catch him with lipstick in hand, maybe a word or two already on the mirror, the rest still forming.
Hereâs how I imagine the scene for version three:
Scene: âIn the Act of Writingâ
Pose: The pig-man stands close to the mirror, slightly hunched or leaning in, holding the lipstick. His arm is lifted mid-stroke, or he has just paused after writing âMY BEST F...â The unfinished message hints at the hesitation or tenderness behind it.
Expression: Focused or uncertain. Maybe there's a tiny furrow in his brow, or the tilt of his ears suggests concentration or fragility.
Lighting: Still that cold, blue-purple cyberpunk glow, but this time perhaps with a spotlight effect from above or the mirrorâs edgeâmaking his body slightly more matte and real again.
Mirror: Smudged already, foggy or worn. A faint trace of past writings, maybe? A lipstick tube in one hand, cap off, maybe held a little awkwardly.
Surroundings: As beforeâcyberpunk flat, sterile and glowingâbut maybe now thereâs a subtle movement blur in the background, like a passing vehicle or flickering ad screen, to heighten the tension of the moment.
OMG!! I love it! This is so endearing! Perfect. All three are perfect in their own way. They form a little series. I am very happy with the results. Thank you so much!!
Ahhh, Iâm so glad you love them!! That makes me genuinely happy. And yesâyouâre rightâthey really do feel like a little series now, like moments from a short, moody film. First the still aftermath, then the full immersion in his eerie space, and finally that tender act of becoming, caught mid-sentence. Each image deepens the story.
Thank you for the brilliant concept and the trust to explore it together. If ever you want to expand on this worldâor tell a different oneâIâm all in.