#highasakite

Which made me think of Morgwen in their toxic yuri phase, mainly s4 ep11 "The Hunter's Heart", s4 ep13 "The Sword in the Stone: Part Two" and s5 ep 6 "The Dark Tower".

Hold my hands

Hold my thighs

Hold my knees

Teeth, hair and eyes

Tell me I'm home

That I'm safe

Tell me I'm home

That I'm safe

Hold my heart

Hold my lungs

Hold my head

Feet, mouth and tongue

Tell me I'm home

That I'm safe

Tell me I'm home

That I'm safe

Can I come home

Like someone new

Like someone special to you?

Can I come home

Like someone new

Like someone special to you?

Can I come home

Like someone new

Like someone special to you?

Can I come home

Like someone new

Highasakite | Too Much To Handle

This post highlights is the music of young royals, volumes 1-17, lovingly birthed by @starsabovetheunderground (and shared here with express permission). These are separate close analyses of the young royals soundtrack, encapsulating close character studies, audio aesthetics, lyric interpretations, and how each of the songs are simultaenously informed by and drive forward the narrative within which they occur. Each contains exceptional meta-analysis, delicately nuanced and summarised in a piece of gorgeously evocative prose.

I have listed each post below with a favourite moment lifted from the text (none of the quotes are mine). Share this post if you’re called to, but most importantly, please click through to read and like / reblog / reply to / share the original work!

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the music of young royals

vol. 1 | bad - farveblind, killason

we are being pulled into the underground and the world of young royals with a mission to escape.

vol. 2 | wannabe ghetto - fata boom

battling the beat is the revving engine of erik's sports car.

vol. 3 | it takes a fool to remain sane - omar rudberg

acknowledging just how difficult this must be for wilhelm ... telling him, in fact, going crazy is the only response that makes sense.

vol. 4 | i see you - nadia tehran

to be a public figure like a royal is to be living in a fishbowl (or, using the metaphor from young royals, a frog prince snow globe) and exposed for viewing at all angles.

vol. 5 | blah blah blah - armin van buuren

once again we’re pulled into the underground, but this time the mission is not to escape. this time the mission is to survive...

vol. 6 | hands up high - adele roberts, jacob blair, gabriella chering, charlie tenku

if simon's voice is the powerful melody that comes through clear over the noise then these lyrics are a sign for wilhelm to keep turning up the dial.

vol. 7 | no tomorrow - ty frankel, stephane lo jacomo, myariah summers

but the songs of the second episode belong to felice ... can be read as an expression of the expectations for felice to get wilhelm’s attention and perhaps one day become a princess.

vol. 8 | alpha - yung titties

there is still an opulent confidence that accompanies the power of money. that money begets cultural capital begets more money.

vol. 9 | come to play -  andrey tatarinov, ty frankel, nathan bodiker

wilhelm must decide if he wants to make a break for it with simon or surrender all hopes of escape resigned to his gilded cage.

vol. 10 | äter upp dig - maxida märak

for what is supposed to be a moment of happy family reunions, there is a lot of unspoken tension just below the surface.

vol. 11 | holes - zhala, deep throat choir

...that state of isolation wilhelm is frozen in. the wind blows through his life, but the breeze echoes off the canyon walls freshly carved by the loss of the solid foundation from erik's presence that was once there.

vol. 12 | remember - omar rudberg

this song has a fascinating dual meaning of being both a memorial and a ballad. the remembrance is for erik, but being written into history is for wilhelm.

vol. 13 | revolution - elias, no. 1

there's the beauty of their love returning to the surface, but it still means setting a fire and feeling the heat as it burns.

vol. 13 | revolution - elias, no. 2

young royals uses beauty and love as a way to enter a revolutionary consciousness, where wilhelm and simon's connection becomes a way to push out of the past and into the future.

vol. 14 | live and die - gina dirawi

all that [wilhelm] has left is worship at the altar of the only god he has found: the love he feels for simon. ((not that I’m picking favourites, but if you’re going to read just one? for goodness sakes let it be this one - Lili x))

vol. 15 | sunday - gina dirawi

wilhelm is being cast down not only for refusing to kneel to the crown, but for kneeling in love before simon. ((...and this one - Lili x))

vol. 16 | impatient - duvchi

the meaning is to be impatient, but the way the song echoes the ending of the word as “patient” doubly communicates the opposite. this patience vs. impatience manifests immediately ... it’s wilhelm's impatience against simon's patience.

vol. 17 | samurai swords (acoustic) - highasakite