#hello inspector

that first accordion note!!!!

the way Pierre says “GOing”

when the ensemble joins in for the first time!!

the doOR SLAM

aND THIS IS ALL IN YOUR PROOOOGRAMMMM

when Marya says “old-schooool”

that clarinet going NUTS

MINORRRRR CHARACTERSSSSS

the entire ensemble in “Pierre.” Just. All of them. All the time

“I used to be better I used to be better I used to be better” SLAY ME

the way Pierre says “hours” like. so smooth??

Goooood RRRRRUSSIAN MEN

“I pity you I pity me I pity you” AHGHSFGHW

ahhhhhhhhhHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

is the above bullet me or the ensemble at the end of “Pierre”? we just don’t know

WEEEEEELCOME WELCOME TO MOSCOW

that double clap Marya does

COUNTESS NATALYA

SOFIA ALEXANDROVNA

Natasha humming with that clarinet!!!!

WELL! Now we’ll Talk!

the ooOOOOOOLD fellow’s crotchety!

the way Marya says “clever girl”

basically everything Marya does tbh

I’ve aged so very muuuuuuUuuuUUUUuuUUUUUUCH

that slight pause right before everything dissolves during “The Private and Intimate Life of the House”

never go ANYwhere

and tiiiiiiiiiiiime moves onnnnnnnnnnnnn

that descending violin after Bolkonsky rejects Mary’s suitor

MY VOICE CRaAaACKS

the dissolving instruments during “where are my glasses”

“I disgust myself” ahhh Save and Protect Mary

oh. oh hello.

HELLO

CONSTRAIIIIIIIIIIIIIIIIIIIIIIINED AND STRAIIIIIIIIIIIIIIIIINED

iiiiiiiirrrrrrrksome iiiiiiiirrrrrrrrksome

“says the mean old man in his underthings” pffffft

the way Mary says “head to toe” GOSH 

the initial piano in “No One Else” like hoo boy here come the Feelings

“I love you I love you I love you I love you” like if u crie every time

that one note Natasha has on “oh” in the line “oh the moon”

did I say one note? I meant all of them

and flyyyyyyyyyyyying away

those strings during the second chorus!!!!!!!!

“maybe he’ll come today. maybe he came already. and he’s sitting in the drawing room. and I simply forgot.” WOW UM that sure is a FEELING I’m having right now

“Welcomeeee to the ooooooperaaaaaaaaaaaaaa” those Notes tho

Natasha smooth your gown NATASHA SMOOTH YOUR GOWN

a n d   i s   t h a t   N a t a s h a   a n d   i s   t h a t   N a t a s h a

the way the music INTENSIFIES the second Dolokhov appears

now all the Moscow ladies are MAD ABOUT HIMMMM

“No I am enjoying myself at home this evening!” bless Pierre 

groteeeeeeeEEEEEEEEEEESQUE AND AMAAAAAAZING

began to pass into a STAAAaaAAAAaaAAAAAaaAAaaAATE

the entire ensemble in “The Opera” like DANG

that tiny pause before “and then, a rush of cold air” HERE WE GO

the music just. Shifting the SECOND Anatole appears

those funky BEATS

every time I look at him he’s looking at me every time I look at him he’s looking at me every time I look at himmmmmmmm