I've been on an accidental corporate space dystopia kick, with 'Platform Decay' by Martha Wells, 'The Last Contract of Isako' by Fonda Lee, and 'Hell's Heart' by Alexis Hall in quick succession. I think it says less about me than it does about the world that these are all books by established authors published in the first half of 2026.
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If I'd been more pious I'd have explained to him about the Father's love and how it could be his at very reasonable rates. If I'd been a better blasphemer, I'd have shown him how to build a pyre out of dogma and warm himself beside it.
Books I Loved in 2026: Hell's Heart by Alexis Hall
"A beast doesn't have to be a god... to be well worth staying away from"
That much, at least, was true. And by the same token a man didn't have to be an angel to speak prophecy. He just had to open his eyes.
September Book Reviews: Hell's Heart by Alexis Hall
I received a free copy from Tor Books via Netgalley in exchange for a fair review. Publish date March 10th, 2026.
I've been a longtime fan of Alexis Hall's, and I was interested to see what he'd do in his science fiction debut. In Hell's Heart, aimless and self-destructive I- signs on a space whaling voyage in order to flee her merciless medical creditors, who own her body and soul. In this retelling of Moby Dick, she begins to realize that their charismatically deranged captain is hell-bent at hunting down the leviathan who injured her--even at the cost of her life and the lives of the entire crew.
Well! As someone who's familiar with Herman Melville's Moby Dick, I should not have been surprised that the lesbians in space retelling had a pace as slow as molasses, interspersed with endless and aimless asides to the reader. Because I- states directly how the book ends from very early on, the four hundred plus pages of boat antics and Leviathan slayings feel like mere filler before the ultimate end. The effect is exacerbated by narrator I-, who is passive, depressed, and has a very detached perspective that makes the narration feel distant. I know many of you like your women soggy and pathetic, but personally I prefer the aggressively digging themselves deeper into a hole type rather than the facedown on the floor type.
By far the strongest point of the novel was the worldbuilding. Since the original novel was set midway through the process of driving whales nearly to extinction in the Atlantic, it's fitting that the retelling is also set in a capitalistic hellscape, albeit one set in a retro-style Solar System limited space future. While I- has mostly left the awful religion she was brought in (a grotesquerie of a certain type of prosperity Christianity), she accepts the values her culture presents her without much question, and drops the awful little details as casual little asides. Onboard the ship, shower minutes are billed and taken directly out of their wages. I's surgery (implied to be gender-affirming) puts her in debt to a pharma-corp conglomerate, and if she misses a payment, they can repossess her organs. People can be sold into debt-slavery for the crime of inheriting a patented gene complex. And so on and so forth. It's a fitting accompaniment to the grim plot.
Overall, Hell's Heart is a throwback to Hall's complex early steampunk novels rather than his frivolous recent historicals. It certainly isn't a romance novel--while I- has unhappy escapist sex with a number of women, there's no romance and nothing I'd consider a full sex scene. However, I did enjoy I-'s crewmate and sometimes-lover Q-. Q- is from Earth, speaks nearly exclusively in untranslated Latin in the text, and has a sort of smartphone reference device that I- doesn't understand and refers to as her "idol". Alas, Q- is almost entirely opaque to I-, who doesn't really understand her, and therefore to the reader as well.
There's some fantastic details here, but not much substance. I think this would have been a much stronger work chopped down into a novella.
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Summary - Hell's Heart by Alexis Hall is a sci-fi rendition of Moby Dick set in the space around Jupiter. The book's narrator goes simply by I, and she tells the tale of how she once joined a ship that intended to hunt the legendary Mobius Beast. Surrounded by several interesting, mainly nameless, characters including the captain of the ship, A, and I's friend/lover from Earth, Q.
Before I get to my actual review, I just want to mention that I've never read the original Moby Dick, but I've been told that this book captures the spirit of the original.
Thoughts - So, the tagline of this book is 'Sapphic Moby Dick in Space' which caught my attention, because of course it did, that's the whole point of a tagline. I was not prepared for how immensely depressing this book is.
The main character, I, from the very beginning, tells you everyone on her ship dies. It doesn't shy away from that fact and tries to remind you of it every third chapter or so. In saying that, it's not why I find it so depressing.
Hell's heart takes place in the far future, pretty much everyone has left Earth and taken to the stars. Capitalism has also advanced so far that it has gone uber dystopia to the point where no one really sees anything wrong with it. One of the three main 'religions' in the book is a perversion of Catholicism that measures faith in how much money you can pay the church.
And, like I said, no one sees anything wrong with it. They feel conflicted about their faiths, but not in a way where they see a big issue with the faith itself, if that makes sense.
Now, despite all the depressing stuff, I think this is a remarkably well-written book.
All the stuff I mentioned is intentional. It's meant to be this insane dystopia that is disturbing to modern readers (in the way that it's a snapshot of modern happenings dialed to 11). It does its job and it does it well.
As you read through the pages, you watch as the MC constantly decides to be the most self-destructive person she can possibly be. Most of which are tied to her libido and the fact that she's attracted to people who could ruin her, and I mean that in every conceivable meaning of the word.
Character-wise, it's pretty neat. There are few proper names in the book, focusing more on titles (for characters the MC can't remember properly) and initials (for characters whose names are too important to share). Each one is living their own lives and by that I mean, they feel like their own people separate from the MC.
Setting-wise, it is incredibly well thought-out. There is an insane amount of detail put into the world and the way it works. From the religions to the science to the monsters, all of it feels like a real account of a real place.
Plot-wise, dipping back into the depressing side of things, you can feel the impending doom growing with every chapter that passes. There is a sword hanging above their heads that only you can see and every chapter, every plot point just drops it another inch. It is both definitions of awful; both bad and full of awe.
One last thing to note is that there is so much sex in this book. No super detailed sex scenes, but at least half-detailed ones, and they seem to pop up every other chapter. They think about, like, three things in this book: Monsters, Money, and Sex. All in equal measure.
And for anyone expecting a saucy book of sexy times (and you just didn't comprehend the rest of my review), a lot of those sex scenes directly tie into the MC's lack of self-preservation and deep desire to be self-destructive. You have been warned.
Overall - This is an incredible book, super well written and well thought-out. In saying that, it is at times one of the most upsetting things I've ever read. To the point where I had to read a Cozy Fantasy novel at the same time as this to sort of balance things out.
If you've got a taste for toxic/doomed yuri, then this is absolutely the book for you. Also for fans of Moby Dick and dystopian Sci-Fi novels.
So, I've only done like 5 of these reviews so far, but this book is kinda forcing me to do something different from what I normally do. In that, I have to divide the score into "Personal" and "Objective". Because, once again, this is an amazing book, but it's also so not my preference.
Lots of casual sex and sex jokes (but ironically no dick jokes?)
I know every SFF book with lesbians gets comped with Gideon the Ninth, but this book really does give me GtN vibes I prommy
Finding herself with no money and little to occupy her groundside, the narrator (“I”) takes a commission aboard the hunter-barque Pequod as it sets out in pursuit of precious spermaceti. Once aboard, however, she finds herself pulled inexorably into the orbit of the barque’s captain, a charismatic but fanatically driven woman who the narrator names only as “A”. As the Pequod plunges ever deeper into the turbulent, monster-haunted atmosphere of the gas giant, the narrator begins to lose herself in the eerie word of Leviathan-hunting and the captain’s increasingly insistent delusions; the only thing that might keep her grounded is the bond she develops with Q, a woman from the wreck of Old Earth whose skin is marked with holographic light and who remembers things otherwise lost.
Review:
Thank you to NetGalley for an ARC!
Disclaimer: I have not read Moby Dick. I know what it's about, but I haven't read it, so I can't say how Hell's Heart compares to the original.
I looked at the other reviews on Goodreads, and damn. Opinions on this book seem pretty divisive. A lot of reviewers DNFed this, and not gonna lie, I was initially very tempted to. This book starts out incredibly slow and meandering, and that never really changes. But about 40% of my way in, something clicked and I started to vibe with it a little more.
I think this book is better enjoyed if you go into it knowing that it's more of an exploration of character and the intersection of capitalism and religion, with the space adventure serving as the backdrop rather than being the focal point.
The narrator, who calls herself "I", is a mess. She's broke, she's passively suicidal, she can't communicate or talk about her feelings, and she can't stop making terrible sex jokes. A lot of reviewers find her annoying, which, yes, I absolutely get that. Her narration is very rambly, as she constantly goes on tangents to lore-dump about worldbuilding, and none of her sex jokes were funny. (The constant sperm jokes were especially unfunny.) People also seem to dislike that she has sex a lot.
The thing is, I love her. Her narration, which I initially found tedious, worked a lot better for me once I realised that she is deeply, deeply traumatised. The "I" presently narrating these past events, comes off as incredibly sad in spite of her humourous tone. Her sex jokes, made only to the readers, are desperate attempts to keep us reading her story despite the inevitable tragic ending, while her off-tangents always come before significant plot points, like she's trying to delay having to tell it. The past version of "I" living in the narrative, who sleeps around a lot, is trying to find emotional connection while being emotionally avoidant, and she makes terrible decisions because her life is terrible and she wants to die. I can see how people find her unlikeable, but that is simply because they don't get her like I do <3
Speaking of the narrator having lots of sex, I have to be clear--none of that sex is explicit and most of it is off page. I saw somewhere that rated this book 4 chili peppers, so I was a little let down when I realised this wasn't as explicit as I was expecting. The sex in this book is more for character exploration than for titillation, which is fine and good, just don't expect otherwise.
I have varying feelings regarding each of the narrator's relationships. I don't want to reveal too much so I'll keep this short: 1) Q is the coolest and best one by far, 2) "A", the captain, is supposed to be super cool and impressive, and while I personally don't see it, I understand why she would find "A" appealing, and 3) Locke is a straight-laced bureaucrat-type, so I assumed they were sort of boring at first, but they were actually kind of the most appealing of these three to me.
The worldbuilding here is incredible by the way. I had expected the space whales to be, like, just whales in space. But they turned out to be properly incomprehensible alien creatures, with thousands of tentacle legs under their bellies and topped with shells covered with eyes. Very cool stuff.
There is also a lot of satire of religion, which given all that goes on in the world now, is perhaps not that satirical at all. There were some bits where Bible verses are interpreted in.... interesting ways. Which made me snort, because holy shit, some of them were not too far off from how people in the present day talk about the Bible.
Late-stage capitalism is also in full effect. The narrator's body is owned by a megacorporation, unless she can pay off the debt she owes them for her (heavily implied to be gender-affirming) body modifications. The wealth disparity is ever growing, and just about everything costs money. Honestly, none of what happens in this book seems that outrageous, which is kind of a bummer. A lot of satire feels a lot less satirical nowadays.
The narrator is very clear from the start about how this book ends, but I was still shocked at the end. Somehow, I ended up caring about these characters more than I realised. When the ending was coming I found myself desperately hoping that the ending would turn out differently.
Omg, this review turned out a lot longer than I expected.... kind of like the book. Overall, Hell's Heart was a challenging read, but one I found immersive and rewarding.
Content warnings:
Death, violence, injury, blood, gore
Suicidal ideation
Animal death (space whales and space critters)
Sexual content (non-explicit, but there's a lot of it)
Y'know, Alexis Hall had me at "oh wow, ke actually went for @elodieunderglass's Moby Dick retelling in tiresome modern idiom, except in space", that is--page one.
But the moment I see a sci-fi Terran with glowing skin speak Latin as her main language, and the third phrase out of her mouth is "pedicabo ego vos et irrumabo", the author has bought me hook, line and sinker. I'm like 13 pages in, and I love this already.
Upd: and by page 21 I actually have to brush the dust off my dictionaries. Mate, I am having so much fun. (Not just with the language--that's icing on the cake! The world ke paints, with hunting Leviathans via gas-giant diving, is great, the religion is fun, and the protagonist has an excellent voice and is a joy to follow!)