Episode 15 - Elderberries TRANSCRIPT
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AUTOMATED VOICE
[LOWER-PITCHED AND SLOWER THAN NORMAL] Please state your message.
[THEME SONG PLAYS.]
VAL
Three-eyed Frog Presents: The Heart of Ether.
[THEME SONG FADES TO A STOP.]
[PHONE BEEP.]
[INT. THE POPPY GARDEN MOTEL, AGENT MAY AND JUNESā ROOM, EARLY MORNING.]
AGENT JUNE
Oh, is it on? I dunno how this recording device works. Would have been, like, ten times easier to just record on our phones, but, eh.
Anyways, itās just me right now, which means I get to do all the talking. Guess I should, I dunno, talk about the mission? Daughtler?
Oh! I know. Thereās this candy store downtown that displays massive gummy bears in the window, only itās so hot outside that the bears have started melting. Itās some mix of disturbing, but also hilarious? Seriously, those bears look so sad, I canāt help but laugh.
Letās see. Say, whatās that stupid thing he always says? [DRAMATICALLY MOCKING AGENT MAY] This is Operation Saturn, phase 1.2. Conducted by Agents May and June. All recordings are property of theā
[AS AGENT JUNE TALKS, THE DOOR IS HEARD OPENING AND CLOSING. THERE ARE FOOTSTEPS AS AGENT MAY WALKS IN.]
AGENT MAY
Hereās your coffee.
AGENT JUNE
Much obliged! Oh, you got it with oat milk, right?
AGENT MAY
[SLIGHTLY BITTER] It cost extra, but yes.
AGENT JUNE
Aw, hell yeah.
[AGENT JUNE TAKES HIS DRINK.]
AGENT MAY
Iāve never understood the excitement behind alternative milks.
AGENT JUNE
Hey, Iām lactose intolerant. Not that that would stop me from consuming dairy in most scenarios, but oat milk hits, alright? You should give it a shot.
AGENT MAY
I donāt put milk in my coffee, just sugar.
AGENT JUNE
Mm. Gross.
AGENT MAY
[HE HUFFS A SIGH.] Well, Iāll stop judging your coffee order if you stop judging mine.
AGENT JUNE
Iāll agree to that, sure.
[HE TAKES A SIP, THEN] See anything of note in the coffeeshop?
AGENT MAY
[UNCOMFORTABLY] Maybe. There was this girl sitting at a table. She was wearing all-black, which is strange considering the weather.
AGENT JUNE
Uh, ever heard of fashion? Dude, you literally wear a suit every day! No wonder you overheat. I mean, why do you think I skip the blazer?
AGENT MAY
[IRRITATED] At least I wear my tie correctly.
AGENT JUNE
I leave it undone on purpose, alright? Itās a statement.
AGENT MAY
Do you know how to tie a tie?
AGENT JUNE
[DEFENSIVE] Yes!
[AN UNCOMFORTABLY LONG PAUSE.]
AGENT JUNE
So, there was this girl in the coffeeshop.
AGENT MAY
She seemed fairly young. Must have been in either high school or college. She was staring at me over her laptop the whole time. Like she was, I donāt know, stalking prey. It was like her eyes were knives, and she was trying to carve my flesh off.
AGENT JUNE
So, she defo wasnāt just idly looking or whatever. Like, youāre pretty sure she was thinking about killing you?
AGENT MAY
Well, thereās no way I can know for certain, now, is there?
[A BEAT.] She was wearing a black fabric surgical mask, though.
[A TENSE PAUSE.]
AGENT JUNE
Do you think she wasā?
AGENT MAY
I canāt say for sure.
AGENT JUNE
I mean, it might have been an accessory, but weāre in Daughtler, Washingtonā
AGENT MAY
Iām not going back there to check. Okay? If we see her again, maybe we can consider interviewing her, but I donāt feel comfortable going back to see her.
AGENT JUNE
[UNDERSTANDING] Alright.
[AGENT MAY SIGHS.]
AGENT JUNE
[CONT.] Alright. I wonāt force you.
AGENT MAY
IāI appreciate that.
[THERE'S A PAUSE.]
AGENT JUNE
Uh, howād you sleep?
AGENT MAY
About as well as I could in a car seat.
AGENT JUNE
Okay, I canāt just keep letting you sleep in the car. It was kind of funny at first, but now I justā [HIS SENTENCE TRAILS OFF IN VAGUE STUTTERS.]
AGENT MAY
[BEAT.] Well?
AGENT JUNE
I feel bad! Alright? I mean, look at me, I have this whole room to myself, and meanwhile, my partner is sleeping in a company vehicle that may or may not have bloodstains in the backseat.
[BEAT, THEN] Actually, Iād love to talk about those weird dark stains later, because uh, what, but Iāll let it slide for now. Itās still gotta be super uncomfortable, though.
AGENT MAY
We could always take turns.
AGENT JUNE
No, what Iām saying is I donāt think either of us have to sleep in the car! There has got to be a better solution.
AGENT MAY
The Foundation already declined giving us a second room, or trying to transfer us to a larger one. Trust me, I tried.
AGENT JUNE
Dammit.
[A LONG PAUSE.]
AGENT JUNE
It's king-sized, you know.
[ANOTHER LONG PAUSE.]
AGENT MAY
Do you think the motel has spare blankets? I think I could try sleeping on the floor.
[THOUGH UNSEEN, AGENT JUNE LOOKS INTO THE CAMERA LIKE HEāS IN THE OFFICE.]
AGENT MAY
ā¦Iāll go down and ask later.
AGENT JUNE
Good idea.
[A BEAT. THERE'S SUIT RUSTLING AS AGENT MAY CHECKS HIS WATCH.]
AGENT MAY
We should head out soon.
AGENT JUNE
Youāre really glued to that watch of yours, huh?
AGENT MAY
Excuse me?
AGENT JUNE
Not that itās bad, you just check it a lot. I donāt really know what watch etiquette is, but I think you look at it more than most people do. Iāve also noticed you tend to look at it more around specific times? Is there a reason, orā?
AGENT MAY
[MORE SERIOUS THAN THE CONVERSATION WARRANTS] Itās none of your business. Perhaps I simply prefer to keep on schedule. Letās go.
AGENT JUNE
[SLIGHTLY CONFUSED] Oh, um, okay. Sorry. [UNDER HIS BREATH] Jeez. Let me justā
[PHONE BEEP.]
[RECORDING ENDS.]
[ANOTHER BEEP.]
[INT. THE OPEN EYES BOOKSTORE BACKROOM, EARLY, EARLY MORNING.]
HOLLY
Are you recording?
PHOEBE
Yes, yes, I am.
HOLLY
Kind of weird to be doing this so early in the morning.
PHOEBE
Iām sorry, I know itās super early. Night just feltā¦well, it felt more dangerous, I guess? Even Grandma Doe recommended not doing it too late. I wanted to get it done before the shop opened, though.
HOLLY
Oh no, I donāt mind. I guess people usually just consider night to be āthe witching hour.ā
PHOEBE
This isnāt really witchcraft, though, is it?
HOLLY
Guess not. Most modern witchcraft is a lot moreā¦chill, I guess?
PHOEBE
Right. [A BEAT.] Do you think itās really a good idea to be doing this in the back room?
HOLLY
Well, itās not like we have anywhere else. Itād be super shady if we did it right outside, and your forestry friend would be pissed if we went out into the woods to do it.
PHOEBE
[NERVOUS] Thereās so much paper, though. I mean, we could easily set the whole thing alight. My apartmentās really small, I know, but maybe we couldā?
HOLLY
Donāt worry about it. We did a pretty good job clearing stuff out to make space, I think. It should be fine, I mean, a lot of the most flammable stuff either got moved out or shoved against the wall.
Besides, didnāt she say that it might be good to do it here for like, symbolic purposes?
PHOEBE
Yeah. Yeah, I guess youāre right. [SHE CHUCKLES.] Maybe this will finally give me incentive to organize everything.
HOLLY
[SHE LAUGHS, SOMEWHAT NERVOUSLY.] If this works, then hopefully youāll be able to do that anyways.
PHOEBE
Thatās true, yes. I, um, guess we should get started. Can you read the directions?
HOLLY
Of course.
[HOLLY IS HEARD UNFOLDING A PIECE OF PAPER.]
HOLLY
[READING] The purpose of all of this is energy. You are lighting fire to produce energy. You are grinding berries and eating them to produce it as well. Ether functions under this key desire for vitality. If you can understand this simple principle, this keen need it has, it will treat you much more kindly.
By designing this ritual for you, my hope is that it will spell out as clear as day to Ether what you are trying to achieve. It rarely gives people what they want, rather it gives what it sees fit for them. You must steer it in the correct direction, or else it will choose a different fate for you.
These instructions are similar to what Valencia and I did, as well as symbolic for what you hope to achieve. However, nobody has ever developed an exact science for how these rituals function. We may only rely on guesswork and hope. While I would like to develop more specific procedures and instructions, I do not know if I ever will. Perhaps that could be your task.
[BREAKING READING] Could I skip her whole monologue? We already read it, and I donāt think itās important in-the-moment.
PHOEBE
Sure.
HOLLY
Cool.
[SHE FLIPS THE PAPER.]
HOLLY
Materials needed: Yarn or string to create a casting circle. Some people use salt, but it produces an awful mess. Several circles of yarn around you and your workspace will work just fine.
PHOEBE
We did that already.
HOLLY
Yup. [READING AGAIN] Three white candles with words carved into them. It does not matter what the words are, they simply have to be legible and completely cover the candle. No numbers. I just wrote out song lyrics on that one.
PHOEBE
Oh, thatās neat! I, um, did poems I like.
HOLLY
Cute. [A BEAT.] A lighter or match of some kind. Someplace to safely burn paperāwe got a metal bin, so weāre good. Did you turn off the smoke alarm?
PHOEBE
I did, yeah.
HOLLY
Letās hope the place doesnāt burn down, then. [CHUCKLE, THEN] Iām joking, I promise. It should be fine. [SHE CLEARS HER THROAT.]
A bookāyou will be tearing out each individual page, so to save time, I suggest a childrenās book. A bowl or container of some kind. Elderberries, I recommend you cook them beforehand, but make sure none of them are pre-mashed. Something to mash the elderberries with. Finally, a few drops of your blood, or something to draw blood with. Thatās what the sewing needle is for, right? You sure you donāt want a blade? I have a pocket knife.
PHOEBE
[UNCOMFORTABLE] I get nervous around knives, but thank you for the offer.
Ohāactually, I wanted to ask, um, where did you find elderberries? I couldnāt find them anywhere.
HOLLY
I asked the bartender down the street.
PHOEBE
Huh.
HOLLY
Yeah, they make all sorts of weird cocktails. Are you ready? Once we start, we canāt stop until itās complete.
PHOEBE
[WITH WEIGHT, NERVOUS, BUT DETERMINED] Iām ready.
HOLLY
Okay.
[HOLLY FLIPS THE PAPER AGAIN. THEREāS A PAUSE.]
HOLLY
Phoebe?
PHOEBE
Yeah?
HOLLY
Whatever happens, Iāweāll be okay, alright? No matter what. Iāll make sure of it, I swear.
PHOEBE
[TENDERLY] Thank you.
[THEREāS A PAUSE AS THEY ARE HEARD KISSING. HOLLY TAKES A DEEP BREATH.]
HOLLY
Create a circle aroundā Okay, we already did that. Um, Start by lighting the candles.
[PHOEBE IS HEARD LIGHTING A MATCH AND LIGHTING ALL THREE CANDLES.]
HOLLY
Tear each individual piece of paper out of the book. One by one, burn each piece of paper using fire from the candles. Once you have burned each page, burn the cover. Do not attempt to put any of the fires out. This tedious process shows care and dedication. The blood in later steps is there for a similar purpose.
[PHOEBE IS HEARD TEARING PAGES OUT OF A CHILDRENāS BOOK AND LIGHTING THEM ON FIRE. THEREāS A LONG PAUSE AS SHE DOES SO.]
PHOEBE
Good thing this book only has twenty pages. [A BEAT.] Whatās next?
[PHOEBE IS STILL TEARING PAPER IN THE BACKGROUND, AND THE BURNING SFX GOES ON FOR SOME TIME.]
HOLLY
Uhāplace your elderberries in the bowl and begin mashing them in a clockwise motion. As you do this, speak out loud and ask Ether to grant you knowledge and the ability to see what others do not. There should be no misunderstanding in what you are trying to achieve, and if you have garnered Etherās attention, it should have already decided what it shall do with you. [MUTTERS] Fuckinā weird.
[PHOEBE CEASES HER PAGE-TEARING.]
PHOEBE
The book is done. Pass me the spice grinder with the berries?
[HOLLY PASSES PHOEBE THE SPICE GRINDER.]
PHOEBE
Thank you.
[PHOEBE IS HEARD GRINDING THE ELDERBERRIES.]
PHOEBE
[WHISPERING TO HERSELF] Ether, um, whoever or whatever you are, if you are listening to me, please grant me knowledge. Grant me the power to see what others do not. Let me see and know everything.
[THERE IS A RINGING HEARD IN THE BACKGROUND AS HOLLY SPEAKS.]
HOLLY
If this works, the words on the candle should begin toāholyāGod!
[HOLLY STUMBLES BACK.]
PHOEBE
Glow?
HOLLY
[FREAKING OUT] Yup? Uhātheyāre actually glowing, what theā
PHOEBE
[OVERLAPPING] Whatās next?
HOLLY
Sorry, sorry. [SHE RUFFLES THE PAPER IN HER HAND.] Mix a few drops of your blood into the elderberries.
PHOEBE
Pass me the sewing needle.
[HOLLY PASSES PHOEBE THE NEEDLE. SHE PRICKS HER FINGER.]
PHOEBE
[UNDER HER BREATH] Ow.
[SHE LETS A FEW DROPS COME OUT, SUCKS ON HER FINGER BRIEFLY, THEN MIXES HER BLOOD IN.]
HOLLY
Drink the elderberry mash. You must consume every bit of it, or at least as much as you can.
PHOEBE
[GROWING IN A MIX OF PANIC AND EXCITEMENT] This is itāI meanāwait, Iām about to consume my blood, thatās weird, butāthis is really it.
HOLLY
[ENCOURAGING] You can do it.
[PHOEBE IS HEARD DRINKING THE ELDERBERRY MASH. THERE IS A PAUSE.]
HOLLY
If successful, the candles willā
[THE CANDLES ARE HEARD EXTINGUISHING.]
HOLLY
ā¦blow out.
PHOEBE
[SLIGHTLY SICK] I think I got it all.
HOLLY
How do you feel? Isāhas anything changed?
PHOEBE
I feelā¦I feel like thereās a part of me that was never there before. Like, my internal self expands farther out than my physical self, like Iām floating, itāsāI need to go lie down.
HOLLY
Iāll take you upstairs. It worked, though?
PHOEBE
I think it did. I mean, Grandma Doe said I would feel some sort of immediate change, but the rest of it would trickle in slowly. I feel different, though.
HOLLY
[SLOWLY, CAUTIOUS] Does this mean youāre not human anymore?
PHOEBE
[A BEAT.] I havenāt thought about that. I mean, I think I might just kind of be human plus? Iām not sure. Grandma Doe was still mortal, after allāshe felt pain, she got illāher mind was just super advanced. Does that make me inhuman?
HOLLY
Iā¦I donāt think so. I think you just have mind powers or whatever.
PHOEBE
Iāll think about it later. Iām just going to try to get some sleep before the shop opens.
HOLLY
You donāt even have to open today, you know. People will understand if you just say youāre ill. Or I could run it for today, since thereās usually less traction on weekdays.
PHOEBE
[SINCERE] Thank you.
HOLLY
Of course.
PHOEBE
[SHE SIGHS.] Okay, time toā
[PHONE BEEP.]
[RECORDING ENDS.]
[ANOTHER PHONE BEEP.]
[INT. IRENEāS HOUSE, MIDDAY.]
IRENE
I just got home from work. Apparently, Phoebe did that ritual early this morning. It went well, from what Holly told me, though Phoebeās been taking the day off to rest.
Oh, and they also posted that advert on the bulletin board yesterday. You know, for someone to develop Valenciaās film.
Thatās not important right now. You know what is important?
This morning, at work, I opened up a folder on my computer and guess what was in it? A new audio recording where there shouldnāt be one. Guess the technological gods have decided to be generous today.
I decided to wait until I got off to listen to it. Itās dated shortly after the incident, so I think it might be important.
Besides, work has beenā¦well, different, since the Spread. I havenāt told Carol or Aden thatās what itās called, though. The whole incident brought us closer together, but I think thatās a double-edged sword. They know me well enough, now, I think they can tell Iām hiding something. Aden definitely knows I amāI mean, what I told him was pretty cryptic, but Carol I think justā¦knows. Sheās just like that. [SCOFF] Maybe thatās part of her motherly instincts.
Right, thatās beside the point. Back to the recording.
Here goes nothing.
[IRENE CLICKS ON THE FILE.]
[PHONE BEEP.]
[INT. DRIVING, LATE AT NIGHT.]
[THERE IS THE AMBIANCE OF DRIVING DOWN A DESOLATE FOREST ROAD AS THEY TALK.]
UNKNOWN GIRL
Does it work?
ROSE
I believe so.
UNKNOWN GIRL
[SHE SNORTS.] About as well as a cheap cell phone from Walmart could, I imagine?
ROSE
It just has to be able to record and make emergency calls. Iām not too worried about it. Thank you, again. Really, I owe you.
UNKNOWN GIRL
Hey, I didnāt buy it. I just walked into the store and handed your money to the guy behind the counter. Itās not a big deal.
[DULLY SKEPTICAL] Youāre trying pretty hard to cover up your tracks, you know. Destroying your phone, not wanting to be seen in public to go get a new one, only paying in cash. Almost makes it sound like youāre a criminal or something.
ROSE
[FRANTIC] Iām not! I swear, Iām not.
UNKNOWN GIRL
No need to get defensive. Look, I get it. We all have reasons to want to disappear. Iām surely in no position to judge.
You know, I know we havenāt known each other for long, but I feel like we might actually have a lot in common.
ROSE
Why is that?
UNKNOWN GIRL
We both donāt know where weāre going, or why.
ROSE
[UNDER HER BREATH] Oh, I know why.
UNKNOWN GIRL
So you do have a reason?
ROSE
Itās not a big deal.
UNKNOWN GIRL
Your secretās safe with me, you know.
ROSE
Itās nothing. Really. Justā¦do you have to know orā?
UNKNOWN GIRL
Well, do I have any reason to?
ROSE
No, but do you even have a reason to be helping me?
UNKNOWN GIRL
[DEADPAN] What can I say? Iām a generous soul.
[A BEAT.] Say, why did you want something to record with, anyways?
ROSE
I, umāitās stupid.
UNKNOWN GIRL
Try me.
ROSE
Itāsāwell. I guess I donāt want to be forgotten? I want some way for people to find out what happened to me whenā¦ifā¦you know. Thereāsā¦if something does happen to me, thereās at least one person who deserves to know.
UNKNOWN GIRL
You think youāre going to get yourself killed?
ROSE
I donāt know. I suppose itās better to be safe than sorry?
UNKNOWN GIRL
But you have someone you know will want to listen. [CONNECTING THE DOTS] You werenāt a loner before you left, were you? You left someone important behind, and now you feel bad. You owe them an explanation.
ROSE
[UNCOMFORTABLY] Yes. Right. I guess.
[A BEAT.] I donāt want to talk about this anymore.
UNKNOWN GIRL
Who did you abandon?
ROSE
[RAISING HER VOICE SLIGHTLY] I said Iām done.
UNKNOWN GIRL
Alright, alright.
[A BEAT.] If it makes you feel better, Iāll let you prod at me a bit.
ROSE
[HESITANT] Where did you get your name? Wednesday is such a unique name, I donāt think Iāve ever heard it outside of stories.
WEDNESDAY [UNKNOWN GIRL]
Itās certainly no āMary,ā is it?
ROSE
I mean, obviously. My nameās pretty basic.
WEDNESDAY
I actually chose it after I left home. Not like that, just never liked the name my parents gave me. Kept the last name āWhite,ā though. It has a ring to it.
ROSE
Was there a reason for it, or did it just sound nice?
WEDNESDAY
When people meet someone with a weird name, that tends to be the thing that most grabs their attention. āI met a girl named after a day of the week today, isnāt that bizarre?ā I didnāt want to be remembered for anything I didnāt want people to see. If one thing was going to stick with them, it would be my name, but not quite the face that goes with it. Just the girl with an odd name.
ROSE
So you want to be forgotten?
WEDNESDAY
Not forgotten, but I want control over the memory of me. I want to fade away into obscurity, but not obscure enough that itās suspicious.
ROSE
[KIND OF UNCOMFORTABLE] Youāve thought about this a lot.
WEDNESDAY
When youāre like me, you have to.
ROSE
Whāwhat does thatā
WEDNESDAY
[OVERLAPPING] Do you need me to stop at the gas station up ahead?
[THEREāS A SLIGHTLY TOO LONG PAUSE.]
ROSE
Um, yeah, I have toā
[PHONE BEEP.]
[RECORDING ENDS.]
[INT. IRENEāS HOUSE, EARLY EVENING, THE SAME DAY.]
[THEREāS A LONG PAUSE.]
IRENE
[STILL PROCESSING IT AS SHE SPEAKS.] Okay. Okay! This is definitely a start. A great start, actually!
Okay, letās see, uhāafter you ran away, you destroyed your phoneāno wonder the police couldnāt track itāand then you went with some person named Wednesday.
Thatās definitely a start. If I can figure out where WednesdayāWhite, was it?āyeah, Wednesday White. I know Wednesday probably isnāt her legal name, but I might still be able to find her somewhere. If I can find Wednesday White, I might have a good shot at finding you. Thatās great news!
[A SLIGHTLY TOO LONG PAUSE.]
IRENE
[HER ENTHUSIASM DYING] I donāt trust Wednesday, though.
[A BEAT.] Okay, maybe I shouldnāt be so skeptical. I mean, youāre not an idiot, Rose. You wouldnāt hitch hike with just any random stranger. Would you? Doesnāt even seem like you gave her your real name, she called you āMary.ā
[SHE HUFFS A SIGH.] Maybe Iām just being defensive. Still, she seemed off, didnāt she? That whole thing she said about her name just kind of rubbed me the wrong way. She prodded a lot, too. Almost as if she wanted to make you uncomfortable.
I could be reading into it too much. I guess I wonāt know until I find her. Hopefully, she didnāt fade into obscurity too much. Thereās gotta be some record of her existence online. If Iām lucky, she might be on social media or something. Who knows? Lots of time has passed.
[A PAUSE, THEN, SOFTLY] That person, youāwere you recording for me? You wanted me to know you hadnāt abandoned me on purpose. [HURT] And here I was, thinking you would just leave without reason. That you had betrayed me in some way. IāmāRose, Iām so sorryā
[JUST AS SHE SAYS āSORRY,ā HER PHONE BEGINS VIBRATING. SHE PICKS IT UP.]
IRENE
[SKEPTICAL] Thereās an unknown number calling me.
[SHE ANSWERS.]
IRENE
Hello?
CALLER
Hello? Is this the person who posted an ad outside of Open Eyes Bookstore?
IRENE
Oh! Um, yeah, thatās me. Wow, I didnāt expect to hear from someone so fast.
CALLER
Iām an observant person. I like to make my rounds throughout the town. Youāll never know what youāll find, after all. Or who.
Anyways, you have some film that needs to be developed, right? Well, it just so happens to be your lucky day, because I have a dark room.
IRENE
Thatās fantastic. I can pay you however much you want, justā
CALLER
[OVERLAPPING] Oh, that wonāt be necessary. Iām studying photography, so the experience is payment enough. No worries!
IRENE
Thatās very kind of you, thank you.
CALLER
Of course!
Oh, where are my manners? My name is Sadie. Sadie Creed. And you are�
IRENE
Irene.
SADIE
Irene! How cute. Where do you want me to pick up your film?
IRENE
Um, Iām sorry if this sounds rude, but I would prefer to meet out in the open? Is that a problem?
SADIE
Not at all. How about Lemongrass Park?
IRENE
Thatās actually perfect, yeah.
SADIE
Great! Iām happy to meet you tomorrow night at 8:00, if that time works for you? I know thatās a bit late, but I work at the candy shop until then.
IRENE
That should be fine, yeah.
SADIE
Looking forward to it! Pleasure doing business with you, Irene. Bye-bye!
[SADIE HANGS UP.]
IRENE
Huh. Well, I guess that solves that.
Time to go find Wednesday White.
[PHONE BEEP.]
[RECORDING ENDS.]
AUTOMATED VOICE
Today's quote is: A wave of grass engraves upon the stone: āThere is more than one good way to drown.ā
Sylvia Plath in "Epitaph in Three Parts," 1955.
[OUTRO MUSIC AND CREDITS PLAY.]
MICRO-COSMOS PROMOTIONAL AD [written by Jesse Smith]
[THERE ARE STATIC NOISES.]
ATHENA
This is Communications Athena Romero of OEC #0137-F recording from a⦠still, unknown location on the infant planet Ophiuchus-22. Though I have my⦠well, rational, doubts, something in me feels as though this transmission might actually be reaching someone. Might just be desperation, though. Most likely just desperation. Regardless. We would appreciate any and all OC representatives or employees, or individuals otherwise receiving this transmission, to please send a response. We have been recording mandatory and otherwise necessary emergency chronicling logs for days now. Please.
[WE HEAR MILES'S FOOTSTEPS APPROACH.]
MILES
(distant) Athena, are you sending out another transmission? Theyāre not going to-
[C41 APPEARS WITH THEIR USUAL PING.]
C41
Shhh, let her do her thing, Miles. She needs to set her character up correctly for the new listeners that are hearing this promotional advertisement.
MILES
The newā what?
C41
What?
MILES
What are you talking about?
FELIX
I believe what Cal is doing is called ābreaking the fourth wall,ā my friend.
MILES
Breaking the what now?
C41
Oh, just forget about it.
[MILES GROANS; WE HEAR ALEX APPROACH.]
ALEX
What about a promotional advertisement?
ATHENA
Guys, could you⦠[SIGHS] I am trying to finish this log, so could you please give me a moment?
ALEX
Sorry, Starshine, I just got a little caught up in the whole āself-aware and breaking the fourth wallā thing.
ATHENA
Itās⦠fine.
C41
If I were you, Athena, I would close your log out by telling the listener to tune in to Micro-Cosmos: A Science Fiction Podcast, wherever you get your podcasts! The show is created by a crew of LGBTQ+ people, and features strange infant planets, brief romantic scenes before epic tragedy, cool sci-fi terminology, and adorably talented AI units, like myself!
ATHENA
Micro-?
C41
More information on the show can be found on its website: āmicrocospod.spaceā, OR its Twitter, Instagram, Tumblr, or TikTok, which all have the handle ā@microcospod.ā
MILES
⦠uh huh.
[THE CREW SITS IN SILENCE FOR A SECOND.]
C41
Thatās just what I would say, though.
MILES
⦠Cal, we really need to figure out what is going on with this new phase of yours.










