Harrow Cosplay Planning 2: The Hard Part
Friends, the harder yet more fun aspect of this cosplay is designing my version of Harrow's necromancer robes. While one could look at the series as sci-fi and have a lot of fun trying to design something more sleek and futuristic, like Harrow's canonical cover outfit, I have a deep love for historical costuming and overly ornate bullshit of all sorts, and as such will be leaning heavily into anachronism for the Reverend Daughter of Drearburh's more officious garments.
The line from chapter 7 about Harrow's disembarking outfit reads,
"Harrowhark did not care for any herald. She had drifted out like a black ship in sail, a bony figure wreathed in layers and layers of night-coloured cloth with a lace overcloak trailing behind her; adorned with bones, painted like a dead woman, eyes blindfolded with black net."
"Layers and layers" and "ship in sail" are the first things that give me ideas. When I think of the silhouette of a "ship in sail" I think long not wide. Now, maybe most of the train comes from that lace overcloak, but I think we would have more fun if the main gown itself had some volume in the skirt. I want to avoid any horizontally boned skirt supports, (so no drum farthingales, panniers, or crinoline cages) in order to maintain that long not wide effect. Initially, I thought about basing the main gown on a houppelande, specifically the one pictured here:
Rogier van der Weydan, c. 1443-1445
But as I thought about the practicalities of cloth usage in the ninth and this line Harrow has in chapter 6 of HtN, where she notices Jod's all-black attire, "he was dressed simply, as per usual, in a black shirt and
trousers. The lack of tint had always pleased you. It was very Ninth, even the collar and the cuffs of his shirt that were scruffy and pilled from too much wearing," it became clearer to me that the houppelande was too wasteful in its fabric use. That fits more with one of the Tridentarii's diaphanous dresses than Harrow. So I looked instead to a much less wasteful garment, the kirtle:
Specifically, one that has the opening on the side like this example.
Daisy Viktoria Medieval Dress Pattern
But with more of this shape when standing. I like the continuous cut of the front pieces of the bodice and skirt, and we can add volume and length at the rear gore without adding bulk or extra fabric to the front or side gores.
I want to do a side button (because they actually have buttons! Woo not the 13th century!) opening to try and do something stupid. Given Harrow's propensity for turtlenecks, I want to try and add a side buttoning high neck collar, though whether that gets added to the kirtle or lace overcloak is anybody's guess right now. But if it does end up on the kirtle, getting into the gown will probably be easier if all the openings are on the same line.
To create the "layers and layers," the black kirtle will get a black shift and petticoat, an apron, a shawl, maybe a separate collar garment, kind of like a structured fichu, and the lace overcloak, which will objectively be the hardest thing to source. I'm not adding a surcoat because this is my design and I don't feel like it, it doesn't fit my goth 13th-century rococo vibe.
Speaking of rococo, I am tossing around the idea of adding robe-a-la-francaise-style box pleats to the gown to help support the length idea, but that might be too much.
The veil is a tad confusing. The way it's described in the quote above, as Harrow's "eyes blindfolded with black net," implies it may be more of a fascinator or even a true blindfold, but earlier in that same chapter, Gideon describes how, โThe expression on the other girlโs face wasnโt disinterest or distraction, as sheโd assumed; even through a layer of veiling, she could tell that Harrow was near-incapacitated with concentration,โ making it seem like the veil is over her whole face. Out of a deep love of overdramatics, I'm taking the executive decision it's a full-face veil.
The veil I'm taking from Victorian mourning veils. I know it describes it as "net" in the quote, but in HtN, the Lyctor Hood is contrasted with it as such, "your new hood, unlike good Ninth House furze, was transparent enough to let you see quite clearly". I did some googling, and today it seems like "furze" is just a plant otherwise known as gorse, not a type of cloth or veil. However, if Harrow's veil were simply netting, she would be able to see out of it easily. I think this is a case where Gideon's unreliable narration and inattention to detail is kicking in. As such, I feel justified in using a more densely woven fabric for the veil itself.
The Met, Mourning Veil, 1900-1920
While this is technically probably Edwardian, the crepey silk used was common throughout the Victorian era.
I also like this type of headband I keep seeing fan artists (I will try to find sources and links in the coming days) put Harrow in to anchor the veil, so I would make a version that is not 50 dollars and is probably smaller.
The shoes would just be the shoes I get for the other version of this cosplay.
Adding all of the bone beading to the gown will be a bridge I burn when I get to it, it's going to be rough rough rough. I have no idea what I want to do in terms of rococoing this up, so expect at least a part 4 of the HCP series about that, (3 will be grease paint research) even if HCC (Harrow Cosplay Constructing) begins in the meantime.
If you made it all the way down here, thank you for reading all of that I am excited to work hard on it and show you what I come up with, and if you didn't:
TL;DR Gonna make a black kirtle for the necromancer robes and add some accessories
