half-rutter
That hyphen takes this into new semiotic worlds?
Yes. Someone could write a whole thesis on that one hyphen!

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half-rutter
That hyphen takes this into new semiotic worlds?
Yes. Someone could write a whole thesis on that one hyphen!

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half-rutter
That cardigan is AMAZING.
Danke!
scavengedluxury
It's like the Sanquhar pattern inside a kaleidoscope.
Oh, thatās exactly what it looks like! I like to have a nickname for each of my items of knitwear so that might well stick.
half-rutterĀ replied to yourĀ post:Ā Iāve not got a spider plant, not even one. How...
Spider plants are so good tho!
Itās true! Iāve always had them until I moved house at some point and seemed to lose track of my poor spider plant colony.
Tagged by half-rutter to answer Arty-Farty Questions for Arty-Farty Friends! Itās a ramble so sticking it behind a break, if you are reading this then you are ~tagged~ to answer the questions too:
1) Have you ever been moved to tears by a painting / sculpture / work of art? What was it? Not memorably, certainly have been captivated and sometimes saddened but I think only music, films and books have provoked tears, to date. Perhaps I have cried after coming home from an art gallery, but I often do that at the end of a busy day of being out anyway.
2) When was the last time you were so engrossed in a book you disregarded something IRL, such as missing a stop on your train? (Bonus, do you remember what was the scene in the book?) Specific memories are murky - although I know it has happened. I think I missed one stop on the tube when I was working near Piccadilly and reading a collection of Anna Kavan stories. As a kid I would stay awake too late reading with a torch under the bedclothes.Ā
3) What film would you most love to live inside? (This refers to costumes, set, locations, time period, characters - but you do not have to be constrained by the filmās exact plot.) I like the concept - and the distinction. Thinking about this, the films Iāve been most impressed by and found enjoyable are definitely not ones Iād want to exist inside of. I supposeĀ āLa Belle Vertā since the colonised planet was kind of Utopian, if a little bit creepy.
4) Architecture - you are allowed to live for one year in any building designed by any architect (it will be made habitable for you, and bills and furnishings will be taken care of.) What building (existing or existed) and/or what architect to design a ~dream building~? Oh, this is a good one! Iāve always said that the Canterbury city cemetery should let Roger & me live in the chapel (John Green Hall was the architect) because we spend so much time lurking there at night as students.Ā
5) Whatās your favourite museum in the world? I guess this would have to be Sciworks in Winston Salem since the wonder of the small child is so potent that this was the place I first experienced lots of things for the first time - particularly the planetarium where Iām told I amused the whole room by sayingĀ āooh, stars!ā as a very young one. Other than that there was an animatronic dinosaur, a giant plastic mouth, harmonograph, zoetrope and geode that I remember well. Again, not the grandest but fond memories.
6) An eccentric billionaire has made a bequest: upon your death, a small plaque and a moderate grant will be given to the individual museum, gallery or performing arts venue that has made the most positive impact on your creative life. Where will your plaque go? I donāt know what place has most influenced my own creativity - probably my school, various pubs, friendsā houses and libraries since itās daily experience that prompts such things for me, rather than other peoplesā work and so on. Going to National Trust & English Heritage places with my family growing up made me appreciate quality in crafts. Living history and re-enactment prompted an interest in authenticity and making things from scratch in traditional ways.Ā Iād be happy if a donation was made to The Union Chapel since I have only ever had moving and memorable experiences there and that definitely contributes to creativity holistically.Ā
7) Were you taught to play any instruments while you were growing up? (It doesnāt matter if you can play them now.) If you could go back and arrange lessons for your child self, what instrument would you have played? I pestered my parents to let me learn the trumpet during primary school and was supposed to take the grade 2 exams but the teacher kept saying heād forgotten to arrange it. My parents told me I wouldnāt have time to keep learning when I started secondary school and that was that. They have since apologised and Iāve accepted that I donāt have aptitudes for understanding how to play music so would probably focus my attention elsewhere instead.
8) Do you do any crafts? Knitting, sewing, whittling, metalwork, beading, photography, printmaking, anything you can make yourself? Iām no good at knitting but do cross-stitch & blackwork embroidery. Have dabbled with spinning and intend to do more when my course finishes. A bit of whittling, a bit of weaving. I love print making but donāt do it enough - I have lino blocks and a silkscreen but not really the space. Some scribbly sketches and comic cartoons, some collage, marbling, embossing, making soap & candles. The best things Iāve done have mainly been textile-based. Iāve made dresses and jackets, though with the guidance of teachers at the time. Iād like to get a decent sewing machine and get back into that. Taking pictures is also a creative thing, I suppose, but the process feels very different - more like writing a letter than making a print or something. Perhaps itās the process more than the end result with some things.Ā
9) Dance lessons (ballet, tap, contemporary, salsa, itās all good!) Yes / No / Was Forced But Hated It / Always Wanted To But Wasnāt Allowed? We had to do dance at (all girls) secondary school. We wore leotards and had a formidable German teacher who would stand at the front of the hall and screechĀ ādoubletime girls, faster! faster!ā during the aerobics warm-up. I shudder at the memories. Went to a couple of salsa classes with some friends when we were 18ish but the men were so creepy I couldnāt face continuing. My co-ordination and bodily awareness is fairly lacking so I wouldnāt attempt dancing, other than ceilidhs which I enjoy with a kind of invigorating fear.
10) Do you know any poetry by heart? And if someone really wanted to impress you, what poet or poem would they recite to you? Other than my own, which I learned to perform back when I wanted to *be* a performance poet and still remember now - mostly just things such asĀ On An Hour Glass by John HallĀ which have come up in music, often folk-type things. The process of choosing a suitable poem would be part of what would be impressive, which is an evasive way of not having anything particular in mind!