#haks

Ronnie Cutrone (July 10, 1948 – July 21, 2013) was an American pop artist known for his large-scale paintings of some of America’s favourite cartoon characters, such as Felix the Cat, Pink Panther and Woody Woodpecker. This is how the Wikipedia listing starts , but there is so much more to Cutrone as artists. He belonged to the first wave of New York graffiti artists in the New York region it is…

What strikes me every time i leaf through these books i find his work appealing, but in many cases i find it just too much absurd fantasies by the artist. Still this is, according to others, one of the qualities Kunc has. He exaggerates and creates scenes with many layers, but for me after some time they stop working and i am in need of a new ” surprising” composition. Milan Kunc is certainly a great artist, with many beautiful publications, but personally i prefer other artists. http://www.ftn-books.com has some nice Milan Kunc publications available.

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After studying at the Academy of Fine Arts of Bologna Ontani began his artistic career in the 1970s when he became known for his tableau vivants: photographed and videotaped performances in which he presented himself in different ways: from Pinocchio to Dante, Saint Sebastian to Bacchus. These displays of “actionism” (different from Viennese Actionism, to which Hermann Nitsch is associated) verge on kitsch and raise personal narcissism to a higher level.

Throughout his long career Ontani has expressed his creativity and poetics through the use of many different techniques: from his “oggetti pleonastici” (1965–1969), made in plaster, to the “stanza delle similitudini,” made with objects cut in corrugated fiberboard. He has often anticipated the use of techniques subsequently adopted by other artists: his first Super 8 films were made between 1969 and 1972. With his work “Ange Infidele” (1968) Ontani begins to experiment with photography. From the beginning his photography has been characterized by some particular elements: the subject is always the artist himself, who uses his own body and face to personify historic, mythological, literary and popular themes; the chosen formats are usually miniature and gigantography, and each work is considered unique. From the late 1960s on are “Teofania” (1969), “San Sebastiano nel bosco di Calvenzano, d’apres Guido Reni” Tentazione,” “Meditazione, d’apres de la Tour,” “Bacchino” (1970), “Tell il Giovane,” “Raffaello,” “Dante,” ” Pinocchio” (1972), “Lapsus Lupus,” the diptych “EvAdamo” (1973), “Leda e il Cigno” (1974), “I grilli e i tappeti volanti” that will be followed by other “d’apres,” and the first Indian cycle “En route vers l’Inde, d’apres Pierre Lotti.” His first artistic photography has a historic importance because it anticipates a phenomenon that will be widespread and popular from the 1980s.

While working on his photographs Ontani began to make his first tableaux vivants. From 1969 to 1989 the artist made around 30 of these exhibitions, again foreshadowing the so-called interactive installations, which are based on the mixture of various technologies. With this same attitude he has created works in papier-mâché, glass, wood (he has made numerous masks, especially on Bali, with Pule wood) and, more rarely, in bronze, marble, and fabric. He has also made notorious works in ceramic, thanks to the cooperation with Bottega Gatti of Faenza, Venera Finocchiaro in Rome, and the Terraviva laboratory of Vietri: some of them are his “pineal” masks, the “Ermestetiche,” and the last great works such as “GaneshaMusa” and “NapoleonCentaurOntano.”

Ontani has not used all these different techniques as ends in themselves but as occasions to experiment new possibilities and formulate new variations of the themes and subjects that interest him the most: his own “transhistoric” travel through myth, the mask, the symbol and iconographic representation. He has exhibited his works in some of the most important museums and galleries of the world, from the Solomon R. Guggenheim Museum to the Pompidou Centre, the Museo Reina Sofía to the Frankfurter Kunstverein. He has also participated in several editions of the Venice, Sydney, and Lyon biennales. Recently he has had four important retrospectives at the MoMA (2001), the SMAK in Ghent (2003–2004), the MAMbo in Bologna (2008), and the Accademia di San Luca, also called the Accademia Nazionale di San Luca, in Rome (2017). The retrospective in Rome marks his receiving the Premio Presidente della Repubblica award in 2015.

Part from thnis blog comes from the WIKIPEDIA page on Ontani

http://www.ftn-books.com has the most important Ontani publication on stock.

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