Coastal Scene 1996
Lyle Wilson
seen from China
seen from United States
seen from China
seen from China

seen from Luxembourg
seen from China
seen from China

seen from Canada

seen from United States
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seen from Luxembourg

seen from China
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seen from United States
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Coastal Scene 1996
Lyle Wilson

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we're ignoring the tags for this one aside from the fake dating so whatever happens is a fun surprise
Eagle Opens Up by Haisla, Heiltsuk artist Paul Windsor, located in Vancouver, Canada.
You can also find his work on Instagram.
G°yem (Whale) pendant by Lyle Wilson, 2013
Sterling silver and abalone shell, CA$2,800
In this pendant, the Whaleâs pectoral fins and tail are arranged so the face is partially hidden; reminiscent of a masked dancer.
Lyle Wilson belongs to the Haisla Nation, from the North Coast region of the Canadian province of British Columbia.
haisla totem, march 25 2021

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đ¨đŚ Canada
Region: North America
Monkey Beach
Author: Eden Robinson
384 pages, published 2000
Original language: English
Native author? Yes
Age: Teen-Adult
Blurb:
Five hundred miles north of Vancouver is Kitamaat, an Indian reservation in the homeland of the Haisla people. Growing up a tough, wild tomboy, swimming, fighting, and fishing in a remote village where the land slips into the green ocean on the edge of the world, Lisamarie has always been different. Visited by ghosts and shapeshifters, tormented by premonitions, she can't escape the sense that something terrible is waiting for her. She recounts her enchanted yet scarred life as she journeys in her speedboat up the frigid waters of the Douglas Channel. She is searching for her brother, dead by drowning, and in her own way running as fast as she can toward danger. Circling her brother's tragic death are the remarkable characters that make up her family: Lisamarie's parents, struggling to join their Haisla heritage with Western ways; Uncle Mick, a Native rights activist and devoted Elvis fan; and the headstrong Ma-ma-oo (Haisla for "grandmother"), a guardian of tradition.
Other reps: #indigenous
Genres: #mystery #supernatural #family
My thoughts:
There were a few good First Nations-related books I came across for Canada. You might also try Sorrowâs Knot by Erin Bow or The Missing by Melanie Florence
Review to come.
Link to buy | OpenLibrary link
Haisla Nation Flag. Letâs take a moment to appreciate how cool Native Canadian art is.
from /r/vexillology Top comment: wouldnât call it just canadian native :) iâm tlingit southeast alaska and our art is very similar to the tribes and councils below us. Unfortunately our flag isnât as cool
LYLE WILSON: KITAMAAT HAISLA ARTIST.
Lyle Wilson is a Haisla artist from British Columbia: born at Câidax (Butedale Cannery); spent his early years in Kitamaat Village; moved to the town-site of Kitimat from grade 4-9; then moved back to Kitamaat Village from grade 10-12; after graduating from Mount Elizabeth Secondary School, he worked at Alcan for a year before eventually moving to Vancouver to seek a post-secondary education at the University of British Columbia and the Emily Carr College of Art and Design.
The Haisla people are often referred to as Northern Kwakuitl, however their historic artistic style is, mainly, influenced by the Kwakuitl, Tsimshian, Bella Bella and Bella Coola. The name Kitamaat means âPeople of the Snowâ; which refers to the large snow-fall  during the winters. Tsimshian guests who visited the Haisla in mid-winter arrived to see people emerging from traditional bighouses that were completely buried by the snow. Thus, the name Kitamaat was given to the Haisla.
The Haisla Clan system was originally matrilineal and, although he was born into the Beaver Clan, Lyle was formally adapted into his fatherâs Eagle Clan. Due to high death rates at that time, his Eagle grandmother adapted both Lyle and his sister to bolster the numbers of the Eagle Clan (his sister has now returned to the Beaver Clan).
âI was always aware, and appreciative, of Haisla art after seeing a few old carvings at village places/events. My first living artistic influence was my uncle Sam Robinson â a full-time carver who carved at a time-period when everyone assumed Pacific Northwest Coast carving was a dying art-form consigned to the past; consequently, there was no wide-spread recognition of Northwest Coast art as there is now.
I watched Sam and occasionally whittled to the best of my ability. I didnât really seriously consider art as a profession until after attending the University of British Columbia â I enrolled, & completed, 5 years of the N.I.T.E.P. and Secondary Art Education programs.
I found time in the studio more interesting and eventually left UBC for further studies at the Emily Carr College of Art and Design (now the Emily Carr University of Art & Design). I graduated with a print-making diploma and began to try develop an individual artistic style â using my life experiences, formal education at UBC and ECUAD as the roots in all my art work: prints, wood carvings, paintings, drawings and gold/silver jewellery.
I also prefer working by myself, because I believe that the individual personality shows itself in the finished work â so Iâm reluctant to involve others in my artistic projects unless absolutely necessary. Even the extra large carving I try to do mostly myself so I can keep my personality in my work.
Iâm one of the few Pacific Northwest Coast artists fortunate to have an extensive formal, post-secondary education. Iâm a life-long student/carver who has interests in numerous areas that â hopefully â enrich whatever work I produce.â
LYLE Â WILSON. (c) 778-846-3520