The Most Feminist Men of the French Revolution â and New Forgotten Female Figures
Following the survey I posted here: https://www.tumblr.com/nesiacha/779667028438138880/survey-who-is-your-favorite-feminist?source=share Iâm making a summary of the names of the men of the French Revolution who worked the most for womenâs rights:
Nicolas Condorcet
Armand BenoĂźt Joseph Guffroy
Gracchus Babeuf
Charles-Gilbert Romme
Guyomar (who supported granting women the right to vote)
Charlier (who opposed the ban on womenâs clubs and societies)
Jacques Roux
Philippe-Laurent Pons de Verdun
Joseph Lequinio
I highlighted especially those who defended a broader vision of equality between women and men. My source for the last two names comes from Hervé Leuwers.
A Forgotten Female Revolutionary: âLa MĂšre Duchesneâ of Calais
Interestingly, in the same talk by HervĂ© Leuwers, I found mention of a completely forgotten revolutionary woman, nicknamed âLa MĂšre Duchesneâ of Calais, who called for women like her to be armed so they could defend their homesâthus allowing men to go fight at the frontiers. Her family name appears to be Morel or Morelle, though since this comes from a video, the spelling isnât entirely clear.
"La mĂšre Duchesne" of Paris
What makes this even more interesting is that in 1791, pamphlets titled La MÚre Duchesne were published in Paris (a different publication not connected to the woman from Calais). These warned Marie-Antoinette. The journal was printed by Guilhaumet at 23 rue du Serpent, a few hundred meters from the printing shop of Abbé Buée, and its author remains unknown.
Here is an excerpt summarizing the publication:
"The issues of this journal are written as epistolary monologues addressed by La MĂšre DuchĂȘne either to the readersâalways referred to as womenâor to political figures and groups (the Queen, the Kingâs aunts, the Ă©migrĂ©s). The character of La MĂšre DuchĂȘne in the Letters differs from AbbĂ© BuĂ©eâs version by her militant, violent nature. Starting with the third issue, the author added an illustrated vignette representing La MĂšre DuchĂȘne. It depicts a young woman standing, smoking a long pipe (...). She wears a cuirass reminiscent of Jeanne dâArc and holds a national cockade in her left hand and a long, threatening sword in her right. Her patriotic character is emphasized by the inscription âLive free or dieâ placed above the vignette. The author clearly wanted to associate his MĂšre DuchĂȘne with popular warrior symbols, which also appears in her relationship with her husband. In contrast to BuĂ©eâs portrayal of conflicting gender roles, here her husband is shown as a partner sharing her patriotic zeal and hatred of aristocrats. The opposition between âwiseâ women and ânaiveâ men that characterizes BuĂ©eâs discourse is replaced by a confrontation between patriotic women and aristocratic women. Through this framework, La MĂšre DuchĂȘne attacks the Queen in the first issue. This number refers to rumors spread in late February suggesting that the Queen intended to follow the Kingâs aunts and leave France with the Dauphin. In a very violent tone, La MĂšre DuchĂȘne warns and threatens the Queen in the name of the women of the people:
âIf you should happen to feel like traveling, I can assure youâon my word as MĂšre DuchĂȘneâyou would have quite an escort. All the women of Paris would be up in arms: they would topple the coachman, the postilions, everything, right down to the horses and the carriage. Everything would be sent flying... They would make sure to secure Your Sacred Person and place you somewhere safe. We Frenchwomen are generous: we always return good for evil... Follow our example!...â This representation of conflict between patriotic and aristocratic women reappears in several Letters published in March and April, where La MĂšre DuchĂȘne attacks the Kingâs aunts and the nuns (...).â
This excerpt comes from Ouzi Elyada, La MĂšre Duchesne. Masques populaires et guerre pamphlĂ©taire (1789â1791), which you can read here: https://www.persee.fr/doc/ahrf_0003-4436_1988_num_271_1_1190
Feel free to add more.
Sources
Hervé Leuwers
Antoine Resche
Mathilde LarrĂšre
Jean-Marc Schiappa
Ouzi Elyada










