Colored some(many) novel illustrations bc why not!
pt.2 bc I did, indeed, do many
Pt. 1, pt.3, pt.4

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Colored some(many) novel illustrations bc why not!
pt.2 bc I did, indeed, do many
Pt. 1, pt.3, pt.4

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kh4 is gonna go great
huge fren I think mainly Gula is a menace to harvests and cattle, but if it can't get well fed on whats found in villages - it will snack on mortals You can escape Gula's neverending hunger only by offering it a lot of food once in a while, but it will come back for more
100 DAYS OF KINGDOM HEARTS DRAWINGS:
DAY 98
i hope you like long stories.
Dogs & Their Collars in Ancient Mesopotamia: Man's Best Friend in the Ancient Near East
Among the many contributions to world culture credited to Mesopotamia is an object so familiar to people in the modern world that few pause to consider its origin: the dog collar. Throughout the ancient world, from China to Rome, dogs are depicted in works of art on a leash attached to a collar.
The dog collar was so integral an aspect of the people's daily lives that even the dogs of the gods are seen in collar and leash; a relationship first evident in art from ancient Mesopotamia. In the same way that scholars debate the origin of the dog and its first domestication, it is difficult to say with certainty that the people of Mesopotamia were the first to invent the collar.
It is probable, even quite likely, that the collar – like people's relationship with dogs themselves – developed independently in many different regions at different times. Even so, as far as the collar's depiction in ancient art is concerned, the earliest come from Mesopotamia.
Dogs were greatly esteemed in Mesopotamia as protectors, healers, and companions of the gods. The healing goddess Gula was always depicted with a dog, as was Inanna, one of the most – if not the most – popular deities in the Mesopotamian pantheon. Images, amulets, statuary, and engravings of dogs were regularly produced for a variety of reasons, and in most of these, the dog is seen wearing a collar.
In the modern day, then, the simple act of a dog's owner putting a collar and leash on his or her friend is a repetition of a practice going back thousands of years to another time and place. Although the dog collar of the present is made of different materials, the basic design remains unchanged and, it seems, the essential relationship between people and their dogs does as well.
This relationship is well established in Mesopotamia from as early as 3300 BCE in the southern area known as Sumer. Orientalist Samuel Noah Kramer, in his book History Begins at Sumer, examines 39 "firsts" in history from the region, among which are the first schools, the first proverbs and sayings, the first messiahs, the first Noah and the Flood stories, the first love song, the first aquarium, the first legal precedents in court cases, the first tale of a dying and resurrected god, the first funeral chants, first biblical parallels, and first moral ideas.
The Sumerians also essentially invented time in that their sexagesimal system of counting (a system based on the number 60) created the 60-second minute and the 60-minute hour. They also divided the night and day into periods of 12 hours, set a limit on a 'work day' with a time for beginning and ending, and established the concept of 'days off' for holidays.
Although Kramer does not list the dog collar among his "firsts," and there is no official record establishing the invention, it is evident from artistic and literary works that the Sumerians valued dogs and used collars quite early in their history.
Dogs in Literature
Long before the famous Aesop of Greece (circa 620-564 BCE) wrote his fables, the Sumerians were already well-versed in the genre. Kramer points out how the dog is featured most prominently in these stories, writing, "the dog comes first, being referred to in some 83 proverbs and fables" (124). Aesop, in fact (or the unknown compiler we know by that name), probably collected earlier Greek and Sumerian fables rather than composing anything original himself.
Aesop's fame rests entirely on the efforts of 15th-century printers to find material they could publish through the new invention of the printing press. The first English edition of Aesop's Fables was brought out by William Caxton in 1484 to provide the public with inspiring reading material. The Sumerians had already accomplished this goal some 3,000 years earlier through stories such as Why the Dog is Subservient to Man and The Show Dog.
In the former story, a dog barks at a lion who is approaching a village and is struck by it while the fox cowers nearby pretending to be frightened. The fox slyly declares that, if one pretends to be humble and show fear, one can walk easily with lions. The dog in the story is the hero, however, because he shows his true intentions in protecting the people from the lion.
In The Show Dog, a purebred has puppies and complains to her mongrel friend that they will never win a prize because of their sire's lineage. The mongrel responds, "Whether I have fawn-colored puppies or whether I have brindled ones, I love my young." The show dog is thus presented as shallow in that she only values her puppies by the prestige they can bring her, while the mongrel, the common dog, loves her young unconditionally.
Many of the best-known fables attributed to Aesop are actually Sumerian in origin, including the famous maxim of the "dog in the manger" referring to someone who refuses to enjoy an experience but also will not allow any others to enjoy it. Although dog collars are not specifically mentioned in these fables, it is assumed they were in use – especially if there were dog shows as the above tale suggests – and they are clearly represented in art.
Read More
⇒ Dogs & Their Collars in Ancient Mesopotamia: Man's Best Friend in the Ancient Near East

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Vorazebul
They constantly exude a cloyingly sweet-smelling fluid from their bodies which attracts clouds of flies. If even a drop of this liquid were to fall upon you would be stricken with desire to eat all you can. This is not mere hunger, it is a need for gustatory stimulation, one where eating becomes a sensual act and not a sustaining one.
Favourite Mobile Game characters!
I had a bunch of fun with these!
Original template by @serenedash Here
I don't think there's any surprises for those who have followed me for long enough. Originally I was just going to have Ventus as a stand alone, but after I drew his sketch, his smile looked less sweet and more... sinister. I KNOW Darkness/Vanitas doesn't really do much in terms of possession, but... you know; I'm a Vanitas enjoyer and I gotta to shoehorn him in somewhere!
I don't know Missing Link characters apart from the ones shown in the trailer. I haven't seen the cutscenes from the beta yet- I wanted to wait and play the game for myself, but uhm... look where that's gotten me so far, haha. I've still only seen the trailer and maybe a few seconds of the cutscenes to get references for Remus and his Keyblade. I only know Nept from Tumblr, even though I have Missing Link Spoilers as a hidden tag.
I wasn't originally going to do backgrounds, but my hand slipped with Ventus and Xehanort's Carer, so I decided 'why not'.
This week's feature is RED-ROADIE-HOOD!
Ephemer's Anguish Design, What Do We Do Now? Design, Ephemer Design 1, Union Leaders Design, Ephemer Design 2, Skulmera Design, Overmorrow Design, It's Going to be Okay Design, UX Design, Brain and Ephemer Design, Lauriam and Ephemer Design, Ventus and Ephemer Design, Skuld and Ephemer Design, Player and Ephemer Design, Tea Time Design, Missing No. Design, Ephemer Design 3, Family Guy Death Pose Design, Ephemer's Heart Station Design, KHUX x RWBY Design, Pokémon Trainer Ephemer Design, Pokémon Trainer Skuld Design, Pokémon Trainer Brain Design, Ephemer Design 4, We Don't Talk About The Master Design, KHIV Strelitzia Design