#greg doran

Touchstone was DT's first Shakespeare part and As You Like It was the Shakespeare play he first remembers being interested in as there was a tour of it that went to his school.

A licence was needed to be able to use André Tchaikowsky's skull for Hamlet as he had died within the last 100 years old. DT dropped it during dress rehearsal the first time they used it and a bit broke off. Luckily they were able to fix it as it was a cheek(?) bit that had fallen out and could be put back in.

DT did a fair impression of both Sir Ian McKellen and (I think?) Al Pacino (I think this was in reference to 'Looking for Richard'??)

DT felt a lot of pressure in relation to Hamlet to the point that he was curled up in the foetal position before going on and had to be talked out of it by the speech assistant

They hold 'gyms' during the rehearsal period where they go through the play line by line to make sure everyone understands what they're saying. They might have discussions about it if there's not consensus.

GD thinks Love's Labour's Won (the lost play) is Much Ado About Nothing. DT countered this (to much laughter) with the plot of DW S3 Ep2. There was clearly a large Whovian contingent in attendance.

I've mentioned this elsewhere but they talked about other productions of Macbeth and GD mentioned one he'd seen with the following joke in the Porter scene: "Knock knock" "Who's there?" "Tom" "Tom who?" "Tomorrow and tomorrow and tomorrow" DT said he wouldn't tell Jatinder or he'd use it that evening

DT's least favourite Shakespeare is The Taming of the Shrew, I think GD demurred on this. Both said favourite is always the one you're currently working on. So Macbeth atm.

The talked about intervals and how Shakespeare didn't really have them - the crowd would be standing and some scenes were built in as a break. Some plays lose momentum if an interval is place in (Macbeth was cited). It can be a bit of a challenge choosing where to place one and they mentioned how in their Vers of Hamlet they put the interval mid-line to shake up expectations etc.

They talked a bit about iambic pentameter and how it's not as important as purists might have you believe. Shakespeare started having thoughts cross lines as he got older - perhaps to help the actors?

They talked about the challenges of such well-known plays and creating suspense etc. Some of the lines are problematic and how as a director, you're not an academic so if it doesn't work you can cut them!

DT mentioned Iago (among others) as a character he still wanted to play [🙏🙏🙏pls & ty]

One of the questions was about how his Shakespeare performances informed his part in Rivals. The response was that Jilly Cooper and Shakespeare actually have a lot in common in that they understand how humans act and wouldn't shy away from bawdiness etc.

They did mention Richard III a fair amount but the specifics aren't coming to mind

They talked about reviews and how you can dismiss the bad ones but if you do that then you can't really take only the good ones to heart. My friend noted that this topic was the only time GD looked slightly uncomfortable during the talk but I can't say I noticed that.

I did not know it was possible to make Titus more horrifying. But smash it together with “My Little Pony” and…

PIXIE POO: “Ack! What happened to your hoofsies?!”

David Tennant telling the story of what inspired the 2008 production of Hamlet for the Royal Shakespeare Company

There’s a scene where Launce and Speed, two comic servants, discuss the attributes of a milkmaid. One of the actors said to me that it was exactly like a Hinge profile. I hadn’t a clue what he was talking about until he explained that it was a dating app.

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