Feb 2
do u think she thinks his car is cool
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do u think she thinks his car is cool
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
grahammarsh commission for @fatamatryoshka !
When you write a fanfic for your favorite rarepair but the tags have been dead for years
One of my FB friends just share this while I thought why not sharing this after similar ship/parings already has across my mind while I feel like, this is something one of them definitely would do 😌✨❤️
Unrealistic but adorable at the same time ✨👫👬👭
If you knew who created this by any sites, please leave a comment if you’ve notice each every artist’s work 😶 Besides pointed this out, feel free to leave a comment which one of ship/parings would definitely do this since I can’t filled my ships all in one post because tag sections only reaches to 30 tags.
Seersucker and Madras inspired by @theblackivybook by @garmsville and @ivyconnection
Seersucker Suit: J Press, thrifted
Cotton Square: No label, thrifted
Silk Knit Tie: Lands' End, thrifted
Madras Shirt: J Crew, thrifted
Desert Boots: Clarks, thrifted
Notes on BLACK IVY: A Revolt in Style
Many artists argue that once you put a work of art out into the world you never know how it is going to affect others, how it will hit, how it may resonate with people. The following notes represent how the work of art that is BLACK IVY resonates with me.
BLACK IVY is a work of beauty; a work of freedom; a work of community. In essence BLACK IVY represents what Black people have been doing since they arrived in the Americas: creating beauty, constructing community and extending what it means to be free--the very meaning of freedom.
BLACK IVY is not about Black Americans wanting to be white. Contrary to what many Americans argue, this means that Ivy is as much Black as it is white and--just as the United States itself--always has been. In other words, without the contributions of Black Americans the U.S., and thus Ivy, would simply not exist. (I say this while acknowledging the imbalance of power and wealth--between Blacks and whites--that always has been, and continues to be, present within American society. Clearly, work still needs to be done and BLACK IVY is part of that work.)
BLACK IVY continues and builds upon the work of African Americans like the poet Phillis Wheatly, work that the historian and literary critic Henry Louis Gates Jr. convincingly argues to stand for "the creed that culture was, could be, the equal possession of humanity". Historian David Hackett Fisher credits this creed to people like Wheatly and calls the idea of culture belonging to all people, equally, "something new in the world--an expansive idea of freedom and justice, truly for all humanity to share".
As I admire BLACK IVY I imagine myself involved in this ongoing process of extending freedom, and justice, and culture, to all, equally. Although 'imagined' the significance and potential power of an "imagined community"--a socially-constructed community--as American political scientist Benedict Anderson has shown us, should not be underestimated. We can all help construct this community. BLACK IVY is also an invitation to all people to help construct this community.
Finally, similar to artists like @feliciathegoat, another member of this imagined community, I take inspiration from "older black dudes that dress ill". :)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
X-Rated: Adult Movie Posters of the 60s and 70s Available at www.draw-down.com Designed by Graham Marsh. A new, expanded, complete edition of Tony Nourmand and Graham Marsh’s cult bestseller, with text by writer Peter Doggett. The 1960s and ’70s were the Golden Age of the X-rated movie. For the first time, these films were shown in mainstream cinemas to a fashionable, young crowd. The “porno chic” movement around films like Deep Throat(1972), The Opening of Misty Beethoven (1976) and Debbie Does Dallas(1978) gave skin flicks an air of credibility that had never existed before. Johnny Carson and Bob Hope talked about Deep Throat on TV, and respected artists became involved in promotional campaigns for adult films. Of all film genres, the X-rated movie is possibly the one that lends itself best to the use of posters as a promotional medium. Screaming taglines, provocative titles and scantily clad bodies are all elements that are potentially evocative in poster form. Even though many of the adult movies of the ‘60s and ‘70s have faded into cinematic history, their posters remain an inspiration for graphic designers. And today they are fascinating period pieces that evoke the temptations and taboos of a bygone age of suspender belts, stockings and eye-popping, gravity-defying brassieres. To quote Steve Frankfurt’s iconic ad campaign for the soft core masterpiece Emmanuelle, “X was never like this.” #AdultMoviePosters #GrahamMarsh #MoviePosters #cult #1960s #GoldenAge #graphicdesign #typography #retro (at New York, New York) https://www.instagram.com/p/BySX8AunQIj/?igshid=bdg9jo77b9vb
Save 10% with code: GETMORE X-Rated: Adult Movie Posters of the 60s and 70s Available at www.draw-down.com Designed by Graham Marsh. A new, expanded, complete edition of Tony Nourmand and Graham Marsh’s cult bestseller, with text by writer Peter Doggett. The 1960s and ’70s were the Golden Age of the X-rated movie. For the first time, these films were shown in mainstream cinemas to a fashionable, young crowd. The “porno chic” movement around films like Deep Throat(1972), The Opening of Misty Beethoven (1976) and Debbie Does Dallas(1978) gave skin flicks an air of credibility that had never existed before. Johnny Carson and Bob Hope talked about Deep Throat on TV, and respected artists became involved in promotional campaigns for adult films. Of all film genres, the X-rated movie is possibly the one that lends itself best to the use of posters as a promotional medium. Screaming taglines, provocative titles and scantily clad bodies are all elements that are potentially evocative in poster form. Even though many of the adult movies of the ‘60s and ‘70s have faded into cinematic history, their posters remain an inspiration for graphic designers. And today they are fascinating period pieces that evoke the temptations and taboos of a bygone age of suspender belts, stockings and eye-popping, gravity-defying brassieres. To quote Steve Frankfurt’s iconic ad campaign for the soft core masterpiece Emmanuelle, “X was never like this.” #AdultMoviePosters #GrahamMarsh #MoviePosters #cult #1960s #GoldenAge #graphicdesign #typography #retro (at California) https://www.instagram.com/p/By7lvYHHDrW/?igshid=llft9pp5vo8l
Back in Stock! X-Rated: Adult Movie Posters of the 60s and 70s / Available at www.draw-down.com/ Designed by Graham Marsh. A new, expanded, complete edition of Tony Nourmand and Graham Marsh’s cult bestseller, with text by writer Peter Doggett. The 1960s and ’70s were the Golden Age of the X-rated movie. For the first time, these films were shown in mainstream cinemas to a fashionable, young crowd. The “porno chic” movement around films like Deep Throat(1972), The Opening of Misty Beethoven (1976) and Debbie Does Dallas(1978) gave skin flicks an air of credibility that had never existed before. Johnny Carson and Bob Hope talked about Deep Throat on TV, and respected artists became involved in promotional campaigns for adult films. Of all film genres, the X-rated movie is possibly the one that lends itself best to the use of posters as a promotional medium. Screaming taglines, provocative titles and scantily clad bodies are all elements that are potentially evocative in poster form. Even though many of the adult movies of the ‘60s and ‘70s have faded into cinematic history, their posters remain an inspiration for graphic designers. And today they are fascinating period pieces that evoke the temptations and taboos of a bygone age of suspender belts, stockings and eye-popping, gravity-defying brassieres. To quote Steve Frankfurt’s iconic ad campaign for the soft core masterpiece Emmanuelle, “X was never like this.” #AdultMoviePosters #GrahamMarsh #MoviePosters #cult #1960s #GoldenAge #graphicdesign #typography #retro https://www.instagram.com/p/Btvd0__HYtq/?utm_source=ig_tumblr_share&igshid=1j4ys5057ge0z