Its been a while since i have stayed up past midnight to read a book. But when you have a beefy queer monster hunter? Hmmmmm.... then I dont need much persuading
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Happy Disability Pride Month 2026!
It’s Disability Pride Month, and we’re celebrating with books that have queer disabled main characters! For more books with queer disabled MCs, or to look for specific conditions, check out our…...
https://lgbtqreads.com/2026/07/01/happy-disability-pride-month-2026/
This post was written for the Random Blogwagon hosted by Prismatic Wasteland!
I’m going to open with an opinion that might get me kicked out of the blogwagon: I think too many game designers are too willy-nilly with the use of randomness in their games.
I don’t think this is a massively hot take that’s going to revolutionise the gaming blogosphere. But, prompted by the blogwagon, I wanted to finally get some more thoughts out there on the concept of randomness and its implementation in TTRPGs. There’s a book I really love about this, Uncertainty in Games by Greg Costikyan. I originally wanted this post to be a full discussion of that book, but time is running short so I’ll have to save that for another time. The book has come up in some of my previous writing before, most notably in Uncertainty in Legacy Games on my old site.
When I’m talking about randomness here, I mean pure mathematical randomness. Colloquially, people love to call things random when they’re not. The outcome of Rock-Paper-Scissors isn’t random, both players made a decision, but lots of normal people I speak to (as opposed to game designers) tend to call it random anyway. I like to use the term “arbitrary” for stuff like that, where you have little-to-no control over the outcome but no mathematical randomness was involved.
Die-hard randomness haters might say that randomness undermines agency, and that’s definitely true sometimes! Costikyan talks about the board game Candy Land, a zero-agency game who’s main objective is to teach children how to take turns. There’s also the classic RPG example of the swingyness of a d20 vs target number (“How can I, a level 1 fighter, make decisions in combat that feel important when I only have a 60% chance of doing damage in the first place!?”). But I think randomness can create strategy and interesting choices just as often as it stomps them out.
I’m thinking about the overkill result in the Powered by the Apocalypse game Godkiller. Godkiller uses a roll-with-questions mechanic where each move makes three statements, and you get +1 to your 2d6 roll for each statement that is true.
If you roll too high on some of these moves, you get an overkill: a success with a consequence because you were too powerful. This is a wonderfully flavourful mechanic that prompts you to consider whether you want all three statements to be true all the time. Maybe it’s safer to hold back so you don’t hurt someone close to you. The randomness becomes a big factor in establishing your character’s position in a scene. Especially when the odds of rolling 10+ on 2d6+3 are just over 58%!
Another important factor to consider when designing for randomness is the dynamic between the randomness and player choice. With the previous example of a move in Godkiller, the player’s action triggers the move (“When you inflict violence on someone...”) and then the player rolls to determine the outcome. The decision comes before the randomness. This is called output randomness. Output randomness can sometimes feel very chaotic, since players are forced to react to the consequences of the randomness as they appear, rather than be able to plan based on the results they know they could get.
The opposite of output randomness is input randomness, where the randomness occurs before the player makes a decision. A classic example of this is a hand of cards in Poker. The player gets their random hand at the beginning, then chooses how to bet based on it. In the comments of the Skeleton Code Machine post about Input and Output randomness, Exeunt Press describes input randomness in TTRPGs as “inherently limiting,” using a hypothetical example of a game that gives you a hand of random actions to choose from. But I don’t think this is the only thing that input randomness can mean in RPGs. For a different mechanical perspective, I want to propose Spark Tables, a mechanic that I love from the works of Chris McDowall, especially Mythic Bastionland. See the original post about spark tables on Chris’ blog here.
Spark tables are a GM’s best friend. I’ve been obsessed with them in my recent designs. They’ve shown up in my previous and upcoming solo games: Visitations (which came out last year) and the upcoming A Witch’s Pilgrimage (WIPs are available to paid subscribers!). They are a great example of input randomness: you are given some random words, then “react” by interpreting the words into a more fleshed out and meaningful narrative.
For a while I believed that input randomness was inherently better and lead to more player agency because of the greater information, but I don’t buy that any more. I think it depends on the range of the randomness in your game, something I have also previously written about. If the range of randomness in a game includes situations where the next decision is obvious, that will always have lower player agency than a game where the randomness always leads to interesting decisions. This can be okay! Especially if those non-decisions feel thematically appropriate. But they can also be frustrating if used in the wrong place.
I think this is why I find spark tables so compelling. The entries (at least with Chris’ tables) feel like there are almost always multiple ways to interpret them. Then, when you begin combining multiple prompts, the people, places and things you create feel completely bespoke to your game.
It’s like GM prep magic, I’m obsessed.
---
Thank you for reading! I really wanted to do a full rundown of Uncertainty in Games, but like I said I didn't have the time. All my blog posts are available for free, so join at the free tier to get them in your inbox!
Read more at the Crackerjackalope Games Patreon:
Get more from CJ Tucker | Crackerjackalope Games on Patreon. Tabletop RPGs and Games Writing. Support CJ Tucker | Crackerjackalope Games and
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Don't mind me I'm just crying because I'm reading a fantasy novel with a main character that is an ambulatory wheelchair user (who also uses a prosthetic leg) with chronic pain. This is the first time I've read something like this outside of my own stories.
"In truth, Kissen's leg still ached, it always ached, but it was better than when they arrived. The wheelchair was a blessing. She wasn't used to it and kept wanting to jump up. But it was a relief to be able to rest her hips."
