Laurence Revey ââ Le Creux Des FĂŠes #laurencerevey #globalunderground #remix #lapastourelle #mymixtapes #tuneoftheday (at London, United Kingdom) https://www.instagram.com/p/CFutWp0nDLx/?igshid=h8n0ncsnq1ws

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Laurence Revey ââ Le Creux Des FĂŠes #laurencerevey #globalunderground #remix #lapastourelle #mymixtapes #tuneoftheday (at London, United Kingdom) https://www.instagram.com/p/CFutWp0nDLx/?igshid=h8n0ncsnq1ws

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The struggle was powered by Diggers tonite #fixedgear #skreambikes #superteamwheels #globalunderground #JohnDigweed #LosAngeles https://www.instagram.com/p/B_5eOpJl1HI/?igshid=1oj1ai0aa0tlq
Whooooop,looks like itâs the weekend again .. have fun whatever you are up to... shot by me đ¸ @dean_belcher Bucharest Romania #photography #travelogue #travel #globalunderground #exploretheworld #dancemusic #music @unkleofficial #romania #bucharest #funtimes #streetphotography #streetstyle https://www.instagram.com/p/BuMjY4DggkH/?utm_source=ig_tumblr_share&igshid=37gyodpyhfuz
Knocked out by the kind comments re the new @global_underground city mix .. over 20 yrs ,5 of the 7 continents .. so many cities,10s if not hundreds of thousand frames of film and captures but most of all tons of great people ... despite the cold this was yet another great one. ............................................................................... #Repost @global_underground with @get_repost ăťăťăť #GU42 #Berlin @patrice_baumel Pre-Order Now: (link in profile) #globalunderground https://www.instagram.com/p/Bray3dYAlxl/?utm_source=ig_tumblr_share&igshid=vmhwaql0mrja
Gestern Abend erÜffnete Melissa Murther die 1. Wild Card Essen die von Radio Cosmo mitorganisiert wurde. Melissa Murther, Singer und Songwriter ßberzeugte mit ihrer klaren Stimme und begleitete sich selber mit ihrer E-Gitarre. Dabei fßhrte der reduzierte Sound, selbst im kleinen Saal der Philharmonie Essen, zu einem einmaligen HÜrerlebnis. Die Reihe "Wild Card" ist eine Kooperation der Philharmonie Essen mit WDR COSMO und dem Institut fßr Populäre Musik der Folkwang Universität der Kßnste. @melissamuther #melissamuther #wildcard #ardcosmo #philharmonieessen #globalunderground #soulful #folkwang #singersongwriter #jazz #soul #pop #livemusic #worldmusic #cosmo_ard #liveonstage #concertphotography #liveconcertphotography #livemusicphotography #worldmusic #livemusic #pocket_tunes #musicofinstagram #concertphotography #liveconcertphotography #musician #musicislife #livemusicphotography #pocket_music #globalmusic #globalsound #liveconcert #listentothesound (hier: Philarmonie Essen) https://www.instagram.com/p/BqDHyO8g93t/?utm_source=ig_tumblr_share&igshid=xl39pulmbopm

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GLOBALUNDERGROUND/DANNYTENAGLIA//LONDON
BY DOM PHILLIPS
DONâT go out for dinner tonight in London town. Not unless you fancy kebab. Danny Tenaglia is in town and every head chef in town is at home in Leicester Square, dancing alongside a scrum of clubbers, scenesters, dance industry folk, producers and DJs. Tough shit for big-spending couples splashing out on that special meal; good news for fans of masterful house mixing. Upstairs in the VIP Room itâs celebrity central as Tom from the Chemical Brothers rubs shoulders with Bobak, ex of Another Level while Lisa IâAnson leans coolly against a wall. On the main floor Global Undergroundâs James âChairmanâ Todd is strangely quiet - bar the odd war-whoop - while partner Andy Horsfield is nodding and smiling and cheerfully silent. Itâs the witching hour, Danny Tenaglia is playing it deep, dark and groovy and everyone chefs, DJs, heads-down flailing dancers - is lost in music, caught in a trap, no turning back. This DJ is so good heâs even shut the Boxed boys up.
Tenaglia plays gourmet house. He doesnât use rapid-fire snare rolls and he doesnât drop quick-fix dancefloor explosions. He teases out swaying grooves that slow-burn rather than flame up, but still bristle with energy; he shadow-boxes with specially-recorded vocals and effects. Be warned: unlike his last set from Athens, this mix sees Tenaglia exorcising even more of his soul and garage influences alongside percussion-based techno and deep, dark house. It is Global Undergroundâs deepest mix to date - so listen loud with an open mind.
During his London visit Tenaglia makes his presence felt over two sets at Home and a wild afterhours party at AKA, where Laurent Gamier plays in the next room. Much as he loves Home, Tenagliaâs not happy about the DJ boothâs prominent position in the middle of the floor - so the club later relocate it to the back of the room. âHe doesnât want to be the centre of attention,â explains his manager Kevin. âHe doesnât like all the hero worship. He finds it distracting.â But with other big-name American DJs increasingly out of the loop, Danny Tenaglia canât avoid the spotlight. Paul Oakenfold names him his world favourite. At Miamiâs Winter Music dance conference, his annual ten hour sets have become a ritual. In the early 90s his productions with Peter Daou for Tribal Records helped define a period in house music history - alongside artists he fostered like Murk and Deep Dish. Now he occupies a unique position in international dance music - as respected by garage-loving New Yorkers as he is by British clubbers fired up by progressive and trance, with a sound that checks the best elements of both into a sleazy love hotel for the evening. Now that home in London and Space in Ibiza have him playing regularly, Tenaglia is more influential than ever.
So when he decided to base his second Global Underground mix on a DJing trip to London, everyone came out to play. And not even the chefs were planning on eating.
THURSDAY is John Digweedâs birthday and come early evening heâs hopping round the empty Heaven club with a nervous grin on his face. Deep Dish are headlining his monthly Bedrock night, but flyers have hinted at a âvery special guestâ. Two days ago Bedrock announced Tenaglia was playing in an e-mail to members and the wordâs gone round like wildfire. âThis is the icing on the cake, one of the best DJs in the world,â grins Digweed. âYou never see me on the dancefloor, but I was there for five hours in Miami. Every record he plays is amazing. Heâs got that dark, twisted dirtiness to his sound but itâs got real energy. Itâs got a real groove to it. It keeps you locked in.â
Danny Tenaglia sneaks in with two huge shopping bags, winks at me, glances at John. He surveys the empty dancefloor. âI have the most vivid memories of this room from when I visited London as a tourist in 1988,âhe confides. âI wasnât here to DJ. I came here with three friends and we came to Heaven every night. Thatâs where I was musically touched. I was overwhelmed by the freak show.â The Freak Show in question was Paul Oakenfold âs famous Spectrum night, one of the first Smiley clubs: the young Tenaglia had just stumbled into acid house, right at its very birth. The cityâs been special for him ever since. âI love it. This is the place thatâs had me back the most,â he says. âEngland is more receptive to where Iâm at musically. Itâs like a home from home.â He goes down to the dancefloor with his shopping bags and sends Digweed out into the corridor.
âI wouldnât do this for many people but Johnâs such a great guy - heâs so genuine,â whispers Danny, unveiling the birthday present heâs just bought for Digweed. So what does one internationally famous DJ buy another for his birthday? A huge, beautiful, polished, antique gramophone with the dog listening to His Masters Voice engraved on the side of course. Diggers hovers out of sight, giggling nervously - then he is called in. âJohn, this is my gift to you,â says T. âThatâs fucking amazing,â says Diggers. T âMy Grammy to John,â says Danny. The two DJs gather around the gleaming gramophone in awe. âThereâs a pitch control...â whispers Danny. And before you know it, theyâre opening the damn thing up and playing with the wind-up mechanism and the turntable is spinning around. âNow,â says Danny proudly, "you can play your acetates.â
IN Heavenâs booth at midnight Dubfire from Deep Dish and Digweed bob about grinning as Tenaglia gets on the mic, introduces himself, and wishes Digweed - âthe birthday boyâ - many happy returns. Up here in the gods itâs like a high-powered cruise liner, Tenaglia the captain, his onlookers the hopeful first officers. Out on the floor, excitement for Tenaglia crashes through the crowd like a rogue wave. Out on the dancefloor four students have travelled from all over the country to be here. âIâve taken the day off work and everything, driven down from Liverpool as soon as I found out,â says 20 year old Dave. âI havenât been so happy since I was a kid. Danny Tenaglia has this unbelievable sound, itâs pure sex. It cuts you to the bone.â Bouncing happily next to him in a silver top with a stud in her chin is Emma, whoâs 18. She has just two words: âFucking amazing,â she smiles. âFight the cheese,â adds Dave. âFight that cheesy whistle bollocks.â
Tenaglia is livening up his drum tracks with sinister voiceovers, triggered from his bank of effects, which most of his crowd remain blissfully unaware of. Theyâre just lost in waves of heavily sexual house music. There arenât many DJs who go to the kind of lengths Danny Tenaglia does to get his sound right. He mixes with six channels open - two for records, two for CD players, two for effects units. Tenaglia uses the CDs for tracks heâs re-edited himself. âTons of exclusive things - a cappellas, remixes. So many of the records out today are glorified drum tracks so I can liven them up.â Thereâs a Jam-man delay unit that sends shivers of reverberation through Heavenâs dancefloor and a KAOSS pad that you draw your finger across to turn records inside out and back to front. Tenaglia isnât just DJing up here - he is tweaking, bending, remixing and recreating as he goes. Thatâs why his records donât sound like anyone elseâs: heâs remaking them on the spot. Every mix is a one off, gone in 60 seconds.
This two CD mix is based on these London sessions. He calls the sound âsoulful, tribal tech-house with a modern yet classic approachâ. I call it a breathtaking landscape of dirty soul, finger-clicking techno, wild African grooves, sleazy house. Throughout the mix a fat-arsed, dirty old bass is swinging its ass - a groove that never goes home. Itâs an all-night trip that begins with the tropical shifts and percussive roll of Next Evidenceâs âSands Of Timeâ and ends with the raging techno blizzard of Devilfishâs âLive 1999â âTo me, itâs all modern dance music,â says Tenaglia of this spread of music. âItâs the year 2000, get with it or go home.â
The mix is put together with the same kind of wizardry Tenaglia uses in his magic booth. âI edited almost every song on this CD. Itâs not about cutting the song, but about keeping the best parts.â That KAOSS pad spaces out the mangled female vocals on Katchaâs âTouched By Godâ - deep house on a trippy groove. For Onephatdeevaâs Fatboy Slim-Adeva cut-up hit, he lifts off the Adeva vocal and plonks it back down where it was on her original. He took the web of drums from Peace Divisionâs âTribal Phunkâ and looped it, then lets Dietrichâs squawking, bumpy â19 Bulletsâ grow into it.
On CD2 Microworldâs âSignalsâ - a fluttering march of restrained techno - found itself with a few new breakdowns. Two tracks that Tenaglia used to hammer as resident at New Yorkâs Twilo in 1996 are brought to life: DJ Linusâs ethnic-electric âOtronojeâ and Landoâs dark, vengeful âMagical Digital Drumâ. Evolutionâs âPhoenixâ simmers on sweetly flavoured chords but what youâre hearing, again, is the first half of the record looped up; Danny doesnât like the rest. Using CDs alongside vinyl, not as a replacement, allows him to use customised tracks like this. âA lot of DJs are missing the point with CDs,â Danny argues. âTheyâre really missing out or just lazy. Itâs just me going the extra mile.â
Back at Bedrock, Tenaglia teases in his remix of the Rolling Stonesâ âSympathy For The Devilâ, wired up with scratched record noises and bursts of reverse. As the set ends, wild-eyed guys with piercings plead for another record on the stairs by the booth. âJust the one more please, just the one more,â pleads one. âHeâs got to play one more, hasnât he? Heâs got to play one more.â Back at St Martinâs Lane, James hands Danny his record box heâs carried all the way from the club. âYouâre such a tease,â James quips. âI like to please,â replies Danny, grinning.
BERLIN, two months later. Itâs Love Parade day and GlobalUndergroundâs city centre hotel is besieged by fans. Not for Danny Tenaglia, who flew in last night from Ibiza, tanned, relaxed, and with so many record boxes and effects units that a minibus was needed to ferry it all from the airport. Instead, the crowd outside go mad for a glimpse of a man in extra-large sunglasses and a grey boiler suit - Alex from the German Big Brother show, enjoying his 1 5 minutes of fame.
GlobalUnderground are here as the only UK representatives in the famous Love Parade - a vast techno carnival that sends 50-odd truck-sized sound systems down Berlinâs most historic avenues through a crowd of 1 .5 million people. Bela, GlobalUndergroundâs Hungarian tour manager, has moved heaven and earth to pull this off. Heâs hired a truck and a crew from Hungary and a generator from Hamburg and battled his way through complex Love Parade regulations. Andy the soundman from home is here and Tenagliaâs magic booth set up is rigged up. At the Brandenburg Gate everyone on the truck waits for the music to start while crowds pour over the streets, delirious with excitement.
When the security team that strict Love Parade regulations insist surround each truck fails to turn up, James and Andy become mobile bouncers, helped by Bela and Fritz, the manager from Space. On board there are Hungarians, Germans, South Americans - oh, and a bride and groom in full wedding regalia. Maca from Buenos Aires and Christina from London compare knickers while James wields his big plastic bottle of killer vodka-fizzy pop mix at Dannyâs ebullient manager Kevin like a broadsword. Outside fetish-clad space punks rave next to girls in bikinis or clingfilm while sharp-shooters pick out targets with pump-action water- pistols the size of bazookas. Tenaglia is wearing sunglasses with LOVE written on the lenses and his nasty, deep grooves have the crowd hollering and wolf-whistling as the truck rolls through the madness. If heâs not hanging off the side of the truck gobsmacked by the size of the crowds or waving at Carl Cox as he drifts by on what looks like a throne on another float, Dannyâs even got a fuzzy little bear mask on. âWow,â he says later. âI was overwhelmed. I loved the husband and wife show. Then I ran away with the bride.â Later still he talks about how Berlin was a relief from the intense spotlight heâs been under all year. âJust to be able to go out there and party like anyone else. Not be the special DJ - just be one of a million people out there."
Tenaglia right now might be one of the most fashionable DJs on the planet - but to him itâs about soundscapes, not celebrity. âTo me, itâs all modern dance music,â he says, âitâs the year 2000, get with it or go home.â Next thing you know Dannyâs equipment and record boxes are piled in a mountain on a shopping trolley and heâs perched on the summit and this ramshackle DJ chariot is running off down the street with James and Kevin, helpless with laughter, pushing it for all theyâre worth. Here in Berlin, heâs just another guy in a baseball cap on an out of control shopping trolley.
Some of you have requested to hear more of the latest deeper techno releases I find, so here it is! Episode 23, Deeptech. Enjoy! Download link is at www.ertoenen.com #dj #djlife #techno #technodj #technoproducer #podcast #deeptechno #deeptech #ertĂśnen #technopodcast #deepdance #dancemusic #afterhours #danceallnight #studiolife #berlinstyle #berlinsound #berlintechno #newtechno #minimal #minimaltechno #beep #freepodcast #djproducer #deeper #deepbeats #globalunderground #globaltechnomusic (hier: Frankfurt, Germany)
ERTĂNEN - Under - Original Mix Download or listen now http://soundcloud.com/ertoenen #dj #djproducer #djremixer #techno #ertĂśnen #freemusic #downloadnow #deeptech #technoparty #internationaldj #globaldj #globaltechno #globalunderground #renaissanceibiza #deeptechno #progressivetrance #trancemusic #studio #studiotime #studiolife #freetechno #freehousemusic (at Frankfurt, Germany)