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Sankat Mochan Sangeet Samaroh Last Day Finishes With Rajan Sajan Mishra Girija Devi Anoop Jalota Ratikant Mahapatra | संकट मोचन संगीत समारोह: यों संपन्न हुआ संगीत का लोक-पर्व

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लौटने में एक उल्लास नहीं, एक उदासी-सी महसूस हो रही है.

राजन-साजन मिश्र के गायन से ‘संकट मोचन संगीत समारोह’ का नवीनतम संस्करण संपन्न हो चुका है. इन पंक्तियों के लिखे जाने से कुछ देर पहले उन्होंने राग भैरवी में ‘आज राधा ब्रज को चली, संग लिए बरसाने को…’ गाकर इस 6 दिनी संगीत-उत्सव को…

Nice response to the piece below in Livemint website. I wish The Skeptarian, whoever she or he is had said some more. I don’t agree with her or his notions about culture as talking to sweeper. That’s my milklady version.

The Skeptarian • 7 hours ago − This article just re-articulates a certain sameness in our thinking, a tired view of culture that equates it with the arts. Culture is not that…

Girija Devi was one of India's greatest vocalists. One of the last masters of the Purab ang gayaki tradition of the Banares Gharana, Devi had been equally effective singing in the traditional 18th century classical style of khyal as well as semi-classical styles such as thumri, tappa, kajri, dadra, and chaiti.

Girija Devi was one of India's greatest vocalists. One of the last masters of the Purab ang gayaki tradition of the Banares Gharana, Devi had been equally effective singing in the traditional 18th century classical style of khyal as well as semi-classical styles such as thumri, tappa, kajri, dadra, and chaiti.

Girija Devi was one of India's greatest vocalists. One of the last masters of the Purab ang gayaki tradition of the Banares Gharana, Devi had been equally effective singing in the traditional 18th century classical style of khyal as well as semi-classical styles such as thumri, tappa, kajri, dadra, and chaiti.