This game kills me LOL
For some reason having the Pimp Boy during all of this chaos makes it ten times funnier to me. Just a flash of gold and a whisper of funk music as I get my ass beat by the Ghost People

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This game kills me LOL
For some reason having the Pimp Boy during all of this chaos makes it ten times funnier to me. Just a flash of gold and a whisper of funk music as I get my ass beat by the Ghost People

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ok wait @major-majoranon doing mythology Trapper part 2: the Trappening
1. This poses a really curious question actually. Do you think Trapper leaving is a blessing because he got to live unseen by the narrative or do you think that his leaving forced him into a role similar to olorin? Or did he cease to exsist when he was no longer relevant.
and of course the answer to that is: [prolonged scream]
the other answer is:Ā
- if a blessing, then one with teeth, because weāre still asking questions about how he feels after the story and even in the nicest of versions where heās totally find upon coming home, the things that happened (culminating in Henryās death) still happened. at best s1-3 of MASH is Trapperās own ghost-story/heās being haunted by them...
- if ceasing to exist, because... well, technically that is what characters do when they are no longer there (except, they donāt often, they persist in some way and that is more belowās answer)... then I start to go into places of asking about other characters who suddenly disappeared, like Oliver or Ginger, and considering what it means for characters in a narrative like this one (where things happen in seemingly random ways, because xyz is happening in the writersā room) who get left behind. what does it mean when we push characters closer to self-awareness of the narrative? when they know they donāt exist after their final episode or when we close the book? are they conscious of every time we rewatch/reread/rehear the story and wind them back to life? do they know when their final scene is coming? Idk how obvious a comparison this is, or remember how good the book was, but very sophieās world, no? (I should reread it, I havenāt read it since I was a teenager, but it definitely struck me then so...). also of course the neverending story -- book moreso than movies. and ok, literally because I just watched it, but Etta inĀ āButch and Sundanceā saying sheāll leave before theĀ āsceneā when they die, and so she does... characters with awareness that the end is coming....
- and if living as an observer who suffers for those left behind, but with no power over the narrative, well then:
Secondary question off that, do you think he continued to see what was happening in the narrative when he got home? I wonder what it was like to see himself be mourned. It must be scary to see just how important you were to peoples survival when you were only keeping afloat yourself.
see this is what I think Iām really into, headcanon-wise, in this mythology Trapper... thing... weāre pondering... what is the importance of the witness? even a witness who cannot change anything or even alert others to being a witness to their story?Ā
what does Trapper become when he is invoked (what is going on in as time goes by when he noticeably isnāt mentioned, whyyy would you do this to me show!) -- what function does he serve in the latter seasons especially? what does it mean that he has no (in-universe) agency over how he is talked about and when he is brought back to some kind of life? does he see the 4077th all the time, or just when someone is thinking of him?Ā
and since you used the word āmourned,ā +Ā āceased to existā is Trapper technically just as dead as Henry? or maybe juuust a tad less, since Henry gets to actually die and Trapper exists in the strange limbo of he was just... gone.
(and somethingsomething about follies of the living...)