How would one best take advantage of attending Illustration award parties? Iāve won some awards but never gotten work from them. The last time I went up to New York I saw big art directors but didnāt feel like it was appropriate to squeeze into their intimate conversations. I didnāt know anyone there, which didnāt help, but even beyond being shy it really seemed like there was no good time to approach. Iāve got another award party coming up, any tips or insight on how youād like to be bothered?
People rarely get jobs directly from talking to art directors at award parties, conventions, meet-ups, and the like. It would have to be serendipitous that you happened to talk to an art director exactly when they had a job they hadnāt commissioned yet that were you perfect for. Not that it couldnāt happen, or it hasnāt happened, but it is rare.Ā Going to those events areĀ about making connections and friends within the industry that will lead you to future jobs. It gets your face and your business/promo card in front of art directors and others in the field. It leads you to resources you didnāt know existed. It gets you community within your industry. These events are more of a long game than a short one. Your goal at these events should be to introduce yourself and have a short conversation with at least three new people, even if they arenāt an art director. If you are super shy, start with just one person. There is a good chance that person might even know the art director you are trying to get theĀ attention of. Getting involved in a professionalĀ illustration community at first can seem very overwhelming and large, but it actually can be pretty small and intimate at its heart and a lot of people know each other. Because that is the secret of networking that people often times donāt say. It doesnāt have to be a scary or boring formal event. Itās about making friends with people who share a common interest with you. In this case, illustration and art.Ā Ā Ā Agent CMD+Z










