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The Galbraith in Dallas, Texas was designed by Perkins & Will and built by Suffolk Construction. The Bryan Street high-rise is unique not only because of the design but for housing a mix of affordable and market rate rental units in the downtown tower. The Galbraith building has 217 apartments, and just over half of the units are reserved for residents earning significantly below the average area median income.
The building is less than a block from a DART light rail station. There’s a fitness center, a ground floor lounge area with skyline views and an upper-level swimming pool deck overlooking the nearby Arts District.
Matthews Southwest developed the project with support from the City of Dallas Housing Finance Corp. in a venture with Volunteers of America and Urban Specialists. The property is managed by Asset Living.
© Wade Griffith Photography 2022
Conversations with History: John Kenneth Galbraith
Black Knight Everly - Death's Gambit Skin Project 2/5 - splash art wallpaper + edited in-game sprites
Stacy Galbraith, one of the Colorado detectives who worked the infamous serial rape case that inspired the Netflix series, discussed the case with PEOPLE
In 2011, Golden, Colo., Det. Stacy Galbraith (whose Unbelievable alter-ego, Karen Duvall, is played by actress Merritt Wever) reached out to Det. Edna Hendershot of nearby Westminster, Colo., to ask about a rape that sounded alarm bells.
Det. Galbraith was investigating a violent attack in Golden in which a grad student in her mid-20s was raped at home, at gunpoint, by a masked intruder. The victim noted a distinct birthmark on the rapist’s leg, as well as the pink Sony camera he used to take photos of her throughout the attack.
When Galbraith told her husband, a police officer in nearby Westminster, about the Golden woman’s attack, he made a suggestion. “He immediately said, ‘You have to get in contact with our records department [in Westminster]. We have had two in the recent past that it matches the m.o. for,” Galbraith told the Denver Channel.
Galbraith met Det. Edna Hendershot there. Hendershot (whose Unbelievable character, Grace Rasmussen, is played by Toni Collette) had worked hundreds of previous rape cases — including, the previous year, a case involving a 59-year-old Westminster woman raped by a man in a black mask who had stolen her pink camera. Hendershot was also aware of a similar case in Aurora, Colo., from a year earlier.
After comparing notes, the two detectives realized they were likely pursuing the same rapist (who also happened to be Marie’s attacker, though they didn’t know it yet).
“It was the day after I received the Westmister police report, before I talked to the lead investigator, that I knew those two rapes were connected,” Galbraith recalls to PEOPLE. “After reading their [report], it was clear that Westminster believed their case was related to [the rape in] Aurora — and my eyes were opened to the fact that there was a 99.9 percent chance this was a serial thing, not just a random attack.”
Working together to trace the perp, they found four very different victims, in different cities, who’d experienced eerily similar attacks. “It was truly a stranger attack, which created a very uneasy feeling,” Galbraith says. “You didn’t know where to start, or where he was picking out his victims.”
After a high-pressure investigation, with the help of DNA, a white Mazda truck, Adidas shoeprints, and some telling surveillance video, Galbraith and Hendershot finally caught their criminal: army vet Marc O’Leary.
After closing the dramatic case, Galbraith received an Officer of the Year Award in 2012 for her work on the O’Leary case, as well as her work on a bank robbery and a domestic murder case, according to a release from the city of Golden. She went on to work at the Colorado Bureau of Investigations and is now a criminal investigator for the Jefferson County District Attorney’s office.
In 2013, Hendershot was promoted to sergeant for the Westminster Police, Oxygen reports, and was promoted again in 2017 to patrol commander. She no longer works sexual assault cases, she told Oxygen: “I miss working the hard cases very much, but now have the opportunity to mentor new officers and impress upon them the ‘right’ way to do things.”
Galbraith says that although she and Hendershot don’t collaborate on cases like the O’Leary rapes anymore, they’re “friends” and are called to speak at events and conferences together about twice a year. “In law enforcement, there’s a lot of interest in how we worked together,” she says.
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The New Class is not exclusive. While virtually no one leaves it, thousands join it every year. Overwhelmingly, the qualification is education. Any individual whose adolescent situation is such that sufficient time and money are invested in his preparation, and who has at least the talents to carry him through the formal academic routine, can be a member. There is a hierarchy within the class. The son of the factory worker who becomes an electrical engineer is on the lower edge; his son who does graduate work and becomes a university physicist moves to the higher echelons; but opportunity for education is, in either case, the open sesame. There can be little question that in the last one hundred and fifty years, and even in the last few decades, the New Class has increased enormously in size. In early nineteenth-century England or the United States, excluding the leisure class and considering the New Class as a group that lived on what it has carefully called earned income, it consisted only of a handful of educators and clerics, with, in addition, a trifling number of writers, journalists and artists. In the United States of the eighteen-fifties, it could not have numbered more than a few thousand individuals. Now the number whose primary identification is with their job, rather than the income it returns, is in the millions. Some of the attractiveness of membership in the New Class, to be sure, derives from a vicarious feeling of superiority—another manifestation of class attitudes. However, membership in the class unquestionably has other and more important rewards. Exemption from manual toil; escape from boredom and confining and severe routine; the chance to spend one's life in clean and physically comfortable surroundings; and some opportunity for applying one's thoughts to the day's work are regarded as unimportant only by those who take them completely for granted. For these reasons, it has been possible to expand the New Class greatly without visibly reducing its attractiveness. This being so, there is every reason to conclude that the further and rapid expansion of this class should be a major, and perhaps next to peaceful survival itself, the major social goal of the society. Since education is the operative factor in expanding the class, investment in education, assessed qualitatively as well as quantitatively, becomes very close to being the basic index of social progress. It enables people to realize a dominant aspiration. It is an internally consistent course of development.
John Kenneth Galbraith, The Affluent Society, Houghton Mifflin Company, 1958
Plashet County Secondary School for girls, north building East Ham London, Greater London, England, UK; 1954
George Whitby as architect and R. F. Galbraith as engineer
«The school is designed to accommodate some 650 girls, the majority aged from eleven to fifteen, and with a small proportion of sixteen and seventeen-year-olds staying on the extra year or two years to take their General Certificate of Education examination. It provides, in addition to the normal classrooms, specialized rooms for geography (with extra wide desks for maps), needlework, drama (with large, shallow stage), science (equipped with sinks and benches with gas points), domestic science (a star turn, this, with its most up-to-date gas and electric cookers, washing machines, refrigerators, and fitted sinks and cupboards), music (two of these - large, for class work, and small for special lessons), commercial training (with special tipping type-writing desks) and at the top of the building the delightful art room where drawing, painting, basket work, lino-cutting textile printing and pottery are all provided for and carried out.»
see map | related information 1, 2, 3
via “Concrete Quarterly, 22” (Summer, 1954)