At its core, and despite its appropriation, Solarpunk imagines a radically different societal and economic structure.
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At its core, and despite its appropriation, Solarpunk imagines a radically different societal and economic structure.

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my husband read me this incredible article (link) about covid conscious artists, including car seat headrest & the magnetic fields! i really loved when the artist from rebirth canal described covid consciousness as a subculture❣️ super exciting inspiring & comforting read
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Many anarchists have argued that this teleological framework is both ludicrous in its prophetic optimism, and stifling in its programmatic assertions (i.e. that our job is to find ways to advance society into a state of socialism). The progress of society is an illusion created by clever historians and propagandists, and the idea that somehow this historical train is locked into a track that leads to our shared liberation is both intoxicating and toxic. The “progress of society” might be better described as the “evolution of systems of power,” and as Bæden reminds us: “any progressive development can only mean a more sophisticated system of misery and exploitation.” In its refusal of Marxist teleology, Bæden takes up the ideas of Walter Benjamin to call for an attack on this kind of progressivism: “Marx says that revolutions are the locomotive of world history. But perhaps it is quite otherwise. Perhaps revolutions are an attempt by the passengers on this train… to activate the emergency break.” Anarcho-nihilism replaces the program of historical acceleration with one of negation. Rather than moving ourselves quickly along the train tracks of history towards a socialist utopia, we must derail the train and rupture history altogether.
Like the trains bound for Auschwitz, this movement of history is heading nowhere good and needs to be sabotaged at every possible turn.
Whereas once this progressivism was the domain of bright-eyed revolutionaries, capitalism has seized the tradition, meaning that we are now assaulted with it from all angles—whether through austerity and democratic participation or through patient and restrained “movement building,” we are constantly being asked to tolerate intolerable conditions today in order to work towards a brighter future. Using Lee Edelman’s queer theory text No Future as a frame work, Bæden sets out to explore how progressivism is used by mainstream society to keep us attached to the existing order. They argue that futurity is ubiquitously packaged with the image of The Child, the ultimate symbol of our commitment to the future—we must work now, we must compromise now, we must be patient now, in order to secure the well being of the next generation. The unspoken and dubious premise of this reasoning is that what is best for future generations is the preservation of the existing order. Through this lens, the widely-felt social pressure to have children is actually an obligation to reproduce society and capitalism. The term “reproductive futurity” refers to the way in which the very concept of reproduction becomes imbued with a commitment to the existing order. Bæden writes: “The ideology of reproductive futurism ensures the sacrifice of all vital energy for the pure abstraction of the idealized continuation of society.” Because this emphasis on securing a future for The Child prevents us from negating our present conditions, Bæden asks us to sever once and for all our attachment to reproductive futurity. The futures that are being dangled in front of our faces are a mirage that will continuously retreat as we move closer, and the cute, sacred image of The Child is often what prevents us from questioning that mirage. Instead, nihilism asks us to cut ourselves from any attachment to reproductive futurity, and instead “fight, hopeless, to tear our lives away from that expanding horizon and to erupt with wild enjoyment now.” What nihilism glimpses outside of progressivism and reproductive futurity is perhaps similar to what Rose Meth saw when she chose to resist despite a lack of hope: the insurrectionary mode of messianic time.
Serafinski Blessed is the Flame An introduction to concentration camp resistance and anarcho-nihilism 2016 Taken from the original book: Run
The Child, of course, has very little to do with real children. Like all people, children are enslaved under the political order of the state and capital, expected to bear the burden of being the innocent beneficiaries of political initiatives. No, rather the Child is the fantastic symbol for the eternal proliferation of class society. The Child represents the succession of generations and the continuation of this society beyond the lifespans of its living members. All politics, being concerned primarily with the Child, then reveal themselves to be only ever a process by which to manage and secure the continued existence of society.
baedan baedan summer 2012
practicing-love-black-feminism-love-politics-and-post-intersectionality-.pdf | Are.na
this was such an interesting critique of intersectionality! so cool. i love to have my views challenged and expanded!
not in opposition, but frictional.
-- reaux (she/they)
I love the idea of utopias, because they’re sites of possibility. There’s a queer theorist named José Esteban Muñoz who talked about the idea of queerness as a horizon. It’s this notion that as long as heteronormativity is present, queerness is an ideality. We may never fully be queer, but we can feel this warm illumination of queerness on the horizon. I really think about that application as a crip horizon—elsewhere and elsewhen, as Muñoz would say, in which disability is not only imagined, but embraced and dwelled in. It’s a complicated horizon because there’s a diversity of disabled folks. There’s so many different ways of thinking about access and how those identities and lived experiences come together with a tenuous throughline to create a whole disability culture. The question is, what’s the culture that can be expressed in the future? The horizon represents a place that we don’t fully know or understand, but one where we can fully be ourselves. And fashion plays such an important part in imagining what that’s like. We as disabled folks are unruly and noncompliant. We don’t fit into a lot of the structures that have been imagined for only one type of person, that state you have to behave and act in certain ways in order to be part of society. But the idea of a horizon rejects the story of disability as having no place in the future. We’re never going to be at the horizon, just as we’ll never be ‘fully accessible.’ But we’re always moving toward it.
Sean Lee, for Cripping the Script.

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Montreal Daily Star, 4 April 1908
In 2408 Prof. Jinks – After exhaustive research I find humanity of five hundred years ago resembled mankind of to-day in one way! Prof. Blinks – In what way? Prof. Jinks – They were just as eager in the pursuit of the Almighty Dollar!
DO YOU KNOW THIS CHARACTER?
JULIAN MUNRO from Futurity
Yes, I know them.
I've only heard of them.
No, I don't know them at all.