this is the third binder ive made for myself recently and the first one i’m writing up. it’s designed to do a few things: 1) allow me to put it on by myself without dislocating my shoulders 2) allow me to breathe well enough to partake in normal activity 3) be cool enough to wear throughout a muggy 90-100F summer 4) not constrict my ribs in a way that aggravates my lack of connective tissue and causes intense pain.
this has become necessary even though i had top surgery many years ago, because when i had it i was extremely skinny and since then i’ve increased in size by about 50%. this has been really fucking good for my health in every single way* except that when my chest is squishy or moves at all it’s So Goddamn Triggering for me. but also since ive had top surgery ive developed and/or been made away of a plethora of chronic conditions that make every single commercially available binding option medically impossible. unbound, my chest is pretty much what you’d expect for a chubby cis guy but venturing out into the world in just a tshirt no longer works for me
*anyone who badmouths weight gain or fat bodies in the notes WILL be blocked
under the cut are a bunch of process pictures and explanations of what they all mean:
first i’ll give you a look at the pieces and measurements:
most of the seams are sewn in this picture and one half is turned inside out, allowing you to see both the finished dimensions (right) and the placement of the fusible horsehair canvas that gives this lil scrap of linen any structure at all (left)
to get your chest measurement, you’re gonna have to do some math:
first measure above and below what you want to bind. average these numbers. mine are something like 32 and 34, which average to 33. subtract a few inches--this is to allow the air movement between the laces at center front and back, critical in the summertime. i deleted 3 inches bc i like that number but you can go bigger if you want. the more inches you subtract here, the more youll be able to ratchet all your chest material down later, but at the same time you need to leave enough fabric for a sturdy garment. let’s say a range of 2-6 inches/5-15cm. by taking your measurements this way, you’re essentially measuring the chest you would like to have. that + the horsehair canvas work together to compress any squishy tissue/force anything that doesnt compress up and to the outside (basically into the armpit/lower shoulder--the chest might stick out but it will give a very puffed chest captain america pectoral silhouette)
you can also see how ive clipped my curves and pre-drilled my lacing holes. i used the marlin spike on my knife to open up the holes on the interfacing side, mainly as a way of marking them. this worked well bc the interfacing’s glue kept the linen from raveling
this is the same stage but looking at the non-interfaced grey linen/cotton blend (the black is some 100% linen from my cabbage stash). you can see ive broken the solar-plexus-to-back measurement up into a bunch of pieces to save on fabric but that’s not necessary. my original pattern was just two pieces (front and back) and chopping the straps into thirds on both sides was aesthetic
in the following picture you can really see how this is really just overgrown regency stays:
i thought about doing side lacing but didn’t think that would be comfortable for me. on the front, the side seam allowance was pressed inwards before turning to create a finished looking slot. on the back the side seam is left unfinished with an extra wide seam allowance, and is inserted into that slot.
here’s a closeup on it pinned in place (you can adjust the angle of the side seam and the fit during this pinning stage):
that side seam was just topstitched in place once i had the fit how i liked it, and the armhole was reinforced with more topstitching
alright, time for eyelets: first, you can see how well the marking worked:
next, two rows of basted eyelets (left), one row of eyelets sewn with a doubled and waxed cotton thread (center right), and one row of eyelets opened and stainless steel rings placed (right).
next time i’m going to mark the eyelets same as i did above, but do this step differently--i’ll mark and baste the steel rings in place BEFORE widening the eyelets. this is bc i had a lot of problems keeping the eyelets on center
eyelets half done on this one! on the left are eyelets sewn with doubled and waxed cotton thread and on the right eyelets sewn with quadrupled and waxed thread. the center is basting again. i was able to force the holes back in line while sewing the eyelets but it was kinda annoying. adding a second picture that doesnt have great focus but hopefully shows how that process worked and shows the spike clearly
i ended up using this white cotton thread because it’s stronger than my black cotton thread (which the rest of it is sewn with). [eta: after this was first posted, i pressed the whole thing heavily, which effectively de-waxed the thread, and i dyed the whole thing a medium charcoal grey, the thread blends in perfectly on the lighter side and isn’t such a sore thumb on the darker side]
bonus: the piecing layout for that little piece of strap. the whole light gray half of the binder was made from 1/2 of one of the legs i cut off some linen suit pants to make slutty camping shorts last year and i really really didn’t want to break into any of the other three halves for this garment--i have Plans for it
overall the fit of this is incredible. it DOESNT hurt my ribs which every zip-up garment ive been able to find (and it is difficult) does due to really thick elastic at the base. it doesnt aggravate my sensory issues with the synthetic fibers that every commercial option is made of. i can walk up a hill or stairs, or go to pt, without getting too out of breath. i can eat with it tight, or loosen the front easily and without taking it off to make eating easier and less nausea-inducing. it is reversible!
best of all the lacing at the back gives the garment enough movement for me to get it on without dislocating, and the interfacing and steel rings give it structure once it’s on. the shaping comes only from fusible horsehair linen canvas and stainless steel rings like youd use for chainmail, there’s no boning at all, which makes it very quick to sew (except the eyelets, but metal grommets would be sturdy and quick provided theyre of good quality)
there’s a small amount of gaping on the outside of the shoulder strap, which i plan on fixing with a tiny tiny dart in the armpit, i want to add pockets to tuck the laces into, and i need a better lace for the back, but it’s completely wearable in time for the 90 weather next week which is all i wanted. i’ll do a reblog when it’s perfectly finished with an update on the fit but for now it is done enough
the little ridge where it doesnt lay flat against the shoulder is most visible with just a single t shirt over it. with a flannel or a sweater, it disappears, and by itself, it’s hidden in movement
eta: after dyeing this, i relaced it a bit looser in the back and that gape mainly disappeared. ive decided to leave it in instead of smoothing it with a dart because the loose fabric gives space for my chest to expand when breathing and shapes my silhouette in a way that emphasizes my shoulders
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(via Sewing 101: Using Tricot Fusible Interfacing | Learn tips and tricks for using Tricot Fusible Interfacing, used to stabilize knit fabrics, in your apparel sewing projects! fabric.com Blog)
Just some random parts of the quilt, because this post needed another picture Simply said applique is sewing a piece of fabric onto a background. This is different from patchwork where one sews the pieces of fabric together. The benefit of applique is more possibilities for shapes and such. For example, the musical notes and the moon phases below would not have been possible without applique.…
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I am here to extol the virtues of fusible interfacing for crafting and cosplay purposes. Here, it is used to put simple logos on shirts for Clint. Interfacing allows you to make your own applique using fabric. The fusible interfacing adheres fabric to fabric using an iron, without necessarily requiring sewing or fearing for raw edges.
First you need a two-sided interfacing. I prefer Heat n Bond brand (sponsor me ….)
Cut out a piece large enough to cover the logo you so desire. Put the iron on the appropriate setting suggested by the interfacing directions (I’m on the cotton setting with no water in the iron). Place the shiny side of the paper-backed interfacing onto the fabric. You probably only want to use cottons as synthetic materials may melt (though it is possible to use them, BE WARY).
As I’m using plain white fabric I don’t have to worry about there being a wrong or right side. If there is a print (right side) to the material and a faded/mostly white back (wrong side): place the fabric print-side/right-side down and then put the paper-backed interfacing on top of that, shiny side also down.
Iron (Man).
Don’t move the iron. Just hold it down. Want to iron another part of the interfacing? Pick up the iron and then press down on the new spot. Refer to the instructions for how long you should be pressing. Essentially, if you can peel back a small corner of the paper and now see a shiny glaze on the fabric, it’s likely good.
BUT DON’T PEEL THAT PAPER OFF YET.
Cut around the now fused fabric/interfacing. (Might want to turn off your iron for now). With the paper side of the now fused fabric in front of you, you can sketch whatever you want to cut out on the paper. Or you can make a separate stencil, trace it on the paper, and cut it out.
Make sure it’s a mirror image though. You’re drawing and tracing the back-side of the logo on the paper. I lucked out because Cap’s A and the Widow symbol are the same reversed.
Once done drawing cut out the logo and any bits you don’t want in the design. NOW, you can finally peel the paper backing off. Position on the garment where you want to fuse it, shiny-side down. Think ‘measure twice, cut once.’ You don’t want to have to start from scratch, shirt and all, because the position is off.
Bring back the iron and like before, hold down to fuse the logo to the shirt. If you’re worried about the heat damaging the shirt, one option is to place a layer of fabric (like a dishcloth) between the iron and the logo/shirt while ironing.
Check to see how well fused the logo is. If it’s not pealing from the shirt around the edges, you’re probably done.
Because it’s so small, and for whatever reason, the Black Widow logo kept peeling around the corners. So, I stitched around the edge to keep it down. You may want to do this anyway, and it’s not wrong.
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