hey, bud, only if you want to, 25 for whichever ship you want?
#25 - âI canât believe you talked me into this.â
With Laze
Itâs got to be the lamest fucking thing Maze has ever been too, if anything, sheâs certain sheâs going to murder someone just to alleviate her boredom. As if her mind has been read, Linda turns, leveling her with a non-believable glare and smacks her arm. Itâs not hard. Sheâs afraid to hurt Maze. Which is the dumbest fucking thing ever for someone so smart because sheâs a demon if she canât take a clock to the jaw, what good is she?
âOuch, you hurt me,â she starts sarcastically.
Linda looks to her, face full of panic until Maze canât help but let out a snort. The good doctor crosses her arms and faces forward from her seat at the bar. Staring into the open sea of boring people discussing the human mind probably or science that Maze doesnât need to hear about. Linda makes it sound semi-interesting, but old white men in grey suits? No thanks.
âIâm a demon,â Maze reminds her, leaning back against her elbows and letting her head fall to the side just to observe Linda.
âIâm human!â Linda reminds her back, âand I- I donât like the thought of hurting you. I never have.â
This is uncomfortable territory. Maze has gotten so much better at being open with her feelings, but, she still- just- sometimes sheâs not prepared for the conversations they should have. Linda is still patient almost to a fault but itâs infuriating. Sheâs a demon. Emotions shouldnât be nearly as scary as they are.
Yet here they are.
She hates it too, she hates it because she already knows sheâs going to change the subject. She, herself, cannot stand it enough yet to be open like that. Like Linda might deserve. So instead she sits up, turns on her stool, and picks up her nearly forgotten glass of alcohol.
âI canât believe you talked me into this.â She says mostly to herself.
Linda slips a hand to touch the closest forearm, head turning to smile at her. She pauses, liquid in her mouth and stares. Itâs stunning Linda still smiles so thankfully at her. Like nothing has changed. Like she doesnât know how Maze feels, maybe she doesnât.
âIâm glad you came,â Linda chuckles, reaching forward to rub away liquid that leaked from the corner of Mazeâs mouth, âI would probably want to die, especially if I have to talk to another man and hear him talk down to me. Like I donât know anything.â
Maze turns in a flash, swallowing her drink, and giving Linda the most serious looks she possibly can.
âIâll cut their throats where they sleep.â She means it.
It should be so amusing or as endearing as it is, really, but Linda canât help it. She chuckles, leaning forward to hide her face in the demonâs shoulder like no one else is around and just laughs. Maze doesnât understand why sheâs laughing but wraps an arm around her all the same. Frowns confusedly.
âI donât understand why are you-â
âItâs just,â Linda starts, sitting up again and wiping tears from her eyes, âyouâre still the first person who means that when they say it. Aside from Lucifer, but I feel like youâd beat him to the punch. Just because they slightly offended me.â
Mazeâs frown deepens, âWhy wouldnât I? They donât know what the fuck theyâre talking about.â
Linda shakes her head, patting one of Mazeâs cheeks and smiles. Her hand lingers for a moment.
âThank you.â
Maze is still lost, but she doesnât feel the need to ask further. Not when Linda smiles at her like that.
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how did i not see that you're taking prompts?? time to bother you with one now â only if you feel like it, of course. 5 for any pairing you want? :')
Kas, you will never be a bother.
5. âThereâs only one comfortable chair left in the library, and we both reach it at the same time.â
Read on AO3.
Shouldering her backpack, Shaw walks deeper into the library, she has a 68-page research paper to read and summarize and everyone in her dorm is being annoying, and she avoids the medical building like the plague. Too many pretentious pricks, who are quick to give their unsolicited opinion when all Shaw wants to do is concentrate. Here in the library, thereâs a really comfortable chair hidden away from all the foot traffic, and no one ever bothers to walk all the way to the back. Sheâd discovered it her freshman year and has yet to see anyone venture near it.
Except for now. Thereâs a tall brunette, taking long strides to the chair, Shawâs chair.
Hell no.
Walking faster, they both reach the chair at the same time, Shaw scowls at the stranger, the really attractive stranger who smiles at her and flops into Shawâs chair like she owns it.
âWell sweetie,â the brunette drawls, an accent Shaw identifies as Texan, âlooks like we have a predicament, one that can be solved easily.â Her eyes drift down and itâs no secret what she wants.
âNameâs Shaw, not sweetie, and Iâm not sitting on your lap.â The girl isnât unattractive, with a sharp nose, long hair, and a smile that promises endless possibilities if Shaw just sits on her lap. Sheâs pretty, but itâs the principle of the matter.
âMy nameâs Root and thatâs not the only place you can sit on.â
And wow, Shaw has to force herself not to take a step back because no one has ever been that brazen. Instead, she settles for saying nothing, hoping to unnerve Root out of her seat and far away from the corner thatâs been hers for the past four semesters.
âThatâs not going to work on me.â Root stretches out further, her shirt riding up underneath her leather jacket to reveal creamy white skin that almost works to distract Shaw except its almost ninety degrees outside. How the hell is this girl wearing a leather jacket? âIt seems like weâre at an impasse.â
Like hell they are.
Shaw steps forward and the girl looks uneasy for a second before her face smoothes back into the self-assured smirk and raised eyebrows. With minimal effort, Shaw lifts the chair, deposits the lanky brunette onto the library carpet and falls into the newly unoccupied chair, feeling extremely satisfied with herself.
Anyone else would be annoyed about being dumped onto the floor, but not this girl, no sheâs content to sit on the floor and focus on Shawâs arms, arms that are most definitely not flexed as she takes all the stuff she needs out of her bag.
âWhat do I have to do to make you go away?â Shaw finally asks because Root has yet to take the hint and she really needs to finish this assignment today.
âGo out on a date with me.â
âI donât date.â Dating leads to relationships and Shaw doesnât do relationships.
âFine, get coffee with me.â
âThat still sounds like a date.â
âItâs not,â Root argues, âitâs just two attractive people getting caffeine together. Besides, itâs not a date if thereâs daylight.â
âFine, coffee, and a sandwich.â A free meal never hurt anyone.
Root grabs her fallen bag, pulling out her phone she hands it to Shaw who quickly types in her phone number wondering if sheâs going to regret this.
âIâll see you soon Shaw.â
âWhatever.â
Root pockets her phone with a smile, grabbing the hand Shaw offers to help her up, the moment their hands meet, Root is pulling at her, somehow managing to pull Shaw out of her seat, the stuff she printed scattered at her feet. Â
Shaw is all too aware of their height difference when Root bends down to whisper in her ear, âSweetie, weâre going to have so much fun together.â
Shaw blinks once, twice. Thinks about slamming the window shut again because are you serious? âRoot,â she says, voice low, âwhat the hell are you doing?â
(She should be used to this, Root dropping by when she least expects. But Shaw figured that sheâd be out doing whatever the Machine told her to do.
Since the whole Samaritan thing is going down soon.)
Root shrugs, and Shaw canât exactly see her in the lack of light, her silhouette only highlighted by the streetlights that glow several floors below them. She shifts her weight from one leg to the other.
âIâm in need of your doctor abilities.â
And Shaw definitely wants to shut the window and pretend this never happened.
âSo you thought the best way to ask was to stand on my fire escape at,â Shaw pulls her phone from her back pocket, checks the time, âtwo in the morning?â
Shaw should sleeping, honestly, warm underneath her blankets while plotting the best way to steal Bear (and hoping that the Machine doesnât send her out on another early morning number), and not doing whatever this is. Standing here, letting the cold draft in while Root stands on her fire escape, expecting entry.
She mulls over sending Root on her way, but thinks better of it. Shaw sighs, shakes her head, and steps away from the window.
âFine. Get in.â
And she doesnât need to see Root to know that sheâs smirking in that infuriating way of hers. Shaw moves to the bathroom where she keeps her supplies, calculates the fastest way to deal with Rootâs injuries so she can get to sleep.
She listens to the sounds of Root scrambling off the metal escape and fumbling her way through the window. Itâs a miracle she doesnât trip over herself with all of those gangly limbs.
When she returns, Root hasnât moved far from the window sill, her eyes catching on the relatively empty place Shaw calls her living space (not a home, not a home at all). Shaw takes a moment to look her over, bundled in a coat, her face flushed from the cold.
âYou gonna show me or not?â
And Shaw regrets the way she phrased it the second Rootâs eyes train on her, a more pronounced smirk pulling at the corner of her mouth.
She shrugs off her coat. âI thought youâd never ask.â
Shaw rolls her eyes and opens her hefty first aid kit. She removes the supplies she needs and settles into the familiar role of patching someone up.
(The last time she did this, thereâd been a hole in Rootâs shoulder and a glazed expression on her face after she saved Cyrus Wells.)
Root, oddly, says nothing when Shaw begins cleaning the blood around the gash on her arm, stays quiet and still and lets Shaw work in peace. Only supplies knife when Shaw asks what did it.
âWhat did the Machine have you doing?â Shaw asks after a moment, unnerved by Rootâs silence and not knowing why sheâs encouraging this. But the ire from having been disturbed so late has faded, and maybe sheâs a little bit curious.
Root tilts her head to the side, Shaw catches a brief glance of the pink scar behind her ear before it disappears behind a curtain of hair, and makes a face, clearly listening to the Machine.
âPreparing.â Shaw arches a brow. âThereâs a war coming, Shaw. We need to be ready.â
Shaw knows that. Has heard it countless times since their encounter with Control, but no one has told her anything about it. Just another AI looming in the near future. But Shaw and Reese arenât doing much about it.
Just Root.
âYou ever gonna let us in on whatever plans you have?â Shaw asks as she finishes the neat row of stitches, pulling the thread taut.
âWhen She tells me itâs time,â Root replies, pulling that whole mysterious bullshit.
âWhatever.â She places a bandage over the stitches, folding the edges across Rootâs skin, and Shaw can feel Rootâs attention on her then, eyes burning into the the top of her head. She pulls back. âAll set.â
Root grins, rises to her feet. âThanks, Doc.â She slides her arms through her coat.
âYou heading out?â
Shaw wonders where she sleeps â or if she ever sleeps. Root always flits in and out of the library, providing cryptic clues and answers whenever she sweeps by. Bizarre how the Machine makes her the interface and doesnât give her a place to stay.
âAre you inviting me to stay?â Root steps into Shawâs space, and Shaw tilts her chin up to meet her gaze, blinks slowly.
âNo.â
To her credit, Root doesnât appear put out.
âBut try the door next time.â
âNext time?â
Shaw regrets letting Root through her window.
â
Except she lets Root through the door the next time, and the next time.
Casual encounters that start with an ill-timed come-on and end with Shaw scowling at Rootâs lack of self-care. Not only that, but Root has a habit of appearing at her doorstep in the late hours of the night, looking like she was swept in a whirlwind.
And thereâs a sort of disconnect there, Shaw notices after she patches up Root for the third time in a month. A disconnect from her body.
Itâs different, noting that about her. Because Shaw has always been firmly planted within herself, aware of how her body moves, where itâs positioned in relation to her adversaries. A connection sheâs honed since her residency and carried with her through the Marines and the ISA.
But Root doesnât share that, doesnât seem to want to spend time on such trivial things like making sure she doesnât bleed to death.
(Weird how the Machine chose someone with such a blatant disregard for her health to be its eyes and ears.)
Shaw doesnât comment, just stitches up Rootâs newest injury, and watches her disappear out the door and into the night.
â
Once Samaritan comes online, letting Root through her door happens fairly less often.
With all of them in hiding, keeping their heads down, itâs too risky for any of them to be seen together. Being in hiding also comes with the worst job ever, and Shaw has to resist stabbing someone with a stiletto at every turn.
(Working in environment filled with entitled people and others who think she cares about which color lipstick matches them best leaves much to be desired.)
(Shaw is going to take a hammer to the Machine for putting her here.)
But the numbers eventually return, and Shaw no longer has to sit idle behind her make-up counter and pretend to be a normal aspect of society. She gets to out there, shooting people, and fucking with Reese.
And with the numbers, Root follows. Flitting in and out of their new subway base like a coming breeze. They barely have time to say more than a few sentences to each other before Root leaves on another mission. Not that Shaw is particularly bothered.
But thereâs this persistent nagging in the back of her mind whenever Root leaves on a mission for the Machine. This urge to know if Rootâs taking care of herself properly â she never did even when Samaritan wasnât a threat.
Shaw keeps that strange feeling tucked in the back of her mind and focuses on the numbers that come her way. Works alongside Reese to ensure the safety of the civilians, and makes sure to keep Bear company.
Because thatâs the mission. And Shaw knows how to handle the mission better than anything else.
â
âWe really have to stop meeting like this.â
Thatâs what Root goes with after sheâs been shot twice, combatted that blonde bitch without backup, and disappeared for a day without a word. Thatâs what Root goes with as she leans heavily against Shawâs doorframe at half-past midnight, clutching her arm, and smiling dazedly.
Shaw would never admit the tinge of relief she felt when she saw Root in once piece, but she buries that beneath the familiar sting of annoyance.
She tugs Root inside and into the bathroom, flicking on the light as she steps through the door.
âMoving fast, are we?â Root murmurs, teetering in place, unbalanced, when Shaw releases her to rummage through the cabinets.
She shakes her head, placing the kit of her supplies on the sink with a clatter. âYouâre an idiot,â she remarks when she looks at Root again, noting the shadows under her eyes and the stark white bandage peeking from underneath her shirt.
âIâve actually been known to be a genius.â Root grins, but it fades when she winces, having jostled her arm as she settles on top of the sink.
Shaw tugs at the hem of Rootâs shirt. âOff.â
Root tries to put on a show, but the effect is lost when she attempts to get her injured arm out of the sleeve, only to grimace in pain at every try.
After several moments of struggle, Shaw stepping in to assist her, the shirt is finally off and Shaw can examine the poor stitching job of whichever intern patched Root up after the shootout in the hotel.
âYou shouldâve had backup,â Shaw mutters, snapping on a pair of nitrile gloves.
Root sighs. âWeâve been over this, Shaw.â She shakes her head, messy waves of brown hair cascading over her uninjured shoulder. âIt would have blown your cover.â
(Covers. Thatâs all Rootâs been focused on since Samaritan came online. Their covers and running around for the Machine.
Covers, covers, covers. Damn them if the Machine is going to be sending out her assets alone.)
âBitch couldâve killed you,â Shaw says instead, swallowing down the flood of angry words. âWhat then?â
âShe didnât,â Root reminds her, like that means anything. Like she isnât sitting in Shawâs apartment bleeding from yet another bullet wound.
âYouâre not bulletproof.â
âClearly.â
âNext time, youâre getting back up.â Shaw neatly ties off the end of the stitches. âDonât care what the Machine thinks.â
Root peers through her lashes, lips quirking into a tiny smile. âIs that concern I hear, Sameen?â
Shaw purposefully focuses on returning all of her supplies to their proper places, slamming the cabinet doors shut a little too loudly.
When she turns back around, Root is still staring at her, eyes sharp and intense, but thereâs something about it thatâs different than the flirtation Shaw is accustomed to. And itâs not the first time sheâs noticed.
Lately, the way Root looks at her has changed. Less of the intention to unnerve and more⊠more of something much heavier. Something Shaw is certain she knows the name of but adamantly refuses to label.
(She doesnât do feelings. Not at the intensity of everyone else.
They are shallow echoes in her chest â like when her father died, when Cole died â quiet murmurs in the back of her mind. Ones that have compelled her to become a doctor, become a Marine, accept the ISAâs request.
The feeling of doing the right thing because she has the choice to.)
She doesnât do what Root is doing. Doesnât look at her with potent emotion searing through every tick of her expression. She knows Root regards her in some special light (not unlike how she views the Machine).
Knows that this is different.
(For both of them.)
âYou can take the couch.â
Rootâs brows rise, and she cants her head to the side. âAre you asking me to stay?â Itâs less flirtation and more confusion, and yeah, Shaw is asking her to stay.
And maybe because it has to do with the way Root seemed so drained of life the previous day, so tired and weary. Maybe itâs the way that Root seems generally unmoored, lost.
âIâm saying the couch is open.â Shaw points to the wound she just patched up. âShouldnât be doing anything extensive with that.â
Root blinks, opens her mouth to say something, but the Machine must pitch in because she shuts her mouth with an audible click and nods. Shaw helps her into a more comfortable shirt, presses a pillow and blanket into her grasp. Ushers her to the couch.
As Shaw turns away, ready to catch some sleep of her own, Root calls her name.
Shaw pivots on her heel, hitches a brow.
âThank you.â
Itâs said so genuinely, so unlike how Root typically is, and Shaw does nothing but nod and flick off the lamp, retreating to her bedroom to sleep off the energy thatâs been buzzing through her since she knew Root was still relatively intact.
â
âThe Machine, she isnât talking to you, is she?â
Itâs after another long number, another number that required Shaw saving Reeseâs ass, again, and Shaw is decompressing in her living room with the lights off, only the faint illumination of the streetlights outside allowing her to see Root, who sits across from her on the couch, cheek pressed into her palm.
(She forgets to be annoyed at the fact that Root stole her extra key and let herself in.)
Shaw takes a drink from her beer, sets it down on the table. The glass briefly reflects the dull orange light spilling across the apartment floor, and Shaw turns her attention back to Root, who hasnât said a word.
âThatâs why youâve been all Eeyore lately?â
And with Root half-shrouded in shadow, itâs hard to read her face, but Shaw likes to think she knows her well enough to recognize when Root is hiding something.
âI get murmurs,â Root finally answers, voice barely above a whisper. âShe canât talk with Samaritan online.â
Shaw can hear the sadness bleeding through her tone, doesnât know what to say to that. How do you comfort someone whoâs lost their connection to an artificial super intelligence they view as a god?
(Not that Shaw has ever been one to comfort someone.)
âRoot,â she starts, weirdly uncertain of why sheâs even bothering to speak, âsorry she canât talk to you right now.â
Shaw resists the urge to roll her eyes at herself, takes up her beer again to avoid having to say anything else. But she must have said something right because the space beside her dips with additional weight, and Rootâs warmth is mixing with her own.
Shaw stiffens when Root rests her head on her shoulder, but she doesnât shove her off. Kind of enjoys the way Rootâs hair is soft against her neck.
They donât speak after that, and Shaw doesnât remove Root from her shoulder until she starts to feel it go numb.
(She does offer the couch to her again, so at least thereâs that.)
â
Afterwards, Root crashing into her apartment becomes a near regular thing whenever sheâs in town, which isnât very often since sheâs constantly being shipped off all over the world.
But she always appears at Shawâs doorstep when she returns, a smirk on her lips and a glint in her eyes.
They fuck in the comfort of the darkness, carve out a space in each other as the night paints them in greys and silvers. Burn impressions of of themselves into skin and bone, brand each other with fire on their lips.
And Shawâs never had someone match her heat with equal fervor.
(Maybe itâs the desperation of the war, or maybe itâs because Root knows how to read into everything Shaw wants in a sexual partner.
But itâs better than any sex Shaw has experienced.)
She lets Root stay.
â
Itâs almost a year later when Shaw is able to open the door to Root again.
Open the door in reality, and not welcome Root into the vulnerable crevices of herself in some fucked up simulation that blurs her reality and leaves her head spinning for hours until she can catch her breath, remember how to think clearly.
(Thinking clearly, now thatâs a thought.
Everything around her is tainted, and Shaw finds herself trying to remember what was real and what wasnât more than she does anything else.)
But Root helps.
When the sun dips and the sky darkens and every nerve ending in Shawâs body is on fire â itâs not real, that didnât happen â Root is there. Gentle fingers wrapped around Shawâs wrist, tugging her hand away from the side of her neck.
Away from the skin Shawâs rubbed raw ever since sheâs returned from Samaritan hell.
Contrasted against the shadows and the pale moonlight, Root tries to pull Shaw away from the lingering imprint the simulations left in Shawâs mind. Tells Shaw about the numbers she and Reese worked when Shaw was gone.
Tells her of the wedding they crashed â well, I crashed, Root amends with a crooked smile, fingers running through the strands of hair at Shawâs temple, I wasnât technically invited. Tells her about Bear.
Bear, who sits at the end of the bed, watching them with pricked ears and a wagging tail.
And Shaw is able to resettle herself for the time being, with Rootâs voice in her ear, and Bearâs presence anchoring her to the present.
â
It takes time. Takes an annoyingly long amount of time for Shaw to stop questioning every little thing thatâs off (it never goes away, that clawing doubt in the back of her mind, that scraping at her throat that this isnât real), but she gets there.
Gets to a point where sheâs more or less like to her old self.
(No one could have survived what you went through, Root assures her, confident in Shaw â always confident in Shaw â vehement in the face of Shawâs doubt. You are so strong, Sameen.)
She gets back to the numbers, to messing with Reese, to fucking with Fusco. She gets back to her early morning jogs, gets back to walking Bear around the park.
Gets back to disentangling herself from Root to make breakfast.
She still stumbles at times, jerks awake from the phantom burning in the side of her neck. But Root is there every time, helping her fumble through the faint grey light of pre-dawn. There to reassure Shaw that this is reality.
That she escaped Samaritan.
It takes time. But Shaw is nothing if not resilient. Strong, deeply connected to herself. Samaritan may have tried to break that, may have taken parts of Shaw that she wonât get back, but they didnât succeed.
Shaw didnât break.
And with Root with her at every step of the way, knowing when to back off, knowing when to be near, knowing that Shaw opened that door to her months ago and let her slip right in, Shaw rebuilds.
9. Any funny habits? After she eats dinner at night she goes into the living room and lets out these deep mournful howls. Then she starts zooming around at top speed, comes flying into the bedroom and under the dresser. Except sometimes she doesnât make it all the way under and just sits there with her butt sticking up in the air. This goes on most nights for about 5 solid minutes.
32. Embarrassing thing theyâve done? Attempted to chase a bug and ran face first into a wall. Sheâs a very bad hunter. Also see the butt sticking up in the air photo above.
33. Weirdest thing they try to eat? The buttermilk biscuit thing was kinda odd. Sheâs usually only interested in meat though she really thinks she wants eggs. The other day I found her gnawing on a splintery piece of wood sheâd managed to get her paws on because sheâs a dumbass.
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only if you want to, 10 + 40? (for whichever ship you'd like)
BD Thank you my friend
10 + 40, Airport/Travel + Almost Kiss
Ship: Clairice (cause I miss them, and also rarepair)
No Apocalypse AU/set in game verse (a little)
A series of oneshots probably
Theyâve been friends and more but in denial, for the better part of four or five years.Â
Claire leads TerraSave. It wasnât what she thought sheâd be doing, but the last guy fucked up, and the director- well he resigned. Didnât want to deal with the fallout.
She doesnât stay behind a desk. She travels the world. She fights bio-terrorism through healing, help, extending a hand.Â
Her work takes her all over the world, and when she has to go to the airport she REALLY prefers no one to be with her because everyone else makes a fuss. Her brother wears his âGOODBYEâ claire shirt, Jill his best friend, waves her flag, and itâs just embarrassing.Â
So Alice almost always takes her before anyone else is up. Despite this being her friend, them joking, itâs almost always bittersweet. Claire, when she leaves, finds the thick of it in another country Alice just canât get to as soon as sheâd like.
The words, the questions, sheâd like to say/ask are ALWAYS on the tip of her tongue but sheâs too scared to ever say them. She helps run a group of private contractors, sheâs hired to use a gun, sheâs been in war but watching Claire leaves is the scariest.
But Claire has never been on the receiving end of this. Sheâs never taken Alice to the airport, bag in hand, dressed in uniform, and watched her walk away.
She is now and itâs terrifying.
She parks the car in front and Alice is still sitting, behind her sunglasses, all black, grumbling because sheâs tired and all Claire wants to do is confess. What is it about airports that make you WANT to confess?
She lets out a sigh, exits the car, opens Aliceâs door who grins like sheâs going to say something- until she nearly falls on the curb and Claire catches her.
Every time Claire holds her even like this she feels Claire is as soft and gentle as possible. Sheâs never had that.
She thinks about the first time they met, in India after an outbreak, Saving Claire- claire saving her. And the exchange of numbers months later. Finding out how connected they really are.
They move further in, talk meaningless talk as they wait, and Claire falls a little deeper into love she knows is already there because Alice has a way of making her laugh. Feel warm. Despite all of the things that should have made either feel callous and cold. Theyâre warm people but a fire together.
Then Alice has to go in the middle of a story and it suddenly weighs on Claire. Makes everything feel suffocating because sheâs never had to be away from Alice without work or her brother. She hates it.
So Alice stands, opens her arms, and Claire gladly folds herself around Alice breathing in contently. They stand there a second too long and then Alice pulls back.
So does Claire until all thatâs connecting them are her hands holding Alice by the elbows, and she seeâs the look in those eyes- she just- itâs always for her. She knows theyâre going to, and she wants to, kiss.
But some dumbass starts practically yelling in his phone and Alice pulls back for distance, Swallowing thickly. Claire wants to murder him. She knows from Aliceâs face itâs not regret but fear that keeps her from moving back in.
Now Claire is just pissed. Moment ruined. Alice is smiling, waving, turning to leave and-
Redfields are people of action. Bled in the cold world. Never of inaction. So why should she fall in inaction?
So of course her hand wraps around Aliceâs wrist, the one not carrying her duffle, and pulls her back. Alice breathes out in surprise before a hand is cupping her cheek and- Claire doesnât kiss her but Alice is stunned into silence by the soft loving look in her eyes.
âIâm tired of running in circles. Text me when you set down okay? Weâll work out details for a real date. Because thatâs what I want, as long as you want it too. Okay?â
All alice can do is nod and let out a soft âyeah okayâ and then Claire lets go. Watches Alice board the plane stunned and a little slow, probably unsure if it actually happened.
Claire canât help but smile to herself.
Bonus:
Chris, her brother, and Jill, his best friend are fucking idiots. They make a her a âcongratulations on FINALLY making a moveâ cake AND dinner.
She wants to die the entire time because now theyâre singing her praises of not being a completely useless lesbian.
Later, when Alice texts her, confesses through there, Chris reads over her shoulder and places a kiss to the top of her head. Whispers their parents would be proud.......but it still took her forever.
They start singing again.
Claireâs never been gladder she refuses to let them take her to the airport.