I actually like this show. #hunter #huntertvshow #freddryer #stephaniekramer #copshow #stephenjcannell #nbc #1980s #nostalgia (at Spring Branch, Houston) https://www.instagram.com/p/CLtFNMTlot4/?igshid=vausn63ho70m


#iwtv#interview with the vampire#assad zaman#the vampire armand



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I actually like this show. #hunter #huntertvshow #freddryer #stephaniekramer #copshow #stephenjcannell #nbc #1980s #nostalgia (at Spring Branch, Houston) https://www.instagram.com/p/CLtFNMTlot4/?igshid=vausn63ho70m

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Hunter episode 3.20, HOT PURSUIT: Part 1
Original Airdate: May 2, 1987
What’s Going On Here? While investigating a prostitution ring, McCall is shot and almost dies (on her birthday no less), and the hooker she’s protecting is killed. While McCall fights to survive, Hunter confronts “Big Jack” Hemmings, the pimp he suspects is responsible.
Who’s That Guest Star? Jeanna Michaels (Dallas, Santa Barbara); Robert Ridgely (tons of voice and TV work); Gela Nash (also in the Hunter ep “War Zone” as a completely different hooker); Dana Lee (both TV & movie work including Rambo: First Blood Part II); Ji-Tu Cumbuka (mostly TV work); Nick Angotti (mostly episodic TV); Susan Peretz (mostly TV); Michele Tobin (child actress in stuff like Yours, Mine & Ours; this is her last credit on IMDb); Arnold F. Turner (he’s in four Hunter eps; mostly TV stuff). Hunter mainstays Charles Hallahan as Devane, Garrett Morris as Sporty James, and John Shearin as Finn, and series stars Fred Dryer and Stepfanie Kramer as Rick Hunter and Dee Dee McCall.
Jeanna Michaels as Laura Decker
Robert Ridgely as Big Jack Hemmings
Gela Nash as Vicki Lake... she's married to Duran Duran's John Taylor, and she co-founded Juicy Couture, so even though her acting career never took off, she's doing okay for herself.
Dana Lee as Dr. Lee
Ji-Tu Cumbuka as Homer
Nick Angotti (right) as Adler
Michele Tobin as Hooker
Arnold F. Turner as Detective ("Nick" Nicholson seems to be his name.)
Charles Hallahan as Devane
Garrett Morris as Sporty James
John Shearin as Finn
Where Can I Fast-Forward Through a Car Chase? From 20:52, Hunter drives around listening to people on CB radios until he finally hears about the hookers-in-a-camper he’s looking for. If you don’t want to listen to truckers and watch Hunter drive, you can skip to 22:50.
OMG so boring.
A real car chase from 44:48-47:02. Just watch the end and you’ll get the idea.
I'm not sure if you can feel my boredom through the internet, but trust me, car chases make me yaaaawn.
Does Anyone Have Sex, and Does Their Partner Live Through The Episode? Nope. McCall’s in traction and Hunter’s too busy.
Hunter does not have sex with this hooker.
No sex for McCall, who can't move her head let alone the rest of her.
What Are They Wearing? McCall: 1. Pink blouse, pink slacks, pink pumps, pink purse, black blazer.
2. For the rest of the episode she’s in a pink hospital gown and halo traction device.
Hunter: Button-down shirts, slacks/jeans, ties, sports coats.
Also, white long-sleeved t-shirt and jeans.
Wow, This Is Old School: Gas costs less than a dollar a gallon at 23:17.
What’s For Lunch? At 21:05 Hunter’s eating blue corn chips.
At 21:50 he does NOT eat a sandwich because it looks too sad.
He drinks something out of a thermos at 22:15.
At 32:12, he has some gum. (He also put a piece of gum in his mouth in the first scene in Devane's office.)
Where In L.A.? McCall's house is still the one which is really at 13216 Bloomfield Street in Studio City.
At 32:20, Hunter’s sitting in his car on Orange Street just south of Hollywood Blvd. He turns right onto Hollywood and you see Grauman’s Chinese Theater.
Hunter follows the secretary into the building at 7046 Hollywood blvd (at Sycamore), and they use both the exterior and interior of the building:
Hunter is driving south (I think) on Interstate 5, and we see the exit for Rye Canyon Road in Valencia. There is no longer an exit for that road. He is going the wrong way if he's really heading for Palmdale.
Trivia: Rye Canyon Road is the street Paul Walker was driving on when he died. :-(
At 44:36, Hunter is supposed to be on his way to San Diego but he's really driving on Vanowen at Hayvenhurst in Van Nuys.
At 45:23 the chase is on, at the intersection of Louise and Vanowen in Van Nuys:
It’s an X-File: Dana Lee was in the X-Files episode “Alpha.”
Who Does Hunter Shoot, and Do They Die? He doesn’t shoot anyone. Neither does McCall because she can’t even hold a gun.
Any Scenes Worth Watching? At 31:22-32:01, Hunter wraps up an old shoe in a box, then visits McCall and explains to the audience why he did that.
Is There Banter? Not really banter but cute, at 04:07-05:17 when Devane gives them a case, and Hunter offers to let McCall go on her lunch date instead, saying he’ll handle the murder in Palmdale.
McCall is thankful.
At 06:45, when McCall says she’s going to talk to some working girls -- Hunter: Want me to go with you and hold them while you interrogate them? McCall: What are you, lonely?
WTF?: Does McCall really still not know that her house is the most dangerous place in L.A.? She takes yet another witness there to “protect” her -- those are totally air quotes -- and of course the witness ends up dead and McCall barely survives. McCall, listen to me: This house is not a place where people are safe. You’re not safe, your guests aren’t safe, your fish aren't safe. Don’t get anyone else killed, okay?? (I’m shouting into the wind, as you will find out in later recaps when even more people end up dead just because McCall invited them in.)
Seriously, never enter McCall's house if you want to come out of it alive.
Oops: Around 3:41 there is a moving boom shadow in the top right corner of the screen (and the top left, too, actually; there's a reflection in the glass of the door.)
Bonus: The script (Part 1 only) at Wonderful World of Hunter: HERE.
Bonus Screencaps:
The episode opens on a wacky commercial by a guy who sells RVs.
BIG JACK'S CAMPERLAND!
OMG how meta. The commercial ends with Big Jack watching himself in front of an RV on the TV inside an RV.
Meanwhile, it's nighttime on a freeway.
This Rolls Royce goes by...
And this girl is thrown out of the car.
This does not look at all good.
McCall's very interested in the boundary between Palmdale and L.A., saying that this dead body might not be their responsibility. (We will pretend that Palmdale isn't in Los Angeles County, which it is. Maybe the 122nd Precinct really is so far-reaching that it goes all the way up to Palmdale and stops there? I doubt it would be that large; surely some other precinct would grab the case of a dead body way out in Palmdale, which is over an hour's drive with no traffic.)
Hunter says she's got a point. It all depends what side of the road the body's lying on.
McCall's wondering, why today of all days?
Charlie calls his buddy up in Palmdale to ask which side of the road the d.b. is.
"Well, McCall, unless you want to drag that body to the other side of the road, she's all yours."
McCall sighs. "Great."
"What's the matter with her?"
"Today's her birthday, Charlie, and you screwed it up."
And then Charlie does a jig. (Okay, not really. But it looks like it, no?)
McCall's pissy 'cause she had a lunch date. Hunter, as usual, is in the act of putting on his jacket.
Hunter asks if it's 'another jerk attorney.' McCall: "What do you mean, 'another jerk attorney?' Just because I date one attorney... those are the only guys I date?" She says this guy happens to be a doctor, who is successful and busy, which means they don't get a lot of time together.
Hunter says he'll take this one and she can stay with her doctor.
"Really? You'd cover?"
"Sure," he says.
This is the cutest. The very cutest!
Off Hunter goes to the crime scene.
Barney says there's no ID on her but they're checking her prints. "Judging from the marks on the ground, looks like she rolled about 60 feet."
Hunter says it looks like she hit the ground going 90 mph.
Barney says she was already dead, though, shot in the head.
Moondoggie!
Hunter says the dead woman's name was Anita Fargo, alias Maria Fuego, first arrested in 1985 for prostitution when she was 19.
Then she was picked up again, this time as 'Darlene Darling.'
(Okay, if she was 19 in 1985 she's now 21. This woman in these photos is clearly 30 at the youngest. Yeah, being a hooker can age someone, but that much??)
"And then again as Betty Blade."
That's the last they have on her, but she was picked up with two other girls, Susan Dumont, alias Suzie Q, and Mary Lakowski, alias Vicki Lake. McCall says they were picked up at Macarthur Park so she'll go there and talk to the working girls.
"Want me to go with you and hold them while you interrogate them?"
"What are you, lonely?"
"No, you stay here and talk to Sporty."
So Hunter calls Sporty.
Oh good, Kirby's back! (Last time, someone else answered Sporty's payphone and I missed Kirby.)
Goodness. Some continuity! When Sporty says he's studying the new tax laws, Hunter asks if he's trying to lay off some of Bogota's million (from the episode "Love, Hate & Sporty James").
Hunter says he needs info on a hooker named Anita Fargo.
Hahahaaaa, Kirby's face.
Sporty says he's seen her around...
Hunter says she's dead, and he needs info on her friends, Suzie Q and Vicki Lake.
Sporty says he'll see what he can do.
Kirby answers the payphone as usual: "Sporty James Enterprises."
Sporty's shocked when it turns out this call's for Hunter.
It's McCall, who says she's found Suzie Q. McCall says Suzie and Anita Fargo were working for a guy who runs RVs from here to San Francisco, servicing truckers and traveling salesmen.
"You've gotta be kidding."
Suzie wants to talk but is scared... McCall asks Hunter to meet them at McCall's house at 7:30.
He agrees, and says "ta ta" to Sporty.
"'Ta ta?'"
McCall arrives home with Suzie Q.
McCall is immediately shot in the back by a gun with a silencer.
And then Suzie's shot too.
The gunman turns out the light before leaving.
Hunter arrives at McCall's.
When there's no answer and the house is dark, he realizes the front door is unlocked, and he becomes alarmed.
Checking for a pulse, he realizes McCall's still alive. but barely.
"Officer down, send an ambulance Code 3..." (Code 3 means it's an emergency.)
Hunter follows.
The nurse tells Hunter he'll have to wait outside.
He hears some more commotion...
It's Suzie, who's also in bad shape.
Well of course it's Wilshire Memorial. It's the only hospital in the city.
Hunter's still waiting.
They bring someone out, obviously dead because she's completely covered by a sheet.
Hunter has to see if it's McCall.
The dead woman is Suzie Q, not McCall. Whew. Unless you're Suzie, in which case, not so much.
Devane and Finn have arrived at the hospital so that they, too, can worry in person.
"They just rolled Susan Dumont out; she's dead." (That's Suzie Q's real name.)
Dr. Lee introduces himself, and says Sgt. McCall is in the ICU in critical condition.
Finn asks about McCall's chances.
"She has a bullet lodged between the 3rd and 4th vertebrae ... she's paralyzed from the neck down."
He says it might be temporary, or the bullet might have caused permanent damage.
Hunter asks, "Can't you operate?"
The doctor says they won't know until the swelling goes down, and that might be a week.
Devane asks if they can talk to her tonight - they want to know if she saw who shot her.
Nope, she's in no condition. He'll let them know when they can talk to her.
She could still be in danger, Hunter says. He wants to post someone outside her room.
Dr. Lee will tell hospital administration.
As Hunter leaves, Charlie says if Hunter needs anything to let him know.
Sporty!
Sporty heard what happened and wants to know if McCall's okay.
Hunter says no; she's in the ICU. Sporty is sad.
Down in the hospital cafeteria, Sporty is telling a story about a guy coming to town a year ago and shaking down some of the best girls...
None of the pimps took him seriously until they realized, a few weeks later, that a couple of dozen of "the choicest girls" had disappeared.
Honestly, I try to use some restraint because every screencap of Garrett Morris' face is awesome and I just can't use them all or they'd have to change the show's name to "Sporty!"
Hunter thanks Sporty for the info...
..and says he's going to go look for Vicki Lake.
Sporty says that a guy owes him a favor... and if anyone knows where Vicki Lake is, Homer does.
Hunter's going to pay Homer a visit.
That's Homer on the right, and Pearlie on the left. You might remember them from episode 2.15, "Scrap Metal."
Hunter says he's looking for someone Homer might know ... Vicki Lake.
"And you expect me to help you find her?"
Hunter explains that someone's killed two of her friends and Vicki might be next.
"And you're not looking to bust her. Just want to help her? Tell me why I should believe you."
"The people after Vicki ... shot my partner."
Homer asks Pearly if he thinks Hunter's telling the truth, and he does...
So Homer says there's a massage parlor over on Hill ... he describes Vicki for Hunter.
Hunter thanks Homer and says he owes him one.
"Cover charge is $20."
Hunter doesn't say a word and just pays the lady.
She couldn't be more jaded.
Ummm... is that girl in the red doing needlepoint? I hope she is.
Hunter does not pick the needlepoint girl. He picks the girl Homer described.
Also jaded.
Badge flash! Vicki's not impressed. "What are you gonna do, bust me?"
Hunter asks about the guy who runs girls up and down the highway in motor homes.
Vicki just stares at him.
He's like, "Come on," and tells her that her friends Anita Fargo and Suzie Q are dead.
Vicki frets a bit...
...then checks that nobody can overhear.
She says that about a year ago she had a fight with her pimp, and that's when she heard about the guy with the motor homes, so she went to Pershing Square to meet him and check him out.
But the guy didn't show; he sent a woman named Flo. "She was a working girl, maybe forty, with a lot of miles on her."
"She said I'd be getting a thousand a week plus twenty percent. No pimps, no nothin'."
"Just me and three other girls in a motor home."
Hunter asks how many motor homes they used.
She says eight or nine. Flo was the manager She told them where to go and which roads to stop, and she handled the money.
Flo would give them what they were due and put the rest in an envelope and leave. Once Vicki saw Flo give the money to someone in a black Rolls, but she didn't see who.
Hunter asks for a description of Flo.
Vicki says Flo has red hair, is maybe 5'6, 140 pounds, and she has a tattoo of a rose on the back of her shoulder.
Hunter asks which highways they'd take.
"All of the major truck routes..."
"All we'd have to do is get on the CB, and say the Wild Bunch was pulling into a truck stop, and we'd be turning tricks like crazy."
"Each RV had its own handle. Soft Shoulder, Hot Pursuit, stuff like that." (And just like that they slip in the episode title, practically a throwaway!)
Hunter wants to know why Vicki quit when she was making so much money.
Vicki becomes visibly upset but doesn't say anything at first.
Hunter says, "You're in danger; your friends are dead. Talk to me here!"
"That's right... I am in danger, all right -- talking to you!"
"I have answered all your questions. The well is dry."
"Your time is up."
He gives her his card and some money.
"The name's Sergeant Rick Hunter, Metropolitan Homicide. You know how to get hold of me. You know how it works."
Now Vicki can finally be sad about her dead friends.
Dr. Lee tells Hunter not to ask McCall to talk too much. "She's in pain and under a lot of medication."
Things sure don't look good.
(Though McCall looks good, considering.)
Hunter asks how she's doing. What a terrible question.
She says "Okay," in a way that means OMG I AM SO NOT OKAY, I'M PARALYZED FROM THE NECK DOWN and he says the doctor told him not to make her talk too much.
Hunter says he found Vicki Lake.
"Suzie okay?"
"She didn't make it. ...Did you see the guy that did this?"
McCall says no.
"...You're gonna be okay."
McCall doesn't say anything. This episode's a bit of a downer, man.
Hunter sets out looking for the hookers in motor homes.
He's got his CB radio, because that's how they communicate.
(Useless personal information: When I was 14 or so, I had a CB radio at home, complete with a 64-foot antenna on my roof. I was totally internet chatting with strangers before there was an internet! My handle was 'Pink Panther.' Oh 1970s, you were awesome. Yes, I was super cool, if cool means dorky. Thirty-five years later, a boy I talked to back then found me on LinkedIn. I'm temped to marry him just so I can tell people how we met.)
Hunter's eating blue corn chips while he drives. He likes those.
He likes them a lot.
Hunter listens to the truckers on the CB. Nothing about any hookers.
Really, he likes blue corn chips quite a bit.
Night has fallen and Hunter must have run out of blue corn chips. Now he's got tea or coffee or something. He's still listening to truckers on the CB.
Also, he's brought a sandwich.
What's in this thing, anyway?
Hunter does not like the looks of that ham and/or cheese product.
Hmm. I guess he just sticks with coffee.
Night has turned to day.
This is apparently not the camper he's looking for.
Day turns back to night.
Hmmm... all of a sudden, in contrast to truckers asking for rides and giving warnings about Smokey, the CB broadcasts a sexy female voice
"Breaker 1-9 ... Hello, all you lonely truckers out there. This is the Wild Bunch calling to let you know we're on the Highway to Heaven." A few truckers break in, happy to hear this news. She goes on: "Now boys, no fighting. There's enough for everyone." She tells them where they'll be. "We've got a couple of experienced mechanics here just waiting to service your big rig."
"...We're in a Country Comfort cruiser, beige with a brown stripe..."
U-turn!
Are they thataway?
Ooh, looks like they're thisaway.
Hunter thinks this looks like the motor home described over the airwaves.
Sooo, he sits and watches it.
Then a guy comes out of the camper.
And another guys goes IN the camper. I'm pretty sure this is the one he's looking for.
Can you see gears turning in Hunter's head? He is hatching a plan!
This plan involves Hunter backing his car into the motor home.
Not too hard... just enough that they'd notice from the inside.
"Hey!" says the lady in the motor home.
"What the Hell's going on here?" Hunter says he's sorry. "Backing up here I misjudged the distance..."
"Yeah, well you oughta be more careful," he says. We hear another woman from inside say, "Hey Ginger, it's cold in here, shut the door!" Ginger asks Hunter to come in.
While walking in, he's saying he's sorry and that he intends to pay for the damage to the motor home.
"Oh, really?" she says.
Hunter says hi to these girls and they pose seductively, probably because he's a lot cleaner, better looking and fit than most of the truckers they service.
"I'd like to forgo my insurance... maybe we could exchange phone numbers and addresses and you can send me the bill." She says it's nothing serious and they can just forget it.
No, he insists on paying! But she says she doesn't own this rig, and she doesn't think the owner wants to exchange addresses with him. "So since it's not a big dent, let's just forget about it, okay?"
Hunter bids the hookers adieu. They invite him to stick around, stay for a drink... (or some bow chicka bow wow action, I'm sure.)
He thanks them, but says the accident shook him up, and he leaves.
She gives this look like, "WTF is wrong with that guy?"
Before he leaves, Hunter makes a note of the hookermobile's license plate.
Vicki Lake has left tons of urgent messages!
...But when he calls there's no answer.
So he calls someone named Wayne and asks for the address for that phone number.
Then Hunter heads to the high-tech computer room to do some research.
This guy Jimmy says he has the info on the RV Hunter asked about. It's registered to Bay Industries, with a PO Box number in Hollywood.
"Post office box? I need an address, Jimmy." Jimmy says he'll get right on it.
Weight 140! Rose tattoo! Bingo!
Hunter makes a call to this guy:
"Vice, Nicholson."
"Yeah, Nick ... I'm looking for a prostitute .. Florence Kean. She's connected with the people who shot McCall."
Nick says he'll get back to him as soon as he finds something.
Someone (Wayne?) calls and gives him Vicki's info.
Hunter writes down the address. It's on K Street, which at the time was completely industrial and had no residential buildings so they're just making junk up. ;-)
Well this doesn't look good at all.
Hunter goes to check on this dead body (indeed, dead, it turns out)...
Then someone clocks Hunter over the head.
This neighbor man was walking down the hall and the door was open and he saw these two bodies...
The EMT says Hunter had better go to the hospital and get his head x-rayed. Hunter says, "Yeah, I'll get right on that," with absolutely no intention of doing so.
Finn tells him to listen to the guy and take it easy. The dead body, Finn says, is Mary Lakowski, and whoever shot her was waiting behind the door when she came in, and she was shot in the back.
Hunter says that Mary Lakowski is the real name of a hooker named Vicki Lake, and that the dead body is NOT her.
He tosses Finn the ice pack. "See ya."
And off Hunter goes.
Back to the massage parlor...
The manager says Vicki hasn't been there since the last time Hunter came in.
...Nope, no Vicki.
After peeking in all the rooms, Hunter leaves without saying a word.
"Jerk."
Hunter goes to see Sporty, who tells him he thinks Vicki is long gone.
Hunter says Vicki knows an awful lot and that's why they'e after her. He asks Sporty to stick with it.
Oooookay, what's Hunter doing with this old shoe?
He's putting it in a box.
And wrapping it in Christmas paper.
"So when I checked out the address I had for Bay Industries, I realized it was an abandoned building," Hunter says. "Then I asked myself, 'What would Sgt. McCall do in a situation like this?'"
"'She'd get out the old wrapping paper and send them a package to the post office box.'"
McCall can smile. Those are the only working muscles she's got left, pretty much.
So, Hunter waits outside the post office. Now, normally this might take like DAYS ON END, right? But as far as we know, Hunter pulls up and waits for like five minutes, and...
...This lady goes to pick up her Christmassy-wrapped package soon thereafter.
And if he really was waiting there a long time, it's a good thing he's a cop, because there is so no parking in that area.
That's right; she's on Hollywood Blvd. They love themselves some Hollywood Blvd on Hunter.
Look how tall he is compared to a car door. I look nothing like that getting out of a car.
Hunter checks the building directory when she stops at the 5th floor.
Bingo! Bay Industries! (Along with a whole bunch of other stuff in the same suite.)
"Sorry, no solicitors," she says, barely looking up.
"Look, I don't care what you're sellin', I don't want it..."
Then arm-crossing ensues. "How is it," Hunter asks, "a little office like this could house what appears to be one of California's largest conglomerates?"
Two can play that game, the lady proves by crossing her arms too.
"I just work here, Mister."
Hunter asks to talk to her boss. She does not cooperate. "Do you got a warrant? 'Cause if you don't, I don't have to talk to you."
She answers the phone...
...Then looks at Hunter and says, "Are you just gonna stand there? Cause if you are, I'm gonna hang up."
Next thing we know, Hunter's talking to Big Jack at a whole different location, though we don't really know that 'til he leaves. "You've got five companies in an office that big, Jack."
"...One of them belongs to your wife, Louise Hemmings. The rest belong to a John [Something], is that you?"
"Mr. Hemmings' corporate holdings are a matter of public record," this guy says. Not that it matters, but this guy is named Adler. He's Hemmings' accountant.
"You're also running hookers up and down Interstate 5 in motor homes, Jack," Hunter says.
"That's a damn lie! it's also slander ... I run an honest business!"
"You're a pimp and you're a murderer, Jack," Hunter says.
"You paid some punk to shoot my partner; now I'm gonna get ya."
"Get out of my office."
Hunter: "You've given new meaning to the term 'recreational vehicle,' Jack."
"Call me when you want to confess."
And he leaves.
This woman follows.
She looks a bit distressed as she watches Hunter go.
"You heard me," Big Jack says on the phone. "Shut the whole thing down!"
"Florence, listen... you work for me!" He's all angry and junk. "Get rid of the girls, and get the RVs back in here!"
"What the hell about Anita Fargo and Suzie Q?"
"Do whatever you want! Just get rid of those stinkin' hookers, and make sure you and the vehicles are back here tonight."
Big Jack tells Adler to use his friends at City Hall to get this cop off his back.
They're not even in the door and Charlie's already mad.
"You know what this sounds like," Charlie says. "It sounds like an officer harrassing an innocent citizen without just cause."
"I'm just trying to get the guy to make a mistake, Charlie, you know that."
"Meanwhile Big Jack's got one of the commissioners dumping on us."
Devane: "You look like my cat after a bad night." Hunter: "Hairballs?"
"Go home and get some sleep."
The stuff Charlie has to deal with, man.
Someone's waiting at Hunter's desk.
It's the woman we saw a bit ago. "I'm Laura Decker," she says. I saw you today at Big Jack's. ...I took this stuff from his office. I want to help you get him."
"Why's that?"
"He killed my father."
Hard to tell, I know, but this is an establishing shot of Hunter's house.
...Where he has taken a totally unknown person. WTF, Hunter? Anyway, she tells the story of how her parents were going to see America in their RV but they had a lot of trouble with it, then it turned out that the RV had been sold at least once before, and her dad sued.
"And right in the middle of the trial," Laura says, "he had a heart attack and died."
She says she got a job with Big Jack, hoping she'd find a way to make him pay for what he did. When she saw Hunter she decided she'd found the way.
She has a folder of papers. "These are his in-house originals. They haven't been doctored yet by his CPA ... Roger Adler."
That's the guy Hunter saw in Big Jack's office.
"Big Jack pays him a lot of money to make sure everything adds up."
"What about Big Jack's wife Louise? She's on record as the owner of one of his businesses."
Laura says that it's probably a tax scam -- Louise is a cheap-looking bimbo who can't balance her checkbook, let alone run a company.
Laura asks for some cream for her coffee.
Hunter says that when Jack finds out the files are missing he'll come looking for Laura.
He doesn't think she should go back her house 'til this all blows over. He invites her to stay at his place. (It doesn't play as skeezy as it sounds. Hunter's not picking up on Laura.)
She says she can't; she'd be imposing.
"You don't have much choice, honey, you're in danger." (Robbie's note: Ewww, I hate when guys call me 'honey' and they're not my boyfriend.)
Hunter gets a call. We don't know who it is.
"Great," he says. "I'll pick you up at the precinct in 20 minutes."
He says he's going to be gone an hour or more. "If anybody calls, don't answer it. If anyone knocks at the door, call the police."
And off he goes.
Hunter and Nick are watching this middle-class house in a nice neighborhood.
...A taxi pulls up.
"Yeah, that's Flo," Hunter says.
As Flo walks to her front door...
...Someone runs across her lawn with a gun and shoots her..
Hunter and Nick run to check it out.
Nick checks on Flo while Hunter follows the shooter.
The guy's already in a car.
So Hunter shoots at it.
He knocks out a tail light but that's all.
Nothing new here; I just like shots of Hunter with his gun.
Flo's dead.
Hunter calls it in.
"I've got a 187 victim, suspect driving a late model sedan with the left rear tail light out." He gives the location.
Meanwhile, back at Wilshire Memorial...
...McCall is still paralyzed...
...And Hunter's still sad about it.
...But at least a kind nurse or random hospital makeup artist came by to make sure her makeup was perfect.
Hunter arrives back at his house.
He finds Laura sleeping in his bed and leaves her there.
Hunter heads backdownstairs to check out the files Laura took from Big Jack.
"Do you know it's 5:00am?"
Hunter asks about some initials on the papers.
Laura: "The bank inspector's. Dealers buy their inventory with borrowed money. Then when they sell a car or RV, they repay the bank. The inspector's initials tell the bank the vehicle's still on the lot, unsold."
Hunter says all these loan agreements show the RVs were sold weeks before these pages were initialed.
"We got him! He's selling RVs and he's not giving the bank their money! It probably amounts to millions of the bank's dollars!"
"Big Jack plays the stock market all day long. I've heard him buying options, commodities...Rick, if we take this to the bank, we've got him!"
Hunter points out that if they take this to the bank, Laura will be arrested for stealing the papers. He asks what would happen to Big Jack's buisiness if the RVs stopped coming in.
"His whole scam depends on turnover," she says. "RVs coming in as fast as they're going out."
"...You cut off his supply and he's had it."
"Where does the supply come from?" Hunter wants to know.
From a plant in San Diego near the border, in El Mirage.
Hunter says he's going to the hospital, then to El Mirage.
Morning has broken at Wilshire Memorial.
"Can Sergeant McCall come out and play?"
He asks how she's doing and she says okay. (Dude, she's not okay.)
"You may not see me tomorrow." He says he's going to San Diego.
McCall asks why and he says he'll tell her when he gets back. He asks how it's going.
"...I can't feel anything yet, you know?"
"The doctors say it'll take about a week for the swelling to clear up."
"Then what?"
"You're gonna be all right."
McCall is clearly not so sure.
This car comes from behind Hunter and gets way too cozy, smacking into him..
Then Hunter chases the guy.
"This is L-56, in pursuit of an ADW suspect driving a late model red sedan, license plate number blah blah..." (ADW = Assault with a Deadly Weapon, btw.)
He asks for backup.
... I love it when they reach up to put the cherry light on the car.
Blah blah car chase.
It goes on and on.
And on.
Have you dozed off? I have. Car chases, blah blah car chases.
Seriously, it's still going on? Something has to end this car chase soon because the episode's almost over.
I'll let the screencaps do the talking.
The End. (Of Part 1.)
Hunter episode 3.18, A CHILD IS BORN
Original Airdate: March 14, 1987
What’s Going On Here? McCall wants to adopt an unborn baby girl whose mother was shot and left brain dead.
Who’s That Guest Star? Tracy Vaccaro (at the time, Mrs. Fred Dryer); Carmen Argenziano (Stargate: SG-1, Godfather Part II); Rhoda Gemignani (Who’s the Boss?, Ghostbusters); Viola Kates Stimpson (mostly episodic TV); Leif Garrett (teen heartthrob); Carmen Zapata (Sister Act I & II, Santa Barbara); Jana Marie Hupp (Ed, episodic TV), Corinne Michaels aka Corinne Camacho (Medical Center, episodic TV); William Bronder (episodic TV, Return to Me, Stand By Me – he’s the guy in the junkyard!); Anthony Peck (Die Hard: With a Vengeance, lots of movies/TV, 3 eps of Hunter, ); Raymond St. Jacques (tons of TV/movies), Alan Keller (Deadwood, Heaven’s Gate, Convoy); Grand L. Bush (lots of TV & movies; 5 episodes of Hunter). Hunter regular Charles Hallahan as Devane, and of course Fred Dryer and Stepfanie Kramer and Rick Hunter and Dee Dee McCall..
Tracy Vaccaro as Stacey Collins
Carmen Argenziano as Dr. Schneider
Rhoda Gemignani as Mrs. Palovsky
Leif Garrett as Todd Logan
Corinne Camacho as Sister Nora
Carmen Zapata as Edna Watley
(I'm not at all sure Zapata & Stimpson aren't identified wrongly on IMDb, so it's possible these photos should be switched.)
Jana Marie Hupp as Todd’s Ex-Girlfriend (Tiffany)
Alan Keller as Nick Roncoe
William Bronder as Det. Mike Harrison
Anthony Peck as Ray
Raymond St. Jacques as Judge Clancy
Grand L. Bush as Billy
Charles Hallahan as Devane
Where Can I Fast-Forward Through a Car Chase? At 34:50-35:46, you can skip it if I tell you that both the bad guy and Hunter/McCall follow Stacey's car into Griffith Park. Then the foot chase at 43:20-45:24. (But it's sort of the final big scene, so if you've watched this far, you probably shouldn't skip it.) Roncoe chases Irene, and we know he’s a bad guy ‘cause he shoots a dog for Pete’s sake; Hunter chases Roncoe; McCall joins in at the end.
Does Anyone Have Sex, and Does Their Partner Live Through The Episode? Nope, no sex.
What Are They Wearing? McCall: 1. Royal blue turtleneck, grey slacks, silver earrings. (Looks like the same turtleneck she wore in episode 3.07, “True Confessions,” and similar slacks in a different shade of grey.)
2. Off-white blazer, brown patterned blouse, brown skirt, tan/black pumps, brown purse.
3. Muted light blue turtleneck, slacks with a tiny blue/white plaid or herringbone (they look light blue from afar), light pink blazer, silver lapel pin (looks like a child or angel), silver earrings, light blue flat laced shoes.
(See what I mean about the slacks?)
4. Navy blue blazer, white slacks, navy/white striped shirt and -- I’m sorry to say -- navy/white striped socks, white loafers with navy trim.
Hunter: Button-down shirts, slacks/jeans, ties, sports coats.
Wow, This Is Old School: Quick shot of a Rolodex at 14:40.
Rolodex in the bottom left corner.
At 21:10, Tiffany is the most awesome ‘80s girl ever.
Manual typewriter at 27:27.
Police radio at 33:45.
Hunter uses a payphone at 38:29.
Old school nurses’ caps at 40:52.
What’s For Lunch? Lots of coffee, that’s what! McCall drinks coffee at 11:12, at 13:37, and again at 21:05.
Hunter drinks coffee at 21:13 and at 28:57.
Where In L.A.? Culver City’s City Hall fills in as the Metro PD as usual.
At 15:49, the establishing shot of “Wilshire Memorial Hospital” is really the old Daniel Freeman Memorial Hospital (aka Centinela Freeman Regional Medical Center) in Inglewood, on Prairie Avenue between Grace Ave & Howland Drive.
At 35:14, they enter Griffith Park at the Riverside Drive/Los Feliz Blvd/Crystal Springs Drive entrance.
At 36:19, Hunter is driving southeast on Foothill Blvd as it crosses Terra Bella Street in Pacoima.
It’s an X-File: William Bronder was in the film Return to Me with David Duchovny. And for the hardcore XF fans, the clock at 09:33 says the time is 11:21. Not to mention, the McCall/baby thing is similar to the Scully/Emily thing (without the sci-fi component and the fact that Scully was Emily's mother. Sort of).
It's 11:21.
Who Does Hunter Shoot, and Do They Die? Hunter shoots Nick Roncoe dead at 45:30.
Any Scenes Worth Watching? Tiffany (Jana Marie Hupp) steals her scene at 21:10.
The scene with Hunter and McCall in the park at 31:07-33:36 is particularly sweet.
So’s the one at 46:09-47:32. The way McCall’s voice breaks makes me a little weepy.
Is There Banter? Not really.
Oops: At 36:25 there is a boom reflection on the hood of Roncoe's car.
You see it move and everything.
Bonus: All the McCall scenes in this episode are good.
Bonus Screencaps:
This girl has ridden the bus home.
This truck pulls up.
This guy exits the truck. Somehow I just know no good can come of this.
The girl walks through the adorable courtyard to her apartment.
Truck Guy finds the name he's looking for.
He buzzes a different apartment.
He lies to this lady and says she has a package, and she buzzes him in. Oldest trick in the book, but people still fall for it.
This pregnant girl is wholesome. We know this because she's wearing a flowery dress with a Peter Pan collar, and drinking milk.
Truck Guy lies to her and says the manager sent him to fix her plumbing. Or something like that; I'm too lazy to go back and check.
People who live in this building are too trusting, man.
Yup, he shoots her. At close range! BAD TRUCK MAN. Why would he shoot a wholesome pregnant girl and make her drop her glass of milk?
Fred Dryer directed this episode! This was the first of five episodes directed by Dryer.
(This is the same uniformed cop who forgot to read the rapists their rights in "True Confessions.")
He's telling them that this girl was shot in the head at close range, she's barely alive, and that she's six or seven months pregnant.
Billy shows them her driver's license, which says she's Irene Palevsky, 21, from Buffalo.
McCall asks if there is evidence of a robbery.
Nope, just shot at the front door.
McCall goes thataway to subdue Neighbor Lady.
Hunter goes thisaway to talk to this other neighbor lady, Edna Watley, who found the body and called the police.
Hunter sits daintily on this wee bench and shows off his white socks and topsiders. (WTF is with him and the topsiders with white socks? I lived through the '80s. We did NOT wear socks with our topsiders.)
"Who'd want to hurt that sweet child?"
She says, "I didn't hear no gunshots."
She tells how she went to get a package but there wasn't one, and she came back and found Irene's body.
She says Irene had only been there a few months and didn't have any friends, except for her and Sister Nora. She gives him Sister Nora's info.
Nobody heard gunshots so it must have been a silencer...but why would someone put a professional hit on a kid like Irene?
Hunter says he'll go to the hospital and drop McCall off at Sister Nora's.
This is Sister Nora.
Sister Nora can't say much about Irene because "the most important thing we offer these girls is confidentiality."
She says there was no contact with the baby's father, and that Irene wouldn't didn't want her family to know she was pregnant, so she told them she was traveling in Canada as an exchange student, and she'd call them every ten days or so "from Canada."
"Did you ever try to call the parents?"
"That would be violating an irrevocable trust. If we didn't offer that, many of these girls would opt for abortion."
"But Palevsky isn't a common name, I'm sure if you called Buffalo information..."
McCall thanks Sister Nora.
McCall asks if Mrs. Palevsky has a daughter named Irene, and an alarmed Mrs. Palevsky says yes.
Must be the next day. Mrs. Palevsky has flown to L.A.
Dr. Schneider says that Irene is brain dead.
Mrs. Palevsky says that's not Irene.
McCall asks her to look again and make sure...
Mrs. Palevsky says she knows her daughter... and that she's sorry for this poor girl, but it's not Irene.
Hunter sits like Riker.
Mrs. Palevsky last saw Irene six months ago.
She was upset when Irene cut off all her beautiful hair.
"Up to here!"
"The next morning she was gone."
This officer is going to take Mrs. Palevsky to the airport.
They'll keep her posted until they find Irene.
When they say they'll look for Irene and need to find her fast...
Mrs. Palevsky becomes alarmed.
McCall tells her to be sure and send a photo of Irene; it could help.
She'll send it as soon as she gets home.
They agree they have to find Irene fast; whoever put the hit on her will try again as soon as they realize they've killed the wrong girl.
Charlie says the DA wants one of them to testify in the Juliano case; which one's it gonna be?
This screencap cracks me up.
He tells them to work it out.
Hunter immediately goes for his lucky coin.
McCall's like, "No, wait... I want this case."
"Something about it with the girl, and the baby, and everything..."
"...I want the case, all right?"
"Sure."
"I'll make Charlie wait ten minutes then I'll go tell him."
(They actually wink at each other but it was impossible to catch while screencapping.)
We hear McCall explaining how the one on the left is a pregnant Jane Doe in the ICU with a bullet in her brain, and that she was hiding from her parents...
...by using the ID of the one on the right. That's Irene Palevsky, who now has short hair, and who might have been the real target for the bullet.
"Might have been? You mean you're just guessing?"
"Well that's one of the things I do best, Mike."
"We drew a blank on Jane Doe's fingerprints."
"You love to complicate my life, don't you?"
"What? I got you the dental history on Jane Doe ... and everything we have on Irene Palevsky."
Blah blah dental fillings.
Mike says that if someone's filed a missing person report he can probably get McCall something from the computer on Jane Doe in a few hours.
They are loving some coffee this episode. Also, I'm pretty sure that's McCall's mug from earlier in front of the coffee maker. Or maybe they're standard police-station-issue mugs.
"Well, uh...I don't think you'l find anything in the computer."
"The girl told her family she was traveling in Canada..."
"So... they don't think of her as missing."
"...So there's no report."
Mike is like, Um, do you know how ridiculous this is? The dental stuff means nothing unless someone looks for her.
Heehee, McCall's look says, "I can kill you with my brain."
She tells him to concentrate on Irene. "Maybe she knows who this Jane Doe is. ...Put her picture in the paper!"
Mike says all she ever gives him is a bunch of mights and maybes.
"Well, that's why we come to you, Mike."
"Because you're the expert on mights and maybes."
Ah, Wilshire Memorial. My favorite fake hospital.
Lots of exposition ahead. Dr. Schneider says that the hospital Ethics Committee met this morning.
If someone doesn't come forward to claim responsibility, he says, they'll have to ask the court to appoint a guardian, and it would be up to the guardian to decide if and when life support will be discontinued.
Schneider takes off his lab coat just to make McCall feel at home, since Hunter spends all day taking his jacket off only to put it back on and take it back off again later.
"Are you saying that some stranger is going to be able to decide the fate of the baby that's inside that girl?"
He says the hospital can't assume responsibility indefinitely. If McCall can't find out who Jane Doe is, they'll probably be instructed to turn off life support. They're doing ultrasounds and monitoring the heartbeat just in case.
McCall asks about amniocentesis but the results won't be in for ten days. Preliminary findings show that the lungs aren't developed and there's a hole in the heart, which isn't uncommon for a fetus at 27 weeks.
"So ... some court appointed guardian is going to be able to pull the plug??"
Aaaand ... the putting on of the sport coat!
The doctor doesn't know how long they can keep Jane Doe's body functioning.
"How long is it going to take for the court to appoint this guardian?"
He says tomorrow or the day after. McCall says thank you in that "I don't really mean 'thank you' at all" sort of way, and leaves.
"You're welcome."
...I thought you might like to see McCall's shoes.
McCall explains the situation to the judge. She's quite impassioned.
"Let's go into my office, where I will remove my robe. I hear you like that sort of thing." (Okay, okay, he doesn't really say that. But it's so true.)
"Dee Dee, the hospital is not a charitable institution, nor is it an adoption agency."
McCall: "We're talking about a child here!"
"Relax, take it easy; I happen to agree with you ... that Jane Doe's parents will probably show up soon."
"So, I'm granting you your 72-hour injunction."
"Thank you!" she says. (I'm sad to say this adorable cheek-pinching and hug are the closest thing to sex in this episode.)
"Which means that the county is footing the bill for three days..."
"So don't let me down!" (An unseen
McCall yells back "I won't!" as she's leaving.)
Back to the hospital she goes (I assume this is the next day since she's changed clothes.)
McCall drops the judge's order on the doctor's lunch table.
She's all snooty about it, like, "Nyah nyah, you can't pull the plug on Jane Doe 'cause I'm stopping you!"
She's taken aback when Dr. Schneider says "Good for you!"
"Did you think I was drooling to pull the plug on Jane Doe and her baby?"
"Well, ... no, I, uh... I just thought you weren't very concerned."
He asks if police officers indulge their emotions on their cases. "No," McCall says as she sits down.
"Actually, we have to keep a certain distance." (Um, McCall, I'm not sure what mythical creature you're talking about, but it's not you.)
"But you're not willing to assume that doctors do too?"
He says since he was eighteen, everything he's done has been because he wanted to save lives, preserve them with dignity and comfort, and that his instincts are to deliver the baby and hand her over to someone who will love and care for her.
"Boy, I feel pretty stupid."
"...I'm very sorry."
"...I thought you were cold and callous, and I was very wrong."
Schneider says that when he started out 20 years ago things were simpler; life support systems were more primitive and these complex ethical questions hadn't been asked yet. The Ethics Committee tries to do the right thing, but there are rules, and the hospital has a budget, etc.
...So it warms him when someone like McCall comes along and forces them to do what they wanted to in the first place.
He asks if there's been any luck finding Jane Doe's family.
"We don't have much to go on, but we're doing everything we can."
Cut from McCall drinking coffee, to...
...Hunter drinking coffee.
Meet Tiffany! She's one of my all-time favorite "Hunter" day players!
I'll have to summarize, because Tiffany talks a mile a minute. She's a fast-talking, gum-snapping, super tubular '80s girl.
The story goes that she was going out with this guy Todd.
Todd worked in a super cool club, and one night a totally bogus girl came in and Todd dumped Tiffany for her!
Then she read in the newspaper that the police were looking for this Irene Palevsky... (Me: Tiffany reads the newspaper?)
"So, I like... Came. Right. Down."
"Why?"
"Why what?"
"Why did you come right down?"
"Because, like, that was her name, Irene Palevsky."
Hunter shows her a photo of Irene and asks if that's her.
Yes, that's her!
"...Except when I saw her, her hair was like, really really really short."
"...I mean, I wouldn't be caught dead with that hairstyle, you know what I'm sayin'?"
"Once she moved in on me, Todd, he could not even remember my first name."
"Your boyfriend is Todd who?"
"My EX-boyfriend, please. His name is Todd Logan, and he's real real super foxy and he works at the Cosmos Club, on Pico?"
Hunter asks when all this happened.
About ten weeks ago, Tiffany says.
"...Is she, like, um, in trouble or anything?"
"Not that I know of, no."
Then Tiffany talks some more.
McCall comes in, happily telling Hunter she got three more days.
Hunter says he has to get back to court, and he wants Tiffany to tell McCall everything she just told him.
"And I mean everything."
While Tiffany talks and talks and talks, the cop behind McCall is shaking his head. So funny.
It would seem that McCall took Tiffany's info and is searching for Todd Logan at the Cosmos Club.
"Todd Logan?" she calls out as the band warms up.
"Who wants him?" the front guy replies.
"Los Angeles Metropolitan Police. Can we talk?"
Me:
Hey, isn't that ....?
Todd says yeah, but instead of talking, he makes run for it.
McCall follows.
Todd stops dead when she yells, "Hey, I've got your guitar!"
Why, it IS! It's Leif Garrett, my childhood crush! *girly scream*
You might recognize this shot from the Season 5 opening credits.
"Do we talk, or do I trash this thing?"
"Please, lady... be careful, don't even hold it like that! You could drop it."
"Can we talk?" McCall asks again.
"Talk about what?" McCall tells him it's about Irene.
"Irene? Why didn't you say so? ... With Irene gone, this [guitar] is the only good thing I've got left."
He says that he and Irene were together nine or ten weeks. Then they heard on the radio that a girl name Irene Palevsky had been shot. Irene looked shocked, and he told her it must be a weird coincidence, and he went to work. When he got home, she was gone. Irene left a note saying she loved him and that someday she'd call and explain, and to not forget about her.
"Did she call?" McCall wants to know. Nope, she did not call.
Todd says that Irene said she used to be a showgirl in Las Vegas, but when they had a chance to lay a gig there, all expenses paid, Irene wigged and said she never wants to go there, but didn't tell him why.
"When you find Irene, will you tell her I didn't forget about her? Tell he to come home?" McCall says she'll tell her.
Poor Todd. He's all lovesick and shit.
Not sure who McCall's talking to, but she's telling them about Irene, and how she used to be a showgirl and that she probably wasn't using her real name.
McCall tells Ray that if Hunter or anyone else calls, to tell them she's at the hospital. As usual, there is the obligatory Background Hooker at the station.
Hunter comes in looking super happy. Did he meet a hot woman in court or something?
This cop gives Hunter a message that came in for McCall from Las Vegas PD. Irene Palevsky used the name 'Gloria Bouchet' and Bouchet disappeared six months ago.
This young lady is looking for Sgt. McCall. Hunter explains he's her partner.
She is Stacey Collins.
She drove all night from Vegas after the cops in Vegas told her McCall had made an inquiry about Gloria Bouchet. This is the lamest thing in the world. She doesn't have a phone??
Hunter shows her the photo of Irene Palevsky.
That's her!
But in Vegas she was just Gloria Bouchet. She was Stacey's roommate and best friend for two years.
Six months ago, Gloria/Irene disappeared without a trace.
There are a few things Hunter loves to do. One is checking his watch.
Another is putting on his jacket. He must be having the best minute ever, getting to do both so close together. Anyway, he asks if Stacey wants a cup of coffee.
Stacey wants coffee if it comes with breakfast.
They seem to be in Hollywood here but I can't figure out the location. I can't even explain to you in words how this sort of thing vexes me.
Hunter tells Stacey what they found out from Todd Logan, which isn't that much. Stacey says she wants to talk to Todd.
Hunter asks why.
"Because people tell cops only what cops ask. People tell showgirls everything."
"You know, you'd make a pretty good cop."
"But you'd make a lousy showgirl."
The judge tells McCall that it's cost the county over $13,000 so far to keep Jane Doe alive and asks if they're any closer to finding her family.
Not really, but McCall thinks that every day that goes by is a day closer to her family looking for her.
"Please, just extend the injunction a few more hours, 48 hours... 24 hours!"
He asks her to be practical.
Practical? McCall? When there's a baby involved? I don't think so.
Byron asks,
w
hat if the baby has birth defects? People looking for babies want to know what they're getting.
McCall thinks the baby will be born healthy.
She's done her research. One out of 10 babies at 6 months has this hole in the heart defect and it usually seals itself around the time the baby is born.
The hospital won't assume responsibility and neither will anyone else, he says.
McCall says that if nobody else will accept responsibility for the baby, then she will.
"...I've given this a lot of thought; I really have." She asks if he'll help her.
"I'm going to protect you from yourself." He grants another 24 hour extension, and tells her to use the time to think it over. If she still wants to, he'll get the ball rolling to have her appointed guardian.
She thanks him.
Hunter says that most women have nine months to prepare themselves and it's happening to McCall overnight.
Hunter asks, "What if the baby comes into the world with a birth defect?"
McCall knows the odds, knows it could happen, but just feels it won't. And if it does, "That's all the more reason I will need to be there for that baby."
He wants to know that her decision is based on fact and reality...
...Not emotion and circumstance.
Emotion and circumstance obviously enter into it, but here are the facts, she says...
"That baby needs a parent desperately."
"And I can fill that need."
"...I want to."
"I am moving carefully ... deliberately. I have thought about this for a long time." (It’s been what, two days? That is not a long time, McCall.)
"Rick, you know I want kids." (First name alert! Important conversation!)
"It's something that's very important to me, and ... I feel ready."
"Let me play devil's advocate," he says.
"What if somebody steps forward and puts a claim on that child?"
She says she'll deal with that if and when it happens but until it does, she's all that baby has.
"...I can't turn my back on that..."
"...Could you?"
"You're pretty clear about all this, aren't you?"
"Yeah."
"Yeah..." she says again. He voice breaks in an adorable way. I might have the sniffles or something.
Hunter: "I like you."
Okay. While this is one of the sweetest scenes ever on "Hunter," how is it that nobody in this whole episode thought to bring up the fact that McCall is a homicide cop? Who's going to take care of the baby while she's at work at her super-dangerous job with irregular hours where she gets shot at a lot?
So at this point, I figure I'd better throw in a couple of shots of the car for the car lovers. Check out that sweet grill.
We hear the police dispatcher. "L-56, come in, please."
The dispatcher patches Stacey Collins through.
"Stacey, what's happening?"
"Somebody in a beige sedan's following me." When Hunter asks, she says she's at her hotel and she's driving a blue Mustang convertible.
Hunter gives her instructions on what to do: Drive north on Riverside Drive, enter Griffith Park, and he'll pick her up there. She's to make a bunch of turns and they'll find out if she's being followed.
"You got it."
And off everyone goes to Griffith Park.
Stacey's rental car...
Roncoe following Stacey...
Hunter & McCall following Roncoe and Stacey...
Stacey enters Griffith Park, and for once someone's actually where they say they are on the show.
Actual Griffith Park sign!
This goes on a while. Blah blah following through the park.
Hunter pulls the guy over.
"Hey, I'm a cop, Las Vegas PD. My badge is in my right jacket pocket."
Hunter grabs the guy's badge and gun.
Hunter asks, "Sgt. Roncoe, what are you doing following this lady?"
Roncoe says he's on a case, and Stacey's roommate Gloria Bouchet was an eyewitness.
Hunter's like, usually cops notify us when they come into our jurisdiction, blah blah.
He says he just got in town and didn't want to lose her.
"Look," Stacey says, "I'm not sure how you found me and I'm not so sure I want to know. All this is making me nervous." She asks if Hunter or McCall could follow her back to her hotel.
Hunter introduces McCall and says she'll take Roncoe back to the precinct to meet Captain Devane and show Roncoe their case file.
"Much obliged." You can tell right off that this guy's skeezy. His facial features look like the original illustrations of Snape in the Harry Potter books.
Off McCall and Roncoe go.
Stacey thinks there's something fishy about Roncoe. Gloria never told her anything about being a witness in the murder case Roncoe's talking about, and the police never came around to ask either one of them any questions.
Hunter tells Stacey to check out of her hotel and check into another, and to let him know where she is.
She wants him to keep her posted and he says he will.
Hunter calls the Las Vegas Police Dept.
Ray, whose job is probably actually detective but in this episode he just takes messages, tells McCall that Dr. Schneider called and said Jane Doe's baby needs to be delivered by C-section ASAP, and that Todd Logan heard from Irene and has an address in Malibu Canyon for her.
McCall professes her love for Ray.
She introduces Ray to Det. Sgt. Nick Roncoe from the Vegas PD.
"He needs to talk to Capt. Devane and probably get a look at this file."
McCall promises she'll be back, and rushes off to the hospital.
Captain Devane looks busy, says Ray. He's going to check with the secretary.
Roncoe's like, I'll just look at this file.
Um... do you have a bad feeling about Roncoe yet? You really should.
Hunter's driving so fast his cherry top is wobbly.
"Ray, where's McCall??"
Ray says McCall left in a hurry a few minutes ago; he thinks she went to the hospital.
"She wanted me to introduce the Captain to this Vegas cop, but the guy's not where I left him."
"That guy is NOT a cop, Ray; think hard, where'd she go?"
Ray says McCall left a file on her desk and it's gone. There was a message in it from Todd Logan. "Something about Irene and a house in Malibu Canyon." Ray remembers the address and gives it to Hunter.
Hunter tells Ray to call the hospital and have McCall paged, and tell her that Hunter talked to the Vegas PD, and Roncoe hasn't been a cop for six months, and to give her the Malibu address, and tell her Hunter's on his way there Code 3. Oh, the mounds of exposition this phone call is taking care of!
That nurse on the left says that McCall has an urgent call from headquarters. How the nurse knows that this woman randomly walking by is Sgt. McCall is a mystery. Dr. Schneider says the c-section starts at 6, and McCall says she'll be there.
Oh noes! Roncoe's on his way to Malibu Canyon!
Hunter: Also speeding his way to Malibu Canyon. (Pay no attention to the fact he's really an hour away in Pacoima.)
McCall calls Todd and tells him to call and warn Irene to get out of that house.
Todd calls.
The phone rings.
There's no answer.
Irene, it seems, is outside playing with a dog, and can't hear the phone.
Roncoe arrives at the house where Irene's staying.
Yeah.... I'm pretty sure cops don't use guns with silencers... not to mention his beady Snape eyes.
Oh, shit, Irene thinks. That guy's got beady Snape eyes. And not Snape from "Deathly Hallows" where we find out he's awesome, either. Early nasty Snape.
Irene turns and runs.
Roncoe shoots the dog! He is obviously a Very Bad Man.
Whew! Hunter has arrived to save the day!
Hunter hears something thataway.
You are getting the picture, right? Irene runs, Roncoe follows her with his gun because he's the bad guy.
McCall arrives, but I'm pretty sure it's Stepfanie Kramer's double, because most of the time she's hidden by this rosebush.
Roncoe shoots at Irene.
Irene runs back the other way.
Thank goodness she runs into Hunter. Not that she knows Hunter, but he has to be better than Roncoe, right?
Roncoe shoots at Hunter/Irene and misses.
Hunter shoots at Roncoe.
Hunter does not miss.
Hunter asks if she's all right.
"Yeah, I'm fine. Thanks."
McCall runs up. "Hunter? You okay?"
"Yeah, we're fine." He introduces them.
McCall says she wants to get back to the hospital for the baby's birth.
Hunter says he'll see her there.
Hunter asks Irene if she knows this dead guy, Nick Roncoe.
Yup, Roncoe's still dead down there.
She says yes. She saw Roncoe kill a man named Strober. (That's the case Roncoe claimed to be working on.)
Hunter: "Let's call your mother."
Confusing shot because that little pink sign is for a different baby than the one we're looking at, but they push past Baby Girl Adams to the baby in the back.
McCall is super excited and happy.
"...Is she beautiful?"
McCall's saying stuff like, "she's so tiny!" and I'm thinking, that baby's three months if it's a day.
Hunter looks at McCall. They're both a bit goopy-eyed. "What?" she says.
Hunter says that Mike was at his desk back at the precinct.
"He found Jane Doe's next of kin."
"They're farmers from Wisconsin."
Awwwww, poor McCall.
"It's for the best, right?" Hunter says.
"...Yeah, I guess... yeah." OH STEPFANIE KRAMER HOW ARE YOU SO GOOD? Her voice breaks and my heart breaks for her.
The End.
Hunter episode 3.17, ANY SECOND NOW
Original Airdate: February 28, 1987
What’s Going On Here? Real-life stalking victim Theresa Saldana plays a brilliant pianist being stalked by a psychopath who has vowed to finish what he failed to do years before: eliminate her. In a manner chillingly similar to Saldana's real-life story, this monster makes her life a living hell. McCall & Hunter are handcuffed by laws that protect this sociopath, paroled for his attempt on her life, so they start providing protection for her in their off-duty hours.
Who’s That Guest Star? Teresa Saldana (The Commish, Raging Bull); Andy Wood (Rambo: First Blood II); Richard Bakalyan (Chinatown; this is his first of 3 Hunter eps as Kenny Dunstan); Dan Ziskie (Treme, House of Cards); Barbara Townsend (After MASH). As always, Fred Dryer and Stepfanie Kramer star as Rick Hunter and Dee Dee McCall. Also starring Hunter mainstays Charles Hallahan as Devane and Garrett Morris as Sporty James.
Teresa Saldana as Jennifer Hartman
Andy Wood as Ralph Flager
Richard Bakalyan as Kenny Dunstan
Dan Ziskie as D.A. Ahlberg
Barbara Townsend as Mrs. Karnovsky
Bill Walker as Sporty's Grandfather
Charles Hallahan as Devane
Garrett Morris as Sporty James
Where Can I Fast-Forward Through a Car Chase? Not a car chase, but at 38:38, Hunter goes to find Kenny. At around 39:44 he nabs him. There, I saved you a minute.
Does Anyone Have Sex, and Does Their Partner Live Through The Episode? Sex-free episode. Grrrr.
What, no sex!? This is an outrage!
What Are They Wearing? McCall: 1. Light blue blouse with a subtle ‘80s pattern, pin at the neck, ‘80s belt, dark blue pencil skirt with subtle pinstripes, earrings.
2. Pale yellow or off-white blouse, oatmeal sweater, pink slacks, dark grey trench coat.
3. White turtleneck, royal blue skirt suit, blue/white scarf, greyish pumps, royal blue earrings.
4. Jeans, peachy-pink henley, tennis shoes.
5. Blue/black plaid blouse, black slacks.
6. Black turtleneck, beige jacket, black slacks, black pumps.
7. Red sweater, red sweater-jacket, black slacks, gold earrings.
8. Pink chenille robe.
9. Peachy-pink blouse, pin at the neck, dark blue-grey slacks, light blue flat Oxford-like shoes.
10. Blue and white patterned blouse, jeans.
Hunter: Button-down shirts, slacks/jeans, ties, sports coats, including his favorite powder blue sports coat, 'cause we might not recognize him without it.
Wow, This Is Old School: Flager uses a payphone at 04:49.
The parole officer's typewriter at 19:36.
Sporty uses a payphone at 37:37.
At 40:40, Mrs. Karnovsky uses a rotary phone.
What’s For Lunch? Hunter eats something in McCall's kitchen -- a pretzel stick, maybe? -- at 10:34.
Where In L.A.? At 12:23, McCall (in Jennifer's car) turns right from Valley Street onto Magnolia Blvd in Burbank. You can see Yen Ching restaurant, which is no longer there.
At 12:40, the driving scene jumps to Culver City.
If you live in L.A., this is the sort of thing that makes your head hurt, when people turn a corner and end up 30 miles away like magic, but you have to let it go, or you'll never enjoy another movie or TV show again. ;-)
At 21:31 and 24:47, McCall's house is really at 13216 Bloomfield Street in Studio City.
The scene where Hunter chases Kenny Dunstan was shot in Culver City around Main & Culver, very near the old City Hall (which was used for the precinct building, though we don't see it this episode). The building Kenny and Hunter jump out of is the Culver Hotel at 9400 Culver Blvd., which we also saw a hint of earlier at 12:53 when Flager was following McCall-as-Jenny.
The Culver Hotel
Also in Culver City: the building at the top right is Sony Pictures.
Mrs. Karnovsky's house, where Flager rented a room, is first seen at 35:44, is at 845 S. Lake Street, Los Angeles.
For more info about this house, click here.
It’s an X-File: Richard Bakalyan was in an episode of Chris Carter’s show Millennium. Hair stylist Norma Lee worked on both Hunter and X-Files.
Who Does Hunter Shoot, and Do They Die? McCall shoots Flager at 44:13, and he’s super-duper dead.
Any Scenes Worth Watching? At 13:35, Hunter checks out McCall’s wig.
The scene at 21:36 between McCall and Jennifer Hartman where they bond over dealing with trauma.
At 31:28-32:12, a sweet scene when Hunter stays at McCall’s house.
Anything involving Sporty James.
Is There Banter? At 10:18, Hunter asks, "Don't you have any fresh vegetables?" and McCall replies: "Do I look like I live on a farm?"
At 14:26-14:39, a funny bit about Hunter’s feet.
31:29-31:50, banter about McCall’s taste in “food.”
More of that sort of thing from 32:41-33:06: McCall identifies the four basic food groups: “Order-out, take-in, frozen and canned.”
Bonus: I love Kenny Dunstan. Not as much as Kenny Dunstan does, but I do.
He's a legend!
Bonus #2: The script, at Wonderful World of Hunter: HERE.
Bonus #2B: An earlier version of the script when it was called “Can’t Anybody Out There Help me?!”: HERE.
WTF?: McCall’s door used to have a chain. And they took it away for this episode so that a stalking victim could stay at her house and be more scared. Since the bad guy ends up coming in a window, they could have left the chain but … well, as usual, McCall’s house is pretty much the most dangerous place in Los Angeles.
Nobody removes a chain from a door.
Oops: McCall wears her red outfit, then is at home wearing a robe, and next we see her in her red outfit again visiting Jennifer (which seems to be the next day). In the script, she was supposed to visit Jennifer before the bathrobe scene, but the way it aired the scenes were reversed.
Oops?: At 19:33, when Kenny Dunstan (he's a legend!) upends his parole officer's desk, we see that underneath it is labeled "SJC F4273" ... I assume the "SJC" means it's from the Stephen J. Cannell prop shop. ;-)
It Works For Hunter: At 44:33, the return of the catchphrase! I thought we’d never hear it again!
Breaking the Fourth Wall: In the final scene, which you should watch anyway, at 45:24-45:56.
Note: This episode was dedicated to the memory of actor John Alderman, who had small parts on Hunter in 1986-87 and died suddenly in 1987 at age 53. This episode was one of his last credits.
That's Alderman on the left. Wacky!Trivia: He also did non-sex scenes in hardcore porn under a different name!
Bonus Screencaps!
The poster above says it's November 1979, but the onscreen legend says it's January 1980. Oops.
Seems like a nice enough fan, right?
Wrong. He's getting all creepy.
WAY wrong, because he pulls out a knife and stabs Jennifer.
We jump to present day L.A.
Jennifer is the pianist for a movie score.
As she's leaving, she gets a phone call.
It's the bad guy, who's now out of prison.
He threatens to kill her this time.
She tells him she's going to fight.
She runs out of the recording studio...
...And straight to the police station to talk to McCall, who pretty much ignores her at first.
Jenny's got McCall's full attention now.
She explains the situation, how her lawyer told her to change her name and hide.
...And how ridiculous it is that nothing can be done until Flager (that's the guy's name, Ralph Flager) actually kills her.
McCall's hands are pretty much tied, since Jennifer's right; they can't do anything.
Jennifer came to McCall, specifically, because she read about McCall being raped last year.
McCall talks to Devane about it...
...And pretty much gets the same answer: there can be no allocation of police personnel to protect private citizens who feel threatened, even if they have good reason to feel that way.
Devane: McCall, I don't want you going off alone on some personal
crusade.
McCall, out of Devane's earshot: I won't be alone on this one
.
Next thing we know, McCall, Jenny and Hunter all arrive at McCall's house.
Jenny's going to stay with McCall.
Hunter poses like Superman.
They head to the kitchen to see what's for dinner. Check out McCall's awesome mustard-colored wall phone. And above it, what looks like... I don't think it can be what it looks like, because it looks like a framed picture of broccoli. That does not seem like McCall.
McCall offers up frozen TV dinners.
Hunter: Don't you have any fresh vegetables? McCall: Do I look like I live on a farm? Me: Just look at the broccoli on the wall.
Jenny's just appreciative to be there, and says she doesn't care what they eat. But she does offer to make a salad.
McCall outlines the plan for the next day --
Jenny will go to work tomorrow, but she and McCall are switching cars, and McCall needs Jenny's apartment key, too. McCall will leave the studio in Jenny's car, so Flager will follow her instead of Jenny.
Jenny doesn't want to put McCall in danger.
Hunter says the studio people will be watching for Flager and they'll know if he's following McCall.
Jenny can't believe McCall would do this. "You don't even know me."
"Yes I do." ::Did it just get dusty in here? I think I have something in my eye...::
The next day at the studio...
I'm pretty sure McCall waited for the red light to go off.
I'm not sure when McCall had time to buy a duplicate of Jenny's outfit, or if they went shopping together to be all matchy-matchy, but they are now dressed alike.
Jenny got a wig from the studio so that when McCall leaves in Jenny's car, Flager will think she's Jenny.
McCall says that a guy named Bernie Terwilliger will follow Jenny to Mccall's house when she leaves, to make sure she gets in safely. We don't actually see any of this, but it's a nice touch.
Jenny asks McCall to please be careful.
McCall leaves the studio in Jenny's car.
Yup, Bad Guy is lying in wait! Boo hiss Bad Guy. (But I do thank him for parking across the street from Yen Ching restaurant -- it's no longer there, but because of it I was able to find out where they were filming.)
Check those mirrors, McCall!
Shot of the day has to be this one, where you see Bad Guy Ralph Flager through the car windows. I'm imagining the setup for this. Ouch.
McCall parks beneath Jenny's building.
Flager parks and waits.
...I love that the wig McCall's wearing looks pretty much just like her own hair, only a few inches longer. **NOTE: Turns out Jenny was supposed to be a redhead in the original script, and I’m sure they had to leave the wig stuff in because it was a pretty big plot point.
Hunter's already there waiting.
Hunter randomly fiddles with McCall's wig, which cracks me up for some reason.
"I'm gonna go take this off," she says.
Hunter says, "Yeah, I think you should." McCall just gives him a look.
"Your real hair's dying underneath that."
When a random car enters the garage...
Bad Guy sneaks in behind it!
They've obviously been sitting here in the dark a while.
"Thank God you put that shoe back on," McCall says.
Hunter says maybe he could hit the guy on the head with it when he comes in the door.
"You could hit the guy over the head with your foot," she says. "...When's the last time you cleaned your feet?"
Believe it or not, I'm skipping a ton of boring screencaps as the Bad Guy makes his way to Jenny's unit.
Thank goodness he's finally at the door.
They hear the Bad Guy at the door and hide.
This guy ... is NOT Flager.
"Who the hell are you?"
After a commercial break...
There wasn't supposed to be anybody here, this guy says.
This guy says he's been set up. Hunter asks who sent him.
"Guy about my size, sandy hair, glasses, crazy looking." The guy said his name was Henshaw.
"What's your name?"
"I'm Kenny Dunstan. You've heard of me, right?" He says he was sent to grab a picture off a bedside table.
"Breaking and entering is my specialty. I'm Kenny Dunstan! You musta heard of me. I'm a legend! ... And I have been set up, and I would like to get my hands on this guy."
Hunter says Kenny's only chance of getting any kind of deal is to do exactly what they tell him to.
Dunstan agrees.
Kenny says, "You set me up, man ... You told me the place would be empty!"
He says there was a pretty brunette in bed. He didn't wake her, but he doesn't need this kind of aggravation! He has high blood pressure! He demands to be paid now.
Flager (aka Henshaw) reminds Dunstan to forget they ever met.
Hunter & McCall move in and arrest both of them.
Kenny thought they had a deal! McCall says that he's a witness and they're taking him in to book him. He'll probably make bail, but he'll have a good reason to show up to testify.
"Testify?" Flager says. "The man has witnessed nothing."
McCall disagrees. "You hired him to break into Jenny Hartman's apartment; that means we can nail you for breaking and entering and we can put you back in the slam for five years."
"She wasn't there, they were," Dunstan tells Flager.
Flager says he should never have depended on anyone else. "Next time, I won't."
Kenny Dunstan visits his parole officer.
Dunstan explains to his parole officer how this was a just a simple B&E gone wrong, etc.
The parole officer explains to Kenny that HE'S ON PAROLE, and consorting with felons isn't allowed, duh.
Despite the fact that Kenny Dunstan is a legend, his P.O. has to call in and have someone pick him up and take him to jail.
Dunstan does not want to go to jail, so...
He flings over the desk...
...And makes a run for it.
I'm sure I should know where this courthouse is, but I'm happy to say I don't spend much time in courthouses.
This is the judge.
This is the DA.
He's just gotten a note that Kenny Dunstan is now missing.
Whaaaaat?
The judge says that without their star witness, he has no choice but to let Flager go.
(At this point, the bailiff should have taken the handcuffs off, since he's a free man, but it's TV court, not actual court...)
Hunter tells Flager to stay away from Jenny.
Flager says, "You can't stop me. Nobody can stop me. What will be, will be.". ::psycho::
Jenny worries that all she can do is sit and wait for Flager to find her again.
McCall says there will be a lot of paperwork before Flager can be released, so Jenny should just go to McCall's house, and later they'll have Chinese food for dinner.
Jenny is grateful.
"We gotta get that guy, Hunter."
It was a dark and stormy night.
Even in L.A., some people like a nice fire in the fireplace. Especially on a dark and stormy night.
This is a good scene. You should go watch it. The gist is ... that each of them didn't really have anybody to talk to after they'd been attacked, or that people didn't understand.
"Hunter's my best friend. And that guy was really here for me."
"He slept on my couch every night."
"He just ... let me talk..."
"...He let me be depressed..."
"He let me get through what I had to do, for me."
"Do you have rituals? Do you do things now that you didn't do before?"
They each had rituals: Jenny wouldn't walk down a dark hallway by herself; McCall took three baths a day; Jenny once punched out a guy on the street for no reason; McCall once shot at a coat in her house...
"My water bill was ...!"
Yeah, they really do cut away for a random shot of Hunter driving around.
The conversation was cathartic for both of them. You get the feeling that if the show let McCall have friends who she saw for more than one episode, Jenny would be one. ;-)
Devane admires what they're doing, but ... "Look at you, you're half alseep."
They try to look awake.
"No we're not," says Hunter. "We're fine," says McCall. They're not very convincing. Devane tells them they're being paid to do a job, and they have to figure out a way to do it.
"Understood."
Hunter tells McCall, "You look like hell. Go home."
"You don't look like a Spring morning either, you know."
Hunter says, "Let's find Dunstan so we can get some sleep."
Aww, look at McCall trying to be a good hostess by buying some actual groceries! Also, it looks like they removed the windshield for this shot. Silly reflective glass.
Jenny's hearing some weird noises... or is she?
La la la, McCall's taking her time driving home...
Groceries are spilling all over the place in her car.
This is such a good security system. A gate that says "Keep This Gate Closed."
Criminals tend to ignore those sorts of signs.
Yeah, Jenny's pretty sure she hears something.
Ralph Flager is a Bad Man.
This guy really loves his knife.
It's super dark so I won't post a screencap, but just trust me that Flager climbs through the window after this.
Finally, McCall pulls up to her house...
Jenny whacks him with the candlestick.
But Jenny is losing this fight.
Ralph picks up the candlestick and we don't see the rest of the attack, but we hear Jenny's scream.
McCall hears it too, and runs in the house.
This is a DIFFERENT hideous lamp from the one we saw in recent episodes at McCall's bedside.
She calls for an ambulance.
The doctor says Jenny's had a severe cranial fracture and won't regain consciousness for at least a few days.
"Hang in there, Jenny." (This line sounds lame, but it was delivered nicely.)
Hunter adjusts his sleeve cuff all the way down this hallway.
There's nothing wrong with it.
HE DOES IT TO VEX ME.
Besides fiddling with his jacket, Hunter tells McCall this wasn't her fault. She says she knows that, but still feels guilty.
Aww, partnerly comfort.
"Unless you can ID Flager, or get us some prints..."
"There are no prints, Charlie."
"Captain, it's the same MO, the same weapon..."
"...It's the same victim!"
Charlie says "You can buy this kind of knife in any sporting goods store. Did you see his face, or didn't you?"
McCall says she didn't.
"...So that's it?"
"Unless you can tell me now that you can positively identify Ralph Flager at the scene, that's it."
She can't do that, she says.
Poor McCall. She's too honest.
This officer (played by John Alderman, to whom this episode was dedicated) brings McCall an envelope with her name on it.
McCall is alarmed and tells Hunter to come take a look.
Yeah, I'd be alarmed too.
There are fingerprints all over the envelope and card, but none are Flager's. Devane wants to know if there are any developments on Kenny Dunstan yet.
"Have you checked with your friend Sporty James?"
"If we collar Dunstan, we can put Flager away, three to five on the breaking and entering conspiracy and that's better than nothing, isn't it?"
"I'll call Sporty."
"Meanwhile, I don't want you to let McCall out of your sight."
Hunter says he's going to stay at her house until this whole thing blows over.
"Oh yeah?"
"Yeah."
Next thing we know, they're at McCall's and Hunter's got a duffel bag filled with health foods, some of which he's flinging at her all willy-nilly.
"Sure you have everything you need?" she asks.
"I'm only going to be here a short period of time, hopefully."
McCall says, "I do have food here, you know."
Hunter: "What you have here is NOT food."
McCall: "You said that the last time you stayed over."
"The food you have in your refrigerator now is probably the same food you had in your refrigerator the last time I stayed over."
"... I think you are right."
McCall gets serious for a moment and thanks Hunter for being there for her after she was raped last year.
He says she's welcome.
"Prune?"
Sporty is on the porch, reading the newspaper to his grandfather.
Okay, I looked it up, because I thought no way was this actor, Bill Walker, old enough to play Garrett Morris' granddad, but he was actually 41 years older than Morris. He was born in 1896! He played the role one more time in "Hot Prowl" and those were his last parts. He died in 1992 at age 95, in Woodland Hills, CA. Pro Tip: If you look on IMDb, a disproportionate number of actors died in Woodland Hills. This is because that was where the Motion Picture Home was; that's where many people in the industry spent their last days. (It looks like it's still open; not sure about that. It might just be a hospital now.)
"Now, time for the entertainment section." It reminds me of Garrett Morris doing "News for the hard of hearing" on SNL back in the day.
"Arnold, I swear, you sound just like those guys on TV."
"That's right, Grandpa. 'Film at eleven.'"
Hunter asks McCall, "Do you know anything at all about nutrition?"
"Yeah, I know a lot about nutrition!"
"What are the four basic food groups?" he asks.
"Order out, take in, frozen, and canned."
She's so adorable, even if her earrings are the size of bracelets.
Sporty tells his grandpa he's going to go talk to a couple of friends, and he'll be back to do the weather.
Hunter asks if Sporty knows Kenny Dunstan.
"Sure I do. He's a legend."
Hunter explains that Dunstan will help them get Flager, who's a murderer, and that McCall's next on his list.
Sporty says he'll see what he can do about finding Dunstan...
...In return for a favor.
McCall asks, "What's her name, and what'd she get arrested for doing?"
Sporty says he wants them to clear his granddad's neighborhood of the crack dealer down the street.
It's a deal.
McCall wants pictures of Flager circulated everywhere to stop him from leaving town.
Sporty doesn't have info on Dunstan, but he has some info on Flager.
This lovely older lady says she knows Flager by the name Richard Farnon. Looks like she'd rented him a room.
"He kept very much to himself." Yup, that's what the neighbors always say about psycho killers, isn't it?
He didn't leave a forwarding address when he moved out, but he left her a lovely note and a bouquet of flowers.
Hunter ask Mrs. Karnovsky if she noticed anything strange or peculiar about the guy.
"You might say he wasn't very warm."
She's sorry she can't be more help.
McCall says she's helped a lot...
...And that if she thinks of anything else, to give them a call.
McCall hates sitting and waiting. She wishes the guy would make his move, already. (Many single women feel the same every day, McCall. Possibly in a slightly different context.)
"It's two o'clock; let's get some sleep."
The phone rings.
"He hung up."
Cut to the next day. I'm pretty sad we didn't get to see the sleeping arrangements.
"Hunter? I got a newsflash for you, hot off the sidewalk."
Sporty says Dunstan is hiding out at the Adams Hotel.
"And Hunter? Treat Mr. Dunstan with respect, okay? He's a legend! Which you may be someday, but you ain't now, so treat him with respect. Bye!" OMG, Garrett Morris is a treasure.
(Oops. McCall is wearing yesterday's outfit to visit Jenny today.)
Hunter goes to find Kenny Dunstan. The pictures pretty much tell the story.
Hunter's like, I can't believe this guy's making me chase him down an alley.
Mrs. Karnovsky calls.
She says she just found a bag "Mr. Farnon" left when he moved out.
McCall tells her not to open it, and that McCall will be right there.
Nooooo! Bad Guy!
This guy freakin' LOVES his knife, man.
Noooooo! McCall, the Bad Guy Who Wants To Kill You is in there!
Just as Hunter bring in Dunstan...
...
This cop tells Hunter that McCall wants him to meet her at Mrs. Karnovsky's.
Johnny says McCall left about ten minutes ago.
"Watch this guy for me," Hunter says, throwing his handcuff key to Johnny. "He's a legend."
So, at this point this episode turns into one of those movies where you're yelling at the onscreen heroine not to go in the house! The door creaks and everything! I mean, really.
She calls out to Mrs. Karnovsky, but there's no answer.
McCall senses something is amiss.
Out comes her gun.
Finally an unseen Mrs. Karnosky says, "Sgt. McCall? I'm in here..."
And THIS HAPPENS. McCall, we TOLD you not to go in that house!
He nicks McCall in the arm and she drops her gun.
Oh nooooo!
She hits Flager and knocks him down...
And it's a good thing this guy loves his knife so much, because he doesn't even grab her gun.
You can sort of see where her sleeve is torn and bloody, and she makes a run for it up the stairs.
Aha! The old "throw the chair down the stairs to slow down the bad guy" trick.
I really like the tile on that fireplace.
Also, McCall locks the door so Flager can't get in.
One of the few times we see blood on this show. (People constantly get shot and bleed less than this in Hunter-Land.)
She listens at a different door across the room.
Really, at this point I'm wishing, just like in a horror movie, for the heroine not to be stupid and, um, open the door...
But she does, and look what happens! Bad Guy comes in waving his knife around!
McCall does, at least, have the sense to push him back with the door.
Since he's pushing back, she opens it and lets him fall through it.
She runs out and down the stairs.
Flager, of course, follows with his knife.
He follows McCall into the old-fashioned kitchen, and you know what that means...
...I hope you guessed "frying pan to the head" 'cause you'd win the big prize.
Stunned, Flager gets back up and he and his knife chase McCall some more.
Finally, Hunter shows up! You're like, OMG HURRY HUNTER, McCall's in grave danger from Persistent Knife-Wielding Guy!
Luckily, he loves his knife so much he didn't even bother picking up McCall's gun.
She does pick it up.
Flager is so psychotic he comes at her, even though she's got a gun.
McCall falls backward and fires her gun as she falls.
Flager has been hit.
Crumpling to the ground, Flager still clutches his best friend, Mr. Knife.
Ooh, I totally forgot about Hunter. He sure took his time.
That is one dead bad guy.
Though it's been a long time, Hunter resurrects his catchphrase: "Works for me."
(I'm not sure if Stepfanie Kramer was standing on an apple box, or if her hair was just that tall that she was no longer a foot shorter than Fred Dryer.)
Jenny thanks them, saying she owes them both her life.
Hunter says she's welcome.
Okay, how cute are Hunter & McCall when they look at each other? Not just here, but in general. Is it just me who thinks this?
Even Jenny is like, "Look how cute you guys are."
Yeah, we're kind of adorable. Um, and tough. But cute. And badass.
Jenny says she's getting involved with a victims' rights group. She wants to help pass laws that are good for victims for a change.
They tell her to put them on that list too.
Jenny says, "I was hoping you'd say that."
"Lemme ask you a question... You shot Flager through the heart, right? Is that where you were aiming?"
"I told you what happened; I fell and my arm hit the chair."
"That's not what I asked you."
"Yeah, I know."
"So, what do you think?" Hunter asks us.
"Did she blink the guy, or was it an accident?"
Aaaaand... freeze frame. The End.

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Hunter episode 3.16, THE GIRL NEXT DOOR
Original Airdate: February 21, 1987
What’s Going On Here? Detective Sergeant Causland is on the run after witnessing his girlfriend's murder and planting evidence of the crime in Hunter's house. It gets worse from there.
Who’s That Guest Star? Stanley Kamel (Monk; plus, this is his first of four appearances as ‘Brad Wilkes, FBI’ on Hunter, as well as lots of episodic TV); Byrne Piven (episodic TV mostly), Caroline Williams (Texas Chainsaw Massacre 2, Days of Thunder); Charles Lane (I remember him from I Love Lucy but he had tons of roles from the 1930s-‘90s and lived to be 101! He was in Mr. Smith Goes to Washington and It’s a Wonderful Life!); Gloria LeRoy (Day of the Locust, Barfly, Kaz). Hunter regulars: Charles Hallahan as Devane, Garrett Morris as Sporty James, Robert Firth (random episodic TV mostly) returns as Causland, Richard Beauchamp as Carlos, Perry as Barney the Coroner.
Robert Firth as Causland
Stanley Kamel as Brad Wilkes
Byrne Piven as Dr. Lyle Shapiro
Caroline Williams as Sybil Taylor
Charles Lane as Motel Owner
Gloria LeRoy as Landlady
Budge Threlkeld as Cop (aka Budge)
Charles Hallahan as Devane
Garrett Morris as Sporty James
Richard Beauchamp as Carlos
Perry Cook as Barney the Coroner
Where Can I Fast-Forward Through a Car Chase? At 35:18-36:25, it takes Sad!Hunter over a minute to drive home and enter his house.
Who Does Hunter Shoot, and Do They Die? Hunter and McCall’s guns are quiet this week.At 43:20-43:45 there’s a shootout between cops and KGB agents, but neither Hunter nor McCall shoots anyone.
Does Anyone Have Sex, and Does Their Partner Live Through The Episode? This episode is sex-free.
What Are They Wearing? McCall: 1. Red blouse, black slacks, gold earrings, tan (or grey?) trench coat.
2. Shiny copper blouse with subtle epaulets, beige pencil skirt, earrings. (She’s not wearing a necklace, which for McCall, is pretty naked, jewelry-wise.)
3. Denim shirt, leather/shearling jacket, jeans.
4. Pink satiny pajamas.
5. Black jeans, black boots, pink shirt, faded black jean jacket.
6. Pale yellow blouse buttoned to the neck, brown slacks, brown flat boots, light beige jacket, later seen with trench coat over.
Why are her pants so short here? I don't know!
7. Grey/black/white sweater with ‘80s geometric pattern, black skirt, silver earrings.
Hunter: 1. Shirtless with jeans.
2. White short-sleeved shirt, jeans.
3. Blue t-shirt, black leather jacket, jeans.
4. Jeans, the same raglan shirt from “Straight to the Heart,” scarf, black jacket with orange lining.
5. Red/black flannel shirt, jeans.
The rest of the time: Button-down shirts, slacks/jeans, ties, sports coats.
Wow, This Is Old School: Hunter’s waterbed’s pretty old school, and so's his alarm clock.
Carlos' dual-cassette boombox.
At 16:13, the intercom on LaVonne's desk.
The TV in Devane’s office at 31:59.
What’s For Lunch? At 44:25, Hunter’s eating what looks like blue corn chips.
Where In L.A.? I have no idea. But I recognized the building at 15:12 from the episode "Killer in a Halloween Mask" (it's at 40:21 in that episode), so it's possible that its on whichever lot they shot their interiors.
"Pacific Industries" from "The Girl Next Door." .....
And... I'm pretty sure they're in the same spot they were in episode 2.05, "Killer in the Halloween Mask."
It’s an X-File: Byrne Piven was in the X-Files episode “Paper Hearts” as Addie Sparks’ dad. James Whitmore Jr. directed this episode and the XF episode “Fearful Symmetry.” Also, Hunter has a waterbed -- like Mulder does, only without the leak. Also also, just like in the XF episode “Bad Blood,” there is a vibrating hotel room bed.
Any Scenes Worth Watching? The ubiquitous coin flip: 13:30-14:07.
The scene when Hunter & McCall first see their hotel room at 21:55.
At 23:47-24:46 McCall gets into bed (with Hunter) and cuteness ensues.
Is There Banter? Supercuteness at 20:15-20:42 when they decide to play married.
Also, at 23:28, when they get to the Sheriff’s office in the evening and find it closed, Hunter says, “Great. What is it, 6:15? The place is closed up, just like Orange County.” (As a native of Los Angeles, this makes me giggle pretty hard...)
At 44:25, a bit of goofiness about how much Hunter does or doesn’t know about football. See, ‘cause Fred Dryer was in the NFL so that’s supposed to be funny and junk.
Bonus Screncaps: To be added when I'm a little more caught up!
Hunter episode 3.13, STRAIGHT TO THE HEART
Original Airdate: January 24, 1987
What’s Going On Here? Hunter goes on an enforced vacation and falls for a beautiful model staying at his hotel, unaware that she was actually sent to kill him.
Who’s That Guest Star? Lydia Cornell (Too Close For Comfort); Wolfe Muser (Santa Barbara, mostly episodic TV); Owen Bush (lots of Westerns and episodic TV); Rober Miano (Donnie Brasco, over 200 IMDb credits); Ted Markland (High Chaparral, lots of credits); Dee Dee Rescher (lots of random credits). Charles Hallahan as Devane; Garrett Morris as Sporty James.
Lydia Cornell as Nicki Rains / Rena Farrell
Wolfe Muser as Max Crain
Owen Bush as Old Man at Grandview
Robert Miano as Karl
Ted Markland as Pickup Owner
Charles Hallahan as Devane
Garrett Morris as Sporty James
Where Can I Fast-Forward Through a Car Chase? Not a chase, but you can skip the credits at 05:18-06:40. (I will sum up: Hunter drives to the mountains. So does a hot girl in a red Ferrari.) Actual car-then-foot chase at 36:42-38:00. At 41:45, boring gun battle in the hills while McCall drives fast to get there to help. It ends at 43:34.
Does Anyone Have Sex, and Does Their Partner Live Through The Episode? Hunter has himself quite a bit of sex with that girl from Too Close For Comfort. The making out starts around 16:07. The big love scene’s at 18:00. She lives, but ends up in prison ‘cause she’s one of the bad guys. But Hunter still likes her. Hunter could have better taste in women at this point, but he doesn’t learn.
What Are They Wearing? McCall: 1. (on TV screen): Teal blouse, dark blue slacks.
2. Dark aqua blouse, grey skirt, silver earrings.
3. White jeans, blue patterned blouse, jean jacket, white shoes.
4. Blue/white plaid blouse, dark blue jeans, belt, black boots.
Hunter: 1. Jeans, button-down shirt, tie.
2. Jeans and long-sleeved dark grey t-shirt with light grey sleeves, kind of a raglan thing but not really a baseball shirt, if you know what I mean. Then he takes the shirt off, like it's my birthday or something.
3. Jeans, blue t-shirt, denim shirt.
4. Shirtless, then naked in bed.
5. Jeans, pink long-sleeve t-shirt under denim shirt with the sleeves rolled up.
6. Jeans, button-down shirt, tie, sports coat.
Wow, This Is Old School: The old gas pump (and gas price) at 06:43. Payphone at 23:00. More payphones at 32:11.
What’s For Lunch? Hunter drinks water and has cereal with wild mountain berries at 13:07.
He eats a dinner roll at 35:22.
Where In L.A.? When McCall’s waiting for the bus, she’s at Culver Blvd. and Main Street in Culver City.
Most of the episode takes place out of town somewhere with a lake; IMDb says it's Malibou Lake in Agoura.
It’s an X-File: James Whitmore Jr. also directed the X-Files episode “Fearful Symmetry.”
Who Does Hunter Shoot, and Do They Die? Hunter shoots Karl at 43:34. He’s dead.
Any Scenes Worth Watching? McCall tries to convince Hunter to go fishing by telling a cute-yet-annoying joke at 02:00-04:00.
The transition from Hunter (who’s having sex) to McCall (who’s waiting for a bus) at 18:48-19:08. It’s sooo sad. ;-)
Keep going from there to see McCall’s scene with Sporty on the bus, which ends around 22:08.
Is There Banter? 19:33: McCall to Sporty, who’s sitting at the back of the bus: “What are you doing sitting here in the back, Sporty? They took care of that sort of thing about thirty years ago.” Hunter/McCall banter at 27:21-27:33.
Bonus: If you want to hear Stepfanie Kramer’s real voice for once, she’s singing the title song over these credits, even though it’s a Hunter-centric episode. You hear it again at 18:00, while Hunter has sex with someone other than McCall, so ... that’s a little weird, right?
Bonus #2: The script! HERE at Wonderful World of Hunter.
Bonus #3: Shirtless!Hunter at 09:42. And at 17:09. And at other times. Also, in the scene at 18:00, we see that Hunter’s hands are enormous. They span that girl’s back as if he could snap her like a twig. Which he really should, since she’s nothing but trouble, but that’s just my opinion.
Oops: We see a light reflector, itself reflected in a bus window, at 19:25.
Bonus Screencaps:
This dead guy on TV is Alvin Decker, convicted arsonist wanted in connection with the fire that destroyed the factory warehouse of "To the Max Fashions." Max Crain, senior partner of To the Max, the news VO says, is currently under a grand jury investigation.
McCall chides Hunter, who said he was going home eleven hours ago but didn't. "This Max Crain thing is making you nuts," she says.
"No... I willl be nuts if Crain is not indicted."
McCall tells this long, LONG story about a guy and his brother and fishing.
...I will spare you the details, because I'm a nice person.
Yeah, this joke's pretty bad.
So, at this point you're like, oy, this story is lame...
McCall goes on and one with this joke. At least she's enjoying herself.
This is how much Hunter's enjoying himself.
I'm including all these goofball screencaps because there is not nearly enough McCall in this episode.
Yes, it's super silly and OTT. But later when you realize just how little McCall is in this episode, you will treasure this time with her.
Mercifully, her story finally comes to an end.
Hunter is not treasuring his time with her right now. But he's short on sleep.
"C'mon, let's ask the captain for some down time."
McCall shoves Hunter into Devane's office.
Devane to Hunter: "You look like Hell."
"I've been finishing up a job, Charlie."
McCall says that Hunter's finished with that job and the rest is up to the grand jury.
"With what little evidence we have the grand jury will not indict him."
Devane has a bunch of exposition about Max Crain and how he's guilty and how his partner was last seen alive on the night of the warehouse fire, and how Hunter saw Crain talking to Alvin Decker, arsonist. With Hunter's testimony, they'll get the indictment, Charlie says.
Charlie tells Hunter to get away for the weekend.
"He's actually ordering me to go fishing."
Charlie tells him to get a new ID on the way out; he doesn't want Hunter leaving a paper trail for bad guys to kill him, basically.
"Go, before he changes his mind; go!"
"Oh, yeahhh, right between my shoulder blades."
And then at an atypically late 05:19, the credits start. With Stepfanie singing!
And Hunter is driving. In the script, this was supposed to be a classic Corvette. But they went for a Chevy Bel Air, if I'm not mistaken.
The script says this is a late-model Ferrari, and ... it is.
The hot girl in the Ferrari passes Hunter and leaves him behind.
$7.75 for 11 gallons of gas? Yes please.
This guy tries to make small talk with Hot Girl. "Headed up to the lakes? ... Up from L.A.? ... Needed some fresh air?"
"Yes. And some peace and quiet." Sorry, Pump Jockey. She's not interested.
"Wow," says Gas Pump Guy. "You don't get ones like that in here very often."
Hunter: "...Yeah."
And then there is more driving.
Exciting, right?
Shockingly, Hunter does not stop when he sees Hot Girl. Is Hunter feeling okay?
It seems there has been a mix-up with the hotel reservations.
The desk clerk tells "Mr. Dawson" that the hotel is overbooked but they've made arrangements for him at the Grandview Lodge.
The desk clerk calls Hot Girl "Miss Rains," so now we know half her name. The clerk's saying the same to Miss Rains as she said to Hunter.
Off Hunter goes, driving again.
But his car breaks down.
Will this car pick him up?
No. No, it does not.
Oh look! It's Hot Girl aka Miss Rains! Surely she will pick Hunter up in his time of need, especially since they're going to the same place.
Or not.
And... it's shirtless!Hunter for the win, as he gets a ride from these young hot blonde sisters.
They are annoying, and the conversation is silly, so I will just let you imagine something witty while you look at pretty photos of Hunter with no shirt, or, if you prefer, a couple of pretty girls.
Finally, this silly ride is over.
Yup. It's Hot Girl again.
Having been shunned by her already, Hunter doesn't say anything.
Hot Girl seems to feel guilty.
She says she owes him an apology.
"I saw you at the other lodge, and when I passed you, I knew you were trying to get here."
"I've been going through a divorce, and all I wanted was some fresh air and some solitary confinement ... you will accept my apology, won't you?"
"Well I'll excuse you, if you'll excuse me for what I've been thinking about you."
She doesn't climb into his lap like a normal person would. She just says "thank you" and leaves.
Cut to the next morning:
"May I sit down with you?"
Hunter has no problem with that. She explains that she doesn't want to sit alone, but also doesn't want to be hit on today. He says they can sit alone together.
When she asks what he's doing there, he says, "A lot of R & R."
"Well I hope your problems are smaller than mine," she says.
Hunter -- I mean John Dawson -- says he doesn't really have any problems, and that he's just getting away. He's in the construction business, he says.
"I'm in the housewife business... or I was until 6 months ago."
"Could've fooled me," he says. "You look like an actress or a model." (Do these lines really work? I suppose maybe they do, if you actually look like an actress or a model...)
She says she was a model, but gave it up when she got married. When Hunter says he's never been married, she says she wishes she could say that. The guy started cheating on her the very first year, and now they have joint custody of their daughter.
They finally introduce themselves. As John Dawson and Nicki Rains. Yeah, fake names for both. This will totally end well. Not.
"Are you sure you're not a cop? A private eye hired by my no-good ex-husband?" "Do I look like a cop?" "Yeah, you do."
Turns out the water's really cold.
He will warm her up. Suuuuure.
They decide to "consolidate their living quarters."
These must be the new living quarters.
Okay, now "Straight to the Heart," sung by Stepfanie Kramer, starts up again. I'm not the only one who thinks that's ... not right, am I? I mean, I'm glad to hear her voice. But that's Hunter with ... not McCall. So it's weird. I suppose we're not supposed to know it's Stepfanie singing. I sure as heck hope it's not McCall singing, in any case...
The song continues when clearly it should be porny bow-chicka-bow-wow music at this point.
Because they're naked, see.
Hunter's got some big hands.
Gee, I wonder what McCall's doing right around now...
Waiting for a bus? That ain't right.
This seems way less sexy than Hunter's evening. Didn't he just have sex with two different women last week? While in Australia?? Why does he get to do all the traveling and sexing, while McCall stays home and, like, takes the bus?
Aha. On the bus, she meets up with Sporty James.
...I will sum up: Sporty says that a hit has been put out on Hunter.
For this info -- and that's all he has -- Sporty just wants McCall to take a sleazy drug dealer off the streets.
"Zzzzzzz."
Hunter wakes up to find Nicki's not there.
He sees her check her watch then make a phone call.
This is Max Crain. Remember him? We haven't seen him before but he's the Bad Guy from the TV at the beginning. He wants to know how it's going.
"Just the way you wrote the script," Nicki says.
"You're gonna get it done today, right?" Nicki says yes, it'll be done. Max says he loves her.
Nicki says, "I love you too," and hangs up. Oh dear, Nicki's a Bad Guy.
She sneaks back in.
Hunter asks if she always gets up at 7am. Nicki says she had to call her daughter before she went to school, and she didn't want to disturb him so she used the phone outside.
McCall questions this guy about whether he's seen John Dawson (aka Hunter).
"He was here, but he and the young lady checked out."
.... "What young lady?"
"Real pretty ... Bains ... Rains... that's it, Rains. They drove off together, God knows where." He says they were in a red Ferrari.
"Thank you," McCall says, and gets going.
"Mr. Dawson?"
HAHA at Hunter's face. Oh how he doesn't want to see McCall right now. He assures Nicki that this is NOT his wife.
"Dee Dee, this is my good friend Nicki Rains. Nicki, this is my SECRETARY, Dee Dee."
McCall says there's a small problem at the office.
"Would you mind if we discuss this by ourselves?"
Nicki says sure, and goes to the ladies' room.
"You're supposed to be fishing."
"I am; can I help it if I gaffed a big one?"
"I guess you did!"
McCall says she has some interesting news from Sporty James.
"He says that someone's got a contract out on you, and I believe it."
Hunter's not buying it.
"...Who's your friend?"
"Her name's Nicki Rains, she's divorced, she has a daughter, Danielle, age seven."
"She also has excellent taste in men."
"Come on! Is that the face and body of a professional hit person?? Besides, I want you to check out the fingerprints on this compact."
"Now THERE'S the Hunter I know and love: cynical, suspicious, and a little paranoid."
"Also, this morning at 7 o'clock, she made a phone call from that number; run it for us." (Bogus number; if you drive two hours from L.A. you are no longer in the 818 area code, which is the San Fernando Valley.)
"If you suspect her, why don't you lose her?" GOOD DAMN QUESTION, McCall, and one that I've been wondering about myself.
"Well, I don't suspect her, not yet... at least I don't want to."
"...Think what I'd be missing."
"I'd rather not."
He quickly tells McCall which restaurant he and Nicki will be at tonight.
"She seems very nice."
"Not really." (Haha, his face again. So funny.)
"But then again she is quite efficient, as you can see."
Nicki asks if he's seen her compact. He says no.
Quoting Cher from "Clueless," if I may: "Anything you can do to draw attention to your mouth is good."
Hunter yells up to Nicki saying the fish won't wait.
She'll be right down, she says...
Dun-dun-DUUUUUUUHHHHH!
...As soon as she packs this gun (complete with silencer) in her purse.
OHMYGOD, Hunter... turn around!!
She just can't shoot someone with such a nice back, and she flings the gun into the lake.
Sigh. Hunter, please stop kissing this girl. She's nothing but trouble. And I'm starting to worry about your detective skills. Sure, you stole her compact, but didn't think to check her luggage? There was a big gun in there! It practically had a note attached: "To be used to kill Rick Hunter."
...I love it when McCall gets all riled up and protective about Hunter.
"...I have to get back to the mountains. The woman that Hunter's with ... gave him a fake name. Her real name is Rena Farrell and she works as a professional model."
"She also said she had a child and an ex-husband; she doesn't have either one. She made a call at 7 o'clock exactly this morning, from a phone booth. She called another phone booth in Wilshire Park. She said she was calling her daughter ... the one she doesn't have?"
McCall hands a magazine to Devane. "I also got that out of her apartment. ... I got a warrant." "On what grounds?" he asks. "Exaggerated facts; look at the label, Captain."
"That's Max Crain's business."
She says there's no way to call Hunter but he's going to be at a restaurant called the Angler at 6pm.
When she tells him it took her two hours to get back, he says to go Code 3 and make up there in 90 minutes.
Max says Nicki's late calling.
"We've got problems ... Hunter's partner showed up and she can ID me."
"We'll handle it... if we have to we'll get you out of the country."
"I am not going to spend the rest of my life on some dirt farm in Mexico!"
"You'd rather spend it in prison, or the gas chamber? Do I have to remind you they found Alvin Decker's body? Do I have to remind you who shot him?" Eventually Rena/Nicki says she'll handle it.
But Max doesn't believe her, and I don't blame him 'cause she wasn't very convincing.
Max finds what he's looking for... Nope not Johnny...
Karl's number is the one he was interested in.
After convincing Karl he's a friend of Johnny's, because Karl seems very paranoid...
Max arranges to meet Karl. Sounds like he has an important job for Karl to do. Karl has a ton of guns, so, you know. It's probably a gun-type job.
When Hunter asks why she's not eating, Nicki blames too much sun...
...But then she says, "I haven't been completely honest with you," like she's going to break down and confess, but --
Hunter is told he has a phone call before she says anything more.
Yay, it's McCall. I love McCall. Anyway, she tells Hunter who Nicki really is - she's connected with Max Crain and SHE is the one who's been sent to kill him.
(Notice Nicki in the background, making a run for it.)
Hunter sees that Nicki's bailed. "...I gotta go, McCall."
Yeah, I'm pretty proud of this screencap. HUNTER HAS ANTLERS NOW.
This guy is not happy when Hunter commandeers his new truck.
Hunter follows Nicki.
And this car follows Hunter.
Seriously, do we need to see every second of this chase?
Yes. Apparently we do. ::rolls eyes::
Now we gotta watch a foot chase, too? Like there's any question that Hunter might not catch up to her.
Oh, great. Karl's here now, with a rifle with a scope.
Karl's pretty good at hiding.
Karl shoots Nicki.
You know, in the script Hunter takes off his shirt and makes Nicki a bandage and/or a sling. We were totally ripped off. I mean, thanks for all the shirtlessness earlier, but why stop now? Take it off, Hunter! ::throws dollar bills::
Karl really wants to shoot Hunter. It's why he was sent, after all.
For once, someone on this show actually bleeds when they get shot. Bravo. ::slow clap::
McCall shows up and asks these guys if they know where the tall guy went.
This guy's still pissed that Hunter took his truck.
McCall's like, Whatever, Pissed Guy; Where did he GO?
They tell her which direction he went.
And off she goes.
Meanwhile, in the wilderness...
That bright flash up there is Karl ... doing something. Shooting or something. I get bored during this sort of thing.
Wheee! McCall is on the way!
And she's burning rubber!
She sees these skid marks...
...And follows them, 'cause she's smart.
Yeah, she found all the other cars.
Nicki tells McCall that there's a guy with a rifle up there and that "your friend," meaning Hunter, went after him.
Nicki says she'll be okay, and to go help him.
Hunter does the old "throw a rock to make the guy look the wrong way" trick.
Karl falls for it.
Karl shoots at Hunter and Hunter shoots back. Guess who has better aim?
The correct answer is: Hunter has better aim.
"I found Nicki," McCall says. "she's hurt pretty bad."
Hunter: "This guy's dead."
Rena's pretty sad, now that she's in jail and all.
But she's happy to see Hunter, even if he now calls her Rena.
"I liked it better when you called me Nicki," she says.
He asks how she's feeling.
"I'm okay," she says.
Hunter tells her that Max Crain was sentenced to 134 years. He also thanks her for not shooting him, and for telling the truth.
"It's all I had left."
"You're being transferred to Pleasantville. Doing your 27 months up there will be like belonging to a country club. ... I also came by to say goodbye."
"You may not believe this, ... the time we spent together, that was when I was being totally honest, telling the whole truth."
"The rest of it was a nightmare, and a lie."
"You'll be all right.... Goodbye."
THE END.
Hunter episode 3.12, DOWN AND UNDER
Original Airdate: January 17, 1987
What’s Going On Here? Hunter travels to Sydney, Australia in an attempt to find clues regarding a recent murder and the disappearance of an old flame three years ago.
Who’s That Guest Star? Shelley Smith (For Love and Honor, episodic TV); Marina Sirtis (Star Trek: TNG); Anthony LaPaglia (Without a Trace, Murder One, House of Mirth); Michael Preston (Homicide/the ‘70s series, episodic TV); Richard Blade (deejay on KROQ in the ‘80s); Michael St. Clair (character actor, mostly movies). Charles Hallahan as Devane, John Shearin as Finn, Perry Cook as Barney the Coroner.
Shelley Smith as Stella Graham / Ann Lauter / Mrs. Clark
Marina Sirtis as Kate Scanlon
Anthony LaPaglia as Det. Russell Woodward
Michael Preston as Det. Desmond Evans
Richard Blade as Allan Travers
Michael St. Clair as Constable Ferguson
Brendan McKane as Harry
Geri Beltzer aka Zoe Trilling as Celia McGonigle
Charles Hallahan as Devane
John Shearin as Finn
Perry Cook as Barney the Coroner
Where Can I Fast-Forward Through a Car Chase? At 17:26-18:21, Hunter chases (and loses) some bad guys on foot.
At 33:50-35:00, Hunter looks for stuff in … someone’s shabby hotel room? I don’t even care whose because this episode’s boring. (Oh, apparently it belongs to Harry.)
At 44:15 or so, there is some sort of Range Rover vs. airplane chase until Hunter shoots out the plane’s engine at 45:07.
Does Anyone Have Sex, and Does Their Partner Live Through The Episode? Hunter has sex with Stella. Hey may or may not have sex with Kate. I mean, she gives him a look and he doesn’t have to be anywhere for 45 minutes. I think it’s obvious, right? Anyway, both ladies survive. Spoiler: Stella, of course, turns out to be a bad guy, and Kate's not exactly a good guy either. Sigh. Hunter's taste in women: Questionable, or just universally bad?
McCall, lodging a protest about her lack of sex in this episode, when Hunter has sex with two women this week and another the next.
What Are They Wearing? McCall: 1. Red blouse, brooch at the neck, matching red slacks, belt, black pumps, big dangly earrings (possibly mother-of-pearl), matching red lipstick.
2. Black sweater with blue and purple crisscross accents (last seen in episode 2.10, “Waiting for Mr. Wrong”).
Hunter: The usual: Jeans, button-down shirts, ties, sports coats. He mixes it up a little by wearing a polo shirt once.
Hmmm, is that Hunter's favorite powder blue sports coat?
Yes please, wear polo shirts more often. Kthxbye.
Wow, This Is Old School: At 07:38, the typewriter. At 10:40ish, the airplane announcement says they’re landing and to “please extinguish your cigarettes.”At 37:35 it looks like … a rotary phone.
What’s For Lunch? Hunter has food served to him but as usual he just sets it aside and goes on with the scene as if he wasn’t hungry, like, “This is in the way of my conversation; I know I ordered it but it was just for show. I live on the blood of my enemies.”
Where In L.A.? LAX.
The Glenmore Hotel, where Hunter stays in Sydney, is real: http://www.theglenmore.com.au/ though it looks like it’s not used as a hotel now, just a restaurant and bar.
Many lovely establishing shots of Sydney, though I don’t think any scenes were actually shot there.
The house at 44:11, supposedly in the Australian Outback, is the same house used in the movie “Giant” -- and it’s just a façade at that -- and it's really in Marfa, TX. (Click to see what I mean.)
Surely stock footage. This is the only shot of the house; nobody is in any shots with the house; the sky and lighting on the house are different from all the rest of the shots.
It’s an X-File: Anthony LaPaglia was in The House of Mirth with Gillian Anderson.
Who Does Hunter Shoot, and Do They Die? He shoots an airplane and it’s merely wounded.
Any Scenes Worth Watching? In the scene at 35:20, Hunter shakes down Harry and is all badass. “Harry, I want you to tell me what I want to know, or I’m gonna throw you out that window.”
Is There Banter? Cute at 07:07-07:58.
Not Hunter/McCall, but some Hunter/Stella naughty-talk at 22:41-23:13.
Cute again at 26:05-26:23.
Bonus: Shirtless!Hunter at 19:21.
Bonus #2: Hunter picks a lock at 33:20.
Oops: At 19:19, the phone in Hunter’s Australian hotel room rings. But the phone says it’s in the 213 area code. Um, that’s not Australia. That’s L.A.
Not a Bonus: Barely any McCall in this episode, so I had very little interest in paying attention.

