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Production Photo Frankenstein and the Monster from Hell. #ホラー #horror #Kyofu #terrore #orrore #horreur #christopherstewart #alexhydewhite #shanebriant #jonathanbrandis #hammer #hammerstudios #amicus #amicusproductions #petercushing #Frankenstein #frankensteinandthemonsterfromhell #terrencefisher #backstageforlife #sag #screenactorsguild https://www.instagram.com/p/Bt2W5oHAAhk/?utm_source=ig_tumblr_share&igshid=yc3mzi7467z5
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Production photo Frankenstein and the monster from Hell, often times I come across someone that asks about some of the cut scenes, understand Peter and I did about 30 scenes together that were either cut from the film or never in the movie but used for publicly “See the Thing From Hell” “Frankenstein drinks the blood of the fiend” “The creature that bent bars to escape” and so on, but those scenes are work they are not memorable for the actors doing them. Now an actor saying that he has never had a death scene and would like one, a joke or lines flubbed so badly put everyone in stitches, that is memorable. . #ホラー #horror #Kyofu #terrore #orrore #horreur #christopherstewart #alexhydewhite #shanebriant #jonathanbrandis #hammer #hammerstudios #amicus #amicusproductions #petercushing #Frankenstein #frankensteinandthemonsterfromhell #terrencefisher #backstageforlife #sag #screenactorsguild https://www.instagram.com/p/Btz2RiNADiw/?utm_source=ig_tumblr_share&igshid=193mbfoibje4r
🎃 31 Days of Halloween — Day 15 —
Bonus Post🎃
Frankenstein and the Monster from Hell (1974) ★★★ Watched 15 Oct 2025
Frankenstein and the Monster from Hell might just be the best of the Hammer Frankenstein films, though that’s not exactly high praise. Still, it’s a fittingly grim finale for the series, with Peter Cushing returning as Baron Frankenstein, now running his grotesque experiments from within an insane asylum. The setting alone gives the film more atmosphere than the last couple of entries, and the grim, enclosed tone works surprisingly well.
Its storyline feels like a 1970s precursor to Beyond Re-Animator: a young doctor (Shane Briant) is imprisoned for his experiments and ends up under the tutelage of Frankenstein himself, who’s been continuing his work behind the asylum walls. But here, Frankenstein also doubles as the evil doctor archetype. It’s the first time since the early entries that his villainy feels deliberate rather than just like inconsistent writing.
The creature (played by David Prowse) looks great. Not as iconic as Karloff’s Universal design, but distinct, hulking, and more pathetic than monstrous. He’s aware of the horror of his condition, finally giving the series at least some hints of Shelley's pathos.
That said, this is still basically another “brain swap” movie; Hammer’s favorite fallback whenever they ran out of ideas. By now, it’s less about raising the dead and more about moving gray matter from one unlucky victim to another. The film may even be self-aware of this, given the pitch-black comedy ending: Frankenstein brushes off yet another catastrophe with a casual statement to the effect of, “Oh well. Who’s next?” It feels like Hammer commenting on their own franchise fatigue.
It’s not great, but this is the closest the Hammer Frankenstein cycle ever came to Re-Animator energy. If anything, it proves that Frankenstein and the Monster from Hell was a truer predecessor to the Stuart Gordon-Brian Yunza series than H.P. Lovecraft’s original story ever was.
#frankensteinandthemonsterfromhell #1974 DIR #terencefisher CAST #petercushing #shanebriant #madelinesmith #horror #movie DP #brianprobyn (à Elstree Studio's Borhamwood) https://www.instagram.com/p/B87KMFRIuBt/?igshid=1vw9vc7g7gzjg
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