Radio Dormouse

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It also critiques how that kind of performative politics collapses when removed from comfort. These same people likely couldn’t handle the reality of the conditions they claim to understand or empathize with.

The original song includes a racial slur in one line (“bragging how you know how the n***** feel cold, and the slum’s got so much soul…”), in the context of someone trying to impress the others with their knowledge of black culture and racial injustice.

Former frontman Jello Biafra has said he became increasingly uncomfortable with that lyric over time, and in current live performances (such as this one with his band Jello Biafra and the Guantanamo School of Medicine) he replaces it with “blacks.”

There is discourse about whether changing the lyric neuters the song or not. Some argue it softens the satire, others see it as a necessary change given the word’s harmful impact, and others still see the Dead Kennedys as a mere shock rock act and think it needs that word to work.

Personally, I think the altered version actually makes more sense for the satire, because the target is performative liberalism. Why would someone trying to appear socially conscious lean on explicit slurs in the first place?

I think in this cover version, Serj Tankian (who I am not a massive fan of in general, but still) put in the best word, as “brothers” conveys a sense of false familiarity and intimacy.

Not sure who this is mean to be; it doesn't really look like either Helen Chandler (Mina Seward; Murray then Harker in the novel) or Frances Dade (Lucy Weston) to me. But her cracked photo was sitting just outside Dracula's coffin. Anyone want to take a guess? (Update: it's Christine from The Phantom of the Opera! I should have known, the silent Lon Chaney Phantom was the first horror film I ever saw..)

Here I am seeing an X-Ray of Frankenstein's Monster himself!

Here I am with some of the original props used in the Universal Monsters films of the 1930s and 1940s.

Here I am with… the Cabinet of Doctor Caligari? No! It's the Cabinet of the Phantom! Some props and photos from the silent Phantom of the Opera with Lon Chaney Sr.

A close-up of the Phantom's cabinet.

At the Universal Monsters park, they also had these really great vampire-themed steak house! You have familiars instead of waiters, like this unfortunate fellow in the first photo.

The vampire-themed restaurant also had cool paintings like these.

Some shots of the interior of the vampire restaurant at Universal Studios! I had an idea that maybe Nina (my goth goose character) works at a restaurant like this. Do you think that'd be a cool idea?

At Universal, they have a windmill that catches fire for real, just like in the 1931 Frankenstein movie! Hanging out here at night was the coolest experience, it felt like being in a horror movie.

Another one of me in line to go on the Universal Monster dark ride. The coolest thing about these rides is that even just standing in line is fun with all this artwork to look at. You can see a painting of Henry Frankenstein in the center (Victor in the novel).

Check out that photo of a rather seductive Bela Lugosi! Bela Lugosi may be dead, but his libido sure isn't…

Frankenstein's castle! Every little boy's dream home.

This was the entrance!

Here I am posing with the actual animatronic heads from An American Werewolf in London. (The real ones! The ones Rick Baker made that were used in the movie! Not recreations!).