Apr 10, 2025
She's our girl and she's a wow
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She's our girl and she's a wow
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i've forgotten more than i've remembered of animorphs since originally reading it but nonetheless found myself surprised that i remembered absolutely nothing of book # 3. like. tobias fully realizes for the first time how absolutely trapped he is as a hawk and decides the best course of action is to dive into the side of a building at 80 miles an hour, and the only reason he doesn't succeed because of his friends' quick thinking and pure dumb luck. and then later in that same book all his friends are about to be captured by the yeerks and before he enacts his insane plan that he believes will get them all killed, because rachel tells him this is what she would prefer, he's like oh shit i never told rachel that i love her and she stops him like it's okay. i already know. and i read all of this for the first time when i was like. 8
Buttercup Festival (David Troupes), #3-369
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Carl Sandburg has fallen a bit out of fashion, unfortunately, but "Honey and Salt" is the first poetry book I bought myself and it lives on.
Under the jurisdiction of the Commissar of What Is Appropriate, the adage "A place for everything and everything in its place" has been broadened to include "A place for everyone and everyone in their place." You are not in your place or are responsible for something that being in its place, if you were to blame in any of these instances: A. You Are a Man Who Attends Consciousness-Raising Meetings. B. You Are a Woman Who Attends Consciousness-Raising Meetings. C. You Are a Dog and You Live in New York, Probably in My Neighborhood. D. You Are an Army Camouflage Combat Uniform Being Worn by Someone Who Is Not a Soldier in Southeast Asia. E. You Are Wall-to-Wall Carpeting and You Are in the Bathroom. F. You Are on Your Way over to My Apartment and You Have Not Called First. G. You Write Poetry and You Are Not Dead.
Fran Lebowitz, "The Right of Eminent Domain Versus the Rightful Dominion of the Eminent," in Metropolitan Life, 1974.
Foundational Texts
[Image ID: A single shelf of hardcover books. The titles and authors are listed at the end of this post.]
I have been reflecting a lot lately about who I am, who I have been, and how I got from the latter to the former. Part of this process has involved collecting hardcover copies of the books that forever changed the way I view literature or changed the way I view myself.
The process isn't finished of course -- some absolutely vital books don't exist in easily accessible hardcover editions, and some books on the shelf have a more tenuous place than others.
It bears mentioning, some of the books are authored in whole or in part by people I know now to be genuine monsters. And yet, I feel that to deny their influence is to be dishonest about my own flaws, the ways I had to grow, and the ways I still have to grow. Where possible, I have acquired these books secondhand, and as with all things, I reflect on them with a critical eye.
Here, without further comment or justification, is the list at present of my Foundational Texts:
Where the Sidewalk Ends by Shel Silverstein
Things Not Seen by Andrew Clements
The Hobbit by J. R. R. Tolkien
Jurassic Park by Michael Crichton
Timeline by Michael Crichton
The Hitchhiker's Guide to the Galaxy by Douglas Adams
Ender's Game by Orson Scott Card
Speaker for the Dead by Orson Scott Card
The Things They Carried by Tim O'Brien
Fierce Pajamas edited by David Remnick and Henry Finder
The Trouble with Poetry by Billy Collins
Fried Green Tomatoes at the Whistle Stop Cafe by Fannie Flagg
The Collected Poems of Langston Hughes
Good Omens by Terry Pratchett and Neil Gaiman
Looking for Alaska by John Green
Brooklyn Burning by Steve Brezenoff
Cloud Atlas by David Mitchell
The 7 1/2 Deaths of Evelyn Hardcastle by Stuart Turton
In the Dream House by Carmen Maria Machado