TADC should never have gone to cinemas. There, I said it.
Webseries should stay webseries. They're not cinema compatible outside of a few rare exceptions.
The Amazing Digital Circus is not cinema compatible. It's not even cinema worthy. It's not a feature length film, it wasn't conceptualised as a film, it wasn't written as a film.
You can't just slap a pair of episodes (8 and 9) together a la Zooble and call it a film. That's now how films work. That's now how any of this works.
AND Glitch's latest FB post. "We refuse to change the original vision", "Distributors wanted raw files — that's how leaks happen", "Laws prevent us due to proximity to streaming release". Every single problem you list is a direct consequence of trying to put a YouTube indie webseries' finale into cinemas when it wasn't *written for it*. If TADC was a movie from day one, went the indie film festival route (like FLOW), these issues would be far reduced. Not gone, but reduced to what is normal for an indie film.
You want TADC in cinemas? Okay.
Scrap the current version. Rewrite it as the beats-making-sense, three-act-structure, 90+ min runtime actual movie. Put it through the film festival circut. Do what FLOW did. Do what Iron Lung did.
Glitch and Goose, this is NOT it. Cinemas are for movies, not episodes.
