it is COLD outside, windy; a snaking tuft of chestnut hair disappears below narrow hips, abrading soft pads on damaged stone as her fingers roam about the ledge aimlessly to occupy time. new york had its fair bit of rain recently & itās left her a dull shade ofĀ BLUE ( at least, sheād rather blame it on the rain ).Ā sheās grown to the facade of normalcy,Ā but the weight of past decisions still hangs onto slim shoulders like a ANCHOR, pulling her further into a stormy sea of sharks. conflictĀ waging beneath heavy lashes, her muscles tighten &Ā chest rises and falls with each soft breath.Ā
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[delivered in a card by a messenger with two vip new york skyline tour tickets]
I was gonna start this off with some cheesy message about how every birthday is special & each day you grow wiser, but to be honest we both that itās all complete bullshit so Iām just gonna say happy birthday ! 26 & still going strongĀ ā honestly, well done. I hope in four years I look as great & as lively as you. But seriously, man, you deserve the best of everything, so in this envelope ( unless they ripped me off in which case Iāll give you the tour myself ) youāll find two tickets for some sort of flying experience in a helicopter. Theyāll take you & whoever you choose to go with you around the city so you can sit back, enjoy the views, as well as the bottle of champagne included. Honestly, I donāt know anyone whoās more deserving of this & I really hope you have a great birthday & enjoy the experience.
After some careful detective work ( also known as: bribing the girl at the front deskĀ ), Isla had found out which cabin belonged to Finn. And after some even more strategic planning (Ā texting Finn and asking if he was in his cabinĀ ), she was ready. She squatted outside, a defensive snow wall built in front of her and a dozen snowballs at her side, ready to go. She peered over her white wall, waiting. As soon as Finn emerged, Isla popped up.Ā āHeads up, asshole!ā She pelted him in the chest with a snowball, immediately poised to toss another one at him.Ā āLa tua cittĆ ĆØ sotto attacco. Consider this a declaration of war!ā
šø - One muse is under a spell and asks the other for help, but the attempt to help only lands both of them cursed!
Ā Ā Ā Ā Ā Ā Ā ā the prostitute is not magic storm. ā heās staring at stormĀ trying not to laugh. because the boy is either highĀ or at least thinks that the prostitute is magic and put a curse on him and jo canāt think of which would be funnier. that being ( false ) or that being true. the idea that there is some sort of forceĀ that standing in the way of Ā storm getting anything done was super funny to him but.Ā ā iām not joking i canāt think of anything thatās more ridiculous than that... she didnāt cure you just because you insulted her career that doesn't make any sense --- ā but of course storm isnāt having any of it and before jo can say one more word heās being dragged over to the whore houseĀ one of which he had to admit --- he didnāt think existed anymore.
thing was, he hasnāt even stared at the house for five minutesĀ before he can start to feel what storm's talking about --- itās weird... the feeling thatās coming over him,Ā ā how the fuck did you find this place...ā the words come out of hs mouth slowly and he turns to look at storm that just has a look on his face that screamsĀ ā I TOLD YOU SO ā
š - One muse saves the other from drowning (or another dangerous scenario) and pulls them to safety.
Ā Ā Ā Ā it takes about four seconds for seth to realize that the car finnās in probably shouldnāt have made that noise when it started up. --- he should have seen it faster, but frankly he was probably just excited that the man had been leaving. Ā of course --- itās not like he can just let the boy ā turn off the car... turn off the fuckingĀ car finn ! ā no surprise. the brats ignoring him. yeah well seth isnāt about to let him kill them bothĀ so he just grabs the driver seat door and opens in, basically dragging finnās ass out of the car, pulling him on the ground and reaching over him to turn the car off. all of while having to deal with a verbal assault that he didnāt quite care for. all seth does is pocket the keys so that finn doesn't decide to go on a suicide mission and makes sure to fucking step out of the way of the cooper boy as he steps back from the car taking a look at it. someone dosenāt want the cooper boy to live. canāt blameĀ them really. but sethās never been one to believe that ( Ā Ā killing Ā Ā ) someone is the way to solve any problems ( sure as hell would fucking help in this case though ). Ā not that heād ever condone it.Ā
ā how many enemies you got man --- ā besides like the entire population of theĀ ālower classāĀ heās pretty sure mr. cooper has managed to piss off some rather important people up top for his carĀ to be rigged like this.Ā ā youāre not driving that thing. ā and thatās sethās end of conversation. as if those few sets of course should be implication enough that thereās something wrong with the car and that seth just saved his life ( though he doubts the cooper boy will be decent enough to care ). so to make sure he gets the memo; --- mostly because heās not sure rich kids understand basic logic Ā ā --- no driving the fucking car unless you want to end up six feet under. ā and jingles the keys in his pockets before tossing them to the valet and walking off into the parking garage himself.Ā
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send me a ā for three texts from my muse to yours
Text:Ā Sent to Finn at 10:30am on July 28th, 2014:
Alaska: hey finn, itās me...unless you deleted my #. itās alaska. i found a t-shirt you left at my condo. donāt know how id get it back to you, thought youād like to know.
Text: Sent to Finn at 1:30am on August 14th, 2014:
Alaska: Ā im so fckign drkn rght nwo. i miss uoy :( why did u leaVE me??@#$ i jst wsh u cldve said goodbde
Text: Sent to Finn at 12:00am on Janurary 14th, 2017:
Alaska: welp, guess we can start with a brand new slate. just dont leave again without explaining yourself, alright? here 4 u xx
tw:Ā illusions to death & gunshots, grief, general angst
Everything is still. The kiss of salt water is tinged on her lips, the morningās moisture clinging to her face and hair the way the boats cling to the harbor below. Sunrise has colored the water a brilliant shade of turquoise as the warmth of the sun spread across the Italian Riviera. Even as she stood at the top of the cliffs, arms spread out to welcome the dawn, she knew that it was a dream. Knows that itās just her mind playing with the landscapes of Cinque Terre while her body slept soundly in New York City. But she hasnāt dreamed of Italy since her mother died and the scenery is a welcome sight. She took a step forward, to descend the rocks, to walk the path to her favorite reading spot, when fingers lace with hers.
āCuore mio.ā Itās her ā her mother. Her dark brown eyes are even softer than she remembered, reflected in the hazy morning light. Isla felt herself take another step forward but, with just one blink, her mother was gone. Replaced with another familiar face ā Finnās. āCugino.ā His voice seemed disconnected, as if he wasnāt entirely there. Red colored his skin for only a moment, a flash of crimson, before itās gone. Thereās something terrified and urgent in his eyes. āIsla, wake up.ā
A swift, ragged inhale and her consciousness is slammed full force back into her body, a speeding car slamming into a cement wall. The sound of angry, incessant buzzing greeted her ears immediately and, somehow, in her half-asleep, half-drunk state, she managed to realize that it was her phone. Clumsy fingers wrestled it from the nightstand to find āAunt Julietteā flashing across the screen. Sheās about to put it down, chalking it up to a mother worried about the likely missing birthday boy, but the look in Finnās eyes is still gnawing at her. With a glance over her shoulder to ensure that Russell was still sleeping, Isla slipped from the bed, tugging one of his sweaters over her as she went. The buzzing has picked back up again, expressing its urgency, but Isla has to stop. A deep breath, in and out, to make sure her body wonāt reject the contents of the night.
āZietta?ā Her thoughts are still coming to her in Italian, a part of her still standing on the cliffs by Portofino. But the sobbing on the other end of the phone drains whatās left of her dream from her body. And with each word that her Aunt speaks, another boat sinks to the bottom of the harbor. Finn, hospital, gunshot ā thump, thump, thump. Her heart is beating so loudly that she canāt hear the words on the other end of the line anymore, canāt hear her aunt calling her name. ( āIsla, are you there? Isla?ā ) She can feel it ā her blood boiling to coat her skin in a thick sheen of sweat, the panic rising in her chest. No, not panic. Bare feet are rushing across the floor of Russellās apartment, carrying her to the bathroom just in time for her to collapse against porcelain and expel heaven and hell from her body. Her whole frame is shaking with the violence of each purge, as if the devil himself was dragging his pitchfork from her lungs right up to the back of her throat.
The heaving is so vehement and forceful that it takes her a moment to realize that itās become sobbing instead. But as soon as she does, sheās standing up again, needing to keep moving. Like a shark, she has to keep moving or sheāll die. The light is on in Russellās room when she returns ā no doubt awoken by the sounds of her exorcism ā but she doesnāt have time to explain. āI have to go.ā Sheās talking as she moves, sliding on a pair of skinny jeans that sheād left at his place, pulling on socks and boots. āI donāt have time to explain, I canāt ā I have to go.ā She knows that heās talking to her, knows heās reaching out to her, but she canāt hear him. The world sounds like itās underwater, lost in the Portofino harbor with the rest of the shipwrecks.
Sheās sure that Russell put up a fight but she doesnāt remember it. Sheās been drowning with the rest of the world and now sheās resurfaced and gasping for air, standing on the street, waving down taxis in the middle of the road. She didnāt grab enough warm clothes but the cold rolls off her skin, as lost to her as everything else. What will she do? If something happens to Finn, would the vibrancy ever come back to the world? Even the brilliant yellow of a taxi cab seemed duller, more gray. So dull that she didnāt realize it had stopped beside her until the cabbieās head was hanging outside of the window, shouting curses she would have otherwise found amusing.
She doesnāt even know where sheās going until sheās speaking the words. But just the sound of them makes the world a little lighter, if only for a moment. ( How many moments did Finn have left? ) She knows she needs to get to the hospital but sheās already standing in front of the door, drowning and resurfacing once again. Islaās fists pounded against the wall, shaking with the strength of the tsunami she carried with her. Sheās screaming ā she canāt hear it, but she can feel the rawness of her throat, the strain of her vocal chords. Sheās railing against the door so hard that, when it opened, she toppled forward. Two arms reached out instinctively, grapping her forearms to balance her.
āBash.ā The moment her eyes land on his blue ones ( blue like the Ligurian Sea, she realized ), the world comes flooding back. She can hear the sound of her cries, the heaviness of her breathing, the ringing of her cellphone. ( Russell? Aunt Juliette? How long had that thing been going off? ) Suddenly, the world is bright and loud and she threw herself at him, purposefully this time, hiding her eyes and her ears against him. āBash, Iā¦ā The sobs are ripping through her chest again, his skin muffling and distorting their sound. She tries to speak, but she only continues to repeat his name. āBashā¦ā His arms tighten around her, lending her some of his strength, and she exhales. A long, ragged inhale. āFuck, itās ā Itās Finn, Bash. Finn. Heās...ā
But she canāt finish. She canāt say it. And the undertow drags her back down again.