Welcome to āSecond Glance,ā a bi-weekly column that spotlights an older film of note (thanks to an anniversary, a connection to a new releas
this movie is so fucking bonkers.

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seen from China

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seen from United Kingdom

seen from Malaysia
seen from Hong Kong SAR China
seen from United States
seen from Spain
Welcome to āSecond Glance,ā a bi-weekly column that spotlights an older film of note (thanks to an anniversary, a connection to a new releas
this movie is so fucking bonkers.

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I think youāre the bees knees
Beads?
Bees
BEES
I walk around with a ton of ideas kind of slow-baking in my head, all day long. And Iām always trying to grab as many as possible. Itās like those lottery machines, where people are in the tubes with dollars flying everywhere, and they have to catch as many as they can before time runs out. Iām always feeling like Iām at the edge of time running out.
Hanif Abdurraqib, interviewed by Sarah Seltzer for Flavorwire
The library from The Fantastic Flying Books of Mr. Morris Lessmore
Source : Flavorwire
Queen Sugar listed as a TV Top Pick for Flavorwire

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8 Things We Learned at Bob Odenkirkās SXSW PanelĀ (Flavorwire)
#3. Heās learned something about the projects that end up working.
Armisen noted that Odenkirk has been on a bit of a winning streak lately, involved in projects (like Breaking Bad, Better Call Saul, and Fargo) of very high quality, a sixth sense for good stuff that Odenkirk shot down immediately: āIām in lotsa bad stuff. I could fuckinā fill five hours with that.ā But he has begun to see some common threads that are, at the very least, indicators of scripts that could turn out great. āOne of the things Iāve started to see in really good writing is that everybody, even secondary characters, has an arc, a journey,ā he noted. āBut also if characters have some self-awareness, itās a big statement about the depth to which theyāve been written. Because itās true in life. Ya know, if somebody got Donald Trump in a room and said, āYouāre an egotistical asshole,ā thereās a chance heād go, āI know.ā Because he does! Heās been told hundreds of times, and he knows itās kind of true.
āAnd people do have that self-awareness. So when thatās written into the character, as it was in Fargo and certainly all over Saul, thatās what you should look for. If you just see a glimmer of the character knowing their own limitation, thatās a big statement.
Nnedi Okorafor : FlavorwireĀ Interview: āBinti: Home,ā Dislocation, and One Very Important Jellyfish
I write best when Iām risking the loss of sleep. I love sleeping so much. I know some writers romanticize not sleeping, which, come on. Not sleeping sucks. That shit is not for me. I have had times in my life where Iāve wanted nothing more than to go to sleep, and Iāve not been able to. So sleep is a deeply precious thing for me. Writing at night has done wonders for me, but so has setting a firm end-point and sticking to it.
Hanif Abdurraqib, interviewed by Sarah Seltzer for Flavorwire