#flaim rambles

Boonboomger is really about “the world is dark and run by monster paid by other monsters, and people with power are selfish, and the police will turn on you if the powers that be demand it, even the ones you think are your friends, and adults that help you “grow up fast” don’t see you as adults, but by god, why let it get worse? Why not stand up and fight anyways? Why not be the adult you needed when you were young and scared? There are people who will make you feel whole. Surely Tomorrow Will Be A Beautiful Day.”

I gotta say that I love how every time the Geats team came back so far they went “wow Sara was amazing, let’s make another one” and we all went “wow Sachika and Minami are amazing”

So Toku is always hilarious to talk about but Geats has to be one of my favorites bc one sec I’m thinking about the thematic core of Geats being rooted in the dehumanization of the entertainment industry and how Geats successfully balanced fan expectations with fans who genuinely care and the pull of both executive influences and fan influences and the next moment I’m like “okay so in the among us round—”

It’s weird being a Toku fan in the middle of the american entertainment strike bc like. Luckily I run no risk of my favorite shows being paused or canceled. But also I am very aware it would be very good if the Japanese entertainment industry got its own major overhaul.

Geats ot4 is so much comedy bc Keiwa and Michinaga have the most Just Some Guy styles and their boyfriend and girlfriend are STYLISH INFLUENCERS but like Ace and Neon definitely go back and forth on forcibly providing them with new clothes due to the fact that Kekera and Beroba dressed their Oshis up for their evil eras. Cut to Keiwa and Michinaga in the ugliest fucking rental suits at a party and Ace just instantly breaking and taking them shopping.