#finding ezra

During the intro, there's a split screen as the two of them enter and appraise their blank canvases. They're both wearing space headphones (so that the music is diegetic), and they activate them as the singing is just about to begin.

Cut to single screen - just Sabine's side - as the male sings about the female. She walks up to the debris/canvas and begins sketching/painting, but all of the shots are close or on her directly so that no details are revealed.

See the girl with the diamonds in her shoes? Yeah She walks around like she's got nothing to lose Ya she's a go-getter, she's everybody's type She's a queen of the city but she don't believe the hype She's got her own elevation, holy motivation So I wrote some letters out in big bold type I got faith in you baby, I got faith in you now And you've been sucha, sucha good friend to me Know that I love you somehow I met you, hallelujah, I got faith

Swap screens to Ezra's location. He walks up to his canvas/rock race as the female begins to sing about the male, but like Sabine's scene, as he gets to work, the audience can't see any of the details.

See the boy with the Stevie Wonder swag? Ain't got a clue, all the magic that he has He's a go-getter, he's everybody's type Gonna make it my mission, make him feel alright He's a twelve on a ten point, rockin' out to his joint Just say the word cause I could sing all night I got faith in you baby, I got faith in you now And you've been sucha, sucha good friend to me Know that I love you somehow (love you somehow) I met you, hallelujah, I got faith

Then there's time elapse footage of them painting, covering different days and times as they work on their projects, switching between the two settings. The energy is building. They start dancing a bit as they work.

I get around ya and my mind goes crazy I think about you mornin', noon, night and day I get around ya and my mind goes crazy I think about you mornin', noon, night and day I get around ya and my mind goes crazy (I got faith in you honey) I think about you mornin', noon, night and day (I got faith in you girl) I got faith in you honey, I got faith in you girl I met you, hallelujah

Ezra and Sabine are rocking out now, singing into paintbrushes and dancing and such. We can feel their elation as the project is coming close to completion.

I got faith in you baby, I got faith in you now And you've been sucha, sucha good friend to me Know that I love you somehow (love you somehow) I met you, hallelujah, I got faith (Faith, faith, baby) I got faith in you baby, I got faith in you now And you've been such a, such a good friend of me Know that I love you somehow I met you, hallelujah, I met you, hallelujah I met you, hallelujah, I got -

The music pauses on a beat - a hard transition where we go back to the original split screen, zoomed out as we were in the beginning, only this time we can see the completed murals, side-by-side with the difference of the main subject.

It's silent as they stand before their finished pieces - alone.

Now this could be some time during the Waiting to achieve the same gravity autumn spoke of. They react to the pieces - exhausted and emotional - collapsing to the floor as the final Big Notes ring out.

-faith!

OR

To match the more joyful tone of the song, the hard cut to them alone is some time much later. During the silence, they both approach their paintings. Then it cuts to Sabine and it's the Epilogue, she strokes his face, puts her helmet on and leaves.

The man alone sings.

-faith!

Another pause. Cut to Ezra. He tips his head to the side as he considers her. He smiles.

“See you soon, Sabine.”

The full choir sings.

-faith!