Miko the devil woman🥹🥹🥹 i am such a big fan of the art style for this comic oh my word definitely something of a style study 4me.. belongsnto @filthyguts2
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doodles based off of a recent post by @filthyguts and @shibe-lord
I’ve been keeping up with their AU for a while now, and it is one of if not the most well written comics I’ve ever read. It’s seriously the coolest thing!! especially their art oh my god their art literally gorgeous- anyway please check them out because they’re so cool!!
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ONE MORE WEEK OF DOUBLE STUFF OCTOBER LETS DO SEASON 5 OF IZZY'S EPISODE ART
5.1 Merp and Burble
Our first Big Named Event arc! "BEHIND THE CURTAIN" which I'm almost certain I picked because we could do this cool ass curtain frame device. Izzy continues to bring the pain here with photo bashed curtains, a modified Madam Hotel horrifyingly cartooning about like bugs bunny to reveal our almost Trevor Henderson-like trail cam timelapse photo of Merp. He also gave me a number of color options on this one, maybe we'll have a section in The Guestbook Vol. II of bts sketches? I'll ask Izzy. This one holds a special place in my heart because Merp is, as devotees will recall, just Scary Slar.
rest of the season under the cut! (it's long, you've been warned)
5.2 It Watches and It Smiles
look! The curtain connects at the top! It's gonna be one long picture!
This monster was actually based on a 3 foot tall hard foam statue we had in our house growing up. It is actually scarier looking than you are imagining, made every one of my cousins cry, and is not only something I had nightmares about but also one of the main reasons so much of my horror is "something weird is Over There but looking at you". Full disclosure, one of the reasons I put this monster in this episode was so that Izzy would have to draw a postcard of it and maybe someone would recognize it and tell me what the hell it is because I have not so much as a single photograph of it. BUT then Izzy showed me this drawing, which almost completely hides the monster but it's just so so good I couldn't pass it up. The implied shape and DYNAMITE bloody palm fronds make this look so much like a 90s book cover I fell in love right away. We always try to keep those season and episode numbers in the postcards now too, but I think we forget sometimes?
5.2 Nothing Can Kill That Which Glowers
LOOK AT THIS ONE. Madam Hotel rotting in the reflection of the bubble (she was supposed to show up more in those episodes and sort of be in the process of rotting but she ended up being a single light instead.), I'm crazy about the Owner here, Izzy loves to always keep a little monster in the mix when he draws the Staff. And miss Manager POPS like an 80s music video. Lot's of subtle layers and textures here that can get overlooked, but just like the lake the Owner sinks into, it deepens the longer you linger (did you find the episode number?)
I also like to remind everyone that 'That Which Glowers' is the Grimace and this episode title is a reference to the Clerks cartoon.
5.4 We Are...Watching You...
But are you really LOOKING at it? Do you SEE Izzy's MIND? Lined up you get back to back Managers mirroring each other as well as Madam Hotel in the wings of the now completed curtains--these doubles ALSO frame what is hopefully implied to be the Lobby Boy's hand reaching for his Manager. All of this duality and connection not only reinforces what we know about the characters and show already but set up beautifully the new mirrors about to arrive...
5.5 The Bellhop
THERE SHE IS! There's my goblin girl. You get the bloody vision of the Hotel as Hop sees it as well as the framing for a triptych of the New Crew, each on their own floor. The New Crew stands apart from the Staff in that they have canonical designs immediately, so there tends to be less variation on their fan designs. However there was like ONE WEEK or so before this episode dropped where people were drawing Hop ALL KINDS OF ways. She's one of my favorite designs Izzy's done for the show and I think it's partially because she looks a little like ET.
5.6 The Concierge
Shut up. Shut UP. Look at those colors. Look at that face. Look at those shoulders. Look at those colors! THE COLORS DUKE! THE COLORS!!!! and those printing spots breaking up the lines, all layered over starlight?! It should be, at this point, very hard for Izzy to outdo himself but...he just keeps on outdoing it. We jump down a floor here and the Concierge has slightly more brick surrounding him than the Bellhop did so my pattern recognizers in the crowd can probably guess what's coming next--
5.6 The Auditor
It's been pointed out that Aud has gotten the most detailed description of the main characters on the show. I try to always keep it vague so everyone can imagine whatever they like , but the Auditor is so weird I just wanted to play a little. I saw this scary looking, lonely monster begging to be seen in all white surrounded by nothing. Even the brick and mortar of the Hotel doesn't seem to want to be around her much. One thing I love about Izzy's work is how well he combines whimsy and fun with actual scary imagery. She looks really scary. That is a scary looking monster he drew.
I also think she kind of looks like this alien from Star Trek IV (hey look Star Trek showed up)
5.9 Tenaj Druh - 004 Moor
Oh how I wish I could have a full set of New Crew postcards from Izzy seeing season 1 from a different perspective (for that matter I'd love a full set of season 1 from Izzy, but one thing at a time). Getting to not only see Janet Hurd, but see the NEW CREW checking her in is so so exciting. And the Manager's TV's re-imagined as giant bloody eyeballs is expressed to it's grossest perfection here. Even the Goosebumps frame is tinted sickly green. (the rest of the season also has Goosebumps frames but I'm trying to show off Izzy's art I want you all to have a good look)
5.10 Tnurb Yrrah - 002 Moor
this one's bonkers. The Hubble's ultra deep field on the left, brains on the right but both halves of one face with the broken illusion between them that is just the building of the Hotel herself?? It's got poster folds and teeth for doors! This is a really stunning one that I feel like deserves a little more attention than it gets. Also maybe I spoke too soon on the Goosebumps frame, I don't...this one doesn't have one but maybe I just saved that file somewhere weird.
5.11 IT'S NEW YEARS EVE, JUDY BLASHY!
This is i think the first one we did that had a Goosebumps frame baked in. You can see the 5 and 11 on the clock give us our season and episode number, but that gets a little lost on the printed version so here it is in all it's glory. Love to get to see Judy here her FACE is so EXPRESSIVE and sharp. Notice how Izzy does NOT draw her with a gap tooth. Is that gap battle damage, or some aesthetic flourish the Hotel likes for her bodies? You'd have to ask Izzy. Also love getting to see him draw the things in her furnace room, which are like huge and imply a much larger elevator inside the box. Always reinforcing that boundaries and rules do not apply at the Hotel
they are also based on the family from Mac and Me
what the fuuuck?? why are they so scary??? why are they like that?? why did they make this movie this way?? I was a child!
5.12 The Reaper's Envy
Finishing up the season is this gorgeous party poster that would be right at home in the 90s. Other than the colors (THE COLOR!) I want to point out the confetti that breaks out of the border that also quietly includes some vermin (all up top, letting your eye drift down to the New Crew being reflected in what hopefully everyone assumed was Judy Blashy's eye. Of course we know now who's eye that is and what it's connected to (nothing its nothing it got cut out)
And that's season 5. Now we have entered the @filthyguts desert and must wait once again for the rains to return. I've got new ideas for season 6 that are gonna completely change how we do the art for the show and maybe we can even squeeze some button designs out of him when we launch the next wave of stuff we're launching.
I've said it before and I'll say it again and again and 100 more times, but Izzy's art is a hugely important part of the show, a source of inspiration not only to the fans who listen but to me myself (especially in my lower moments) and I am so so happy that his art and his style has come to define the show.
It's October and that's all the reason I need to celebrate Izzy lets go!!!
I could talk for an hour about how Izzy's art and playlists spoke to me and why I just HAD to have him do our art, but that's another post for another day. For now lets talk about a few of the early pieces.
THE MALL
his first official piece for us. The bonus episodes and the corresponding postcards was a it of an experiment (it's experiments all the way down) and we were all so impressed with this that we just had to figure out a way to hire him. I was on the phone with Pacific when he saw it and I could practically feel the shock when the colors hit him.
More under the cut, don't forget to follow @filthyguts!
4.10 Audrey Burns
(I AM WORKING ON THE LETTERING) the fisrt normal episode piece. I had no idea what was coming my way, Izzy's style is strong at its core, but the fringes and fiddly bits have such nuance and flavor. Popping colors, photobashing, giant expressions and poses, and a rare smile from our boy. He's dressed in the Hilton uniform because that's what this Hotel was based on. This one has a real Stinky Cheese Man vibe.
4.11 The Owner - V
a rare sequel episode that ties in directly with S1. Izzy really got to play with the composition, breaking it apart with the characters themselves (notice the V shape!) and infusing it with the chaos of the episode, but unified by color scheme. More photobashing (is that what its called?) and a rare view of his Hotel herself design. I love the his Owner so much. Them little grabbers!
4.12 X - X
Originally titled "? - ?" but changed because that's unpronounceable, this one is very popular on our store. Lobby Boy clutching the title and the Owner made of Hotel photos (ELEVATOR BUTTON ARM!) reinforcing the helpless power the characters have over their environment. That smiling crazed face is exactly what I pictured in season 1, and something about the colors and texture reads as fish scales to me it's like the Manager is here too (fish!Manager enjoyers unite)
4.12 Judy Blashy
One of my very very very favorites. The whole cast together, and though they all wear masks of fear you can still get their character dynamic in an instant (i like how the LB is in front of the Manager--Izzy has always understood that he is not fragile fine china that could shatter at any moment, but a mongoose under the house who doesn't like loud noises). Madam Hotel's mad, gap toothed grin, her room number earrings, her NECK LOOK AT HER NECK!!! and of course a great big splash of blood where the Owner smooshed her (mirroring the Managers head getting bonked in S3, and don't get me started on people losing eyes) I love that when we added the Goosebumps frame he drew some more blood flying out over it, always reinforcing that breaking of what seems like real boundaries effortlessly.
That's it for now, go follow Izzy anywhere you can, he posts art all the time and it's always incredible (I don't even know who Kira is but I sure like the way Izzy draws him)
Thank you Izzy, you are a rock star and I cannot and will not imagine what the Hotel looks like without you!