seen from South Korea
seen from Ukraine
seen from China
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seen from United States
seen from United States
seen from United States
seen from Singapore
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The hometown premiere of "Wolfwalkers" was this weekend. I was lucky enough to attend to it. This movie is truly a masterpiece! I'm very excited for the rest of the world to discover it! Congratulations to all the wolves who worked on it! You all rock!!! *howling* This is how I would look like if I was a character of the movie! Have a lovely day everyone! :)
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- Good Time (2017)
- Uncut Gems (2019)
Directed by the Safdie Brothers
My film of the year: CLIMAX
There’s been some real gems this year, I’m very pleased with the general direction and quality of the horror genre recently.
I do regard this as a horror, not in a classic sense but it was one of the most heart pounding trips to the cinema I have had in a LONG time!! I felt dread and concern not only for the charecters, but myself, for the first time in a long time I was genuinely wary of what depths the film could reach and wether I was prepared.
Being caught off guard was part of why I had such a visceral reaction to the film so I really recommend going in as blind as possible.
The dread was palpable, I was literally exhausted by the end but in the best possible way. From the soundtrack to the pacing I was totally sucked in from start to finish.
It contrasts really nicely with my other top pick for the year Midsommar. I think I’ve been almost conditioned to expect a slow, more meditative build of dread when I approach more serious presentations of “horror”. Which is why, by the time I reached the “climax” my eyeballs had essentially rolled out of my head.
Between this and Suspiria I’m starting to think there’s a magic sub genre forming. And come to think of it....there’s atcually quite a few examples of the mash up (wicker man, night of the demons, black swan) hmmmm......this is a post for another time.
155)🌟All unemployed, Ki-taek and his family take peculiar interest in the wealthy and glamorous Parks, as they ingratiate themselves into their lives and get entangled in an unexpected incident. Unanimous Palme d’Or at the last Festival de Cannes, Parasite marks Bong Joon-ho’s sumptuous return to a South Korean production - after his two previous english-shot works - with a tremendous and shocking parable on our contemporary society, confirming his exceptional talent in analyzing and dissecting our modern times. The recurring elements of Bong’s cinema achieve their finest level: incredibly riveting from the very first frame to the last second, Parasite is a seamless blend of film genres - dark comedy, drama and thriller - becoming a political pamphlet to denounce classism without never being pedantic, moreover the satirical tone is used to describe in a sharp, dry way the obsessions and disillusions of younger generations, as shown in various moments of the story. The South Korean director handles his craft masterfully, from the screenplay to the camera work, from the music choice to the set design, proving that he has reached the top level of maturity both in substance and formal power. The stone and the water acquire a figurative meaning, especially the latter as a metaphor of the vertical condition of this everlasting leap between the rich and the poor; this is underlined in one of the most beautiful scenes of the movie. Nevertheless the ambiguity of the title is definitely the hotspot of the story, which opens to different interpretations. Parasites live underground without being noticed, they remain in the shadow while you’re sleeping, feeding on your blood. But in this contemporary capitalist society who are the actual parasites? This question is what the movie is all about, emphasized at the end with a direct glimpse towards the camera. COMEDY/DRAMA •⭐️⭐️⭐️⭐️⭐️• #parasite #bongjoonho #masterpiece #filmoftheyear #songkangho #palmedor #cannes #2019 #southkorea #outstanding #electricshock #parasitos https://www.instagram.com/p/B40zgImo1kl/?igshid=xmog7j7tjyd3
LION KING 2019! ♥️
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Axel Braun winning the very well earned and most coveted prize of Film of the Year. This was his sixth win in the category but maybe the most meaningful. He started working on The Possession of Mrs Hyde thirty years ago with his father and came to finish it with his son. Three generations together making an incredible erotic film. If and when you see it you will k ow why I call it an erotic film and not just “porn”. Porn undermines the art being created here and this film was just that. It was incredible to be Axel’s guests on such a memorable night. #AxelBraun #Wicked #ThePossessionOfMrsHyde #FilmOfTheYear #AVNs #winning https://www.instagram.com/p/BtJ-eyrFCG74fQTgPxFqe8n5iWa-AJTS9lGXSk0/?utm_source=ig_tumblr_share&igshid=intv1idr3dlw
Dune (2020)
Directed by Denis Villeneuve
Cinematography by Greig Fraser
“Don't shut the door all the way, I don't like that”
- The Irishman (2019) Dir. Martin Scorsese
