Mar 6
my favourite is when matt inhales sharply at the start of each lyric
Loading...
seen from United States
seen from Saudi Arabia
seen from Singapore
seen from United Kingdom
seen from Canada
seen from Canada
seen from Canada
seen from China
seen from United States
seen from United States
seen from United States
seen from United States
seen from Netherlands
seen from China
seen from United States
seen from Malaysia
seen from Malaysia
seen from United States
seen from China
seen from Yemen
my favourite is when matt inhales sharply at the start of each lyric
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Some OC portraits I worked on a bit ago!
I made these in tiny notecards and just went over them digitally.
They're my OCs, Jakie Loo, Judgment, and Fillip!
Even though I doubt this is how they would interact but I would just like to make something nice and simple
May I also know how they would actually interact?
@lovely-lauren-arts
Means of Production: Indigenous Patterns, Forms, and Letters Join Fillip and design educators Christopher and Kathleen Sleboda (nΕeΚkΓ©pmx) of Draw Down Books on Saturday, January 27, for a typography workshop presented in collaboration with the Jake Kerr Faculty of Graduate Studies at Emily Carr University of Art + Design in Vancouver, British Columbia.
Book two
Tedros:I love you, Aghata!
Tedros one min later*
Tedros : I don't need you anymore! I want to be all my life with my new best friend Fillip. I like him and he likes me. He's better than you!
Aghata: laugh* THAT'S SOPHIE, you idiot!
Tedros: Please, Aghata! Take me back!! I'm an idiot!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
He my new favorite cat, and he is dead
βπ₯π¦π©π‘π’π« π¬π£ π±π₯π’ π°π²π« ππ¦π©π© π±π₯π’ πͺπ¬π«π°π±π’π― β'π³π’ ππ’π π¬πͺπ’ ππ¦π―π’π°π¬πͺπ’ ππ«π‘ π€π―π¦πͺ ππ©π΄ππΆπ° π±π―πΆπ¦π«π€ π±π¬ ππ’ π₯π¦πͺ.
Gary Azon, Woodstock Festival, August 8, 1969
Tomorrow, August 16, 2019, Fillip and Plug In ICA will launch Stagelessness, grupa o.k.βs visual essay on the history and evolution of the stage, at the opening event of the STAGES Biennial in Winnipeg, Manitoba. Curated by Plug In ICAβs director Jenifer Papararo, the biennial features works by Raymond Boisjoly, Daniel Buren, FastwΓΌrms, Kenneth Lavalee, Joar Nango, Silke Otto-Knapp (whose work also appears in Stagelessness), and Andrea Roberts.