#fa zhou

Parents choosing their daughters over the world.

Kpop Demon Hunters (2025)

Mulan (1998)

In Mulan, we have a happy ending,

Btw, their last conversation was a yelling match before Mulan goes to war.

As for these two,

primped and polished till you glow with pride - VagabondDawn

I recently rewatched Mulan, the 1998 animated movie not the thing Disney made in 2020, and got hit with some creativity about a few things I would change.

In my rewrite the start of the movie is basically the same till Mulan runs away: the Huns attack the Great Wall, the Emperor sends out the conscription order, we meet Mulan, Honor to Us All, matchmaker, Reflection, Chi-Fu arrives with the conscription order, Mulan and her dad argue, Mulan runs way, Ancestors awake and Mushu decides to go after Mulan himself.

The only change I would make to the beginning of the movie is give Mulan two younger siblings. I'm taking this from the original Ballad of Hua Mulan (yes in the Ballad Mulan's sister is older, but I want Mulan to be the oldest sibling.) The Ballad doesn't give the brother and sister names so I'm calling them Hua Chun (12F) and Hua Wei (10M) they serve as another reason for Mulan to war in her dad's place, because her siblings are still young and need him in their lives. Mulan is 16.

So Mulan runs away, and after a few days, she sees the army camp in the distance. This is when Mulan and Mushu meet. Mushu is still the comic relief but is also really helpful. He points out that Mulan hasn't even come up with a fake name, and Mulan, after thinking for a bit she decides on Ping. Mulan explains that Ping was a friend of her dad's who served with him in the army and died in battle after saving his life.

Anyways Ping enters the army camp and is completely out of his element. Hijinks ensue, the rice is spilled, and the general of the army shows up.

Some explain. In this version Shang is a regular soldier, he is the son of a respected general and has promise to one day be a good general himself, but right now he's serving as a the assistant to the general overseeing this band of recruits.

Back to the story, General Jiao asks who's responsible for the mess, and everyone blames Ping. He's surprised to learn that "Ping" is the son of war hero Hua Zhou and says that he has very large shoes to fill, and so far, he's failing.

Skip to the next day and I'll Make a Man Out of You. During the song through day-night cycles its going to show that several days have gone by, about a week or two. By the end Ping earns the respect of his fellow soldiers, and Shang who Ping starts becoming friends with. General Jiao is impressed with Ping and tells him that he has his father's intelligence.

Shang approaches Ping and complements him for getting on General Jiao's good side. They talk for a bit, and Ping asks why Shang is overseeing some recruits rather than leading his own army to battle. Shang explains that about a month ago, he accidently launched one of their rockets into an armory, causing the whole place to blow up, and he was sent to the camp as a sort of punishment. Ping laughs, and Shang, embarrassed, asks Ping not to tell anyone, Ping agrees on the grounds that Shang beats him in a race to a tree on top of a nearby hill. Shang accepts the challenge, and the two race, Shang wins, Ping agrees to keep their previous conversation a secret. The two start walking back towards the camp and as they do Shang looks at Ping, this cute recruit that he's started seeing in a strange new light, and he unknowingly started reaching for his hand but as soon as their hands touch Shang pulls away. Ping apologizes, but Shang tells him not to think about it.

The next day, the army gets mobilization orders, real ones not ones made up by Muchu and Cri Kee, and the army packs up and starts marching towards the front. During A Girl Worth Fighting For, Ping opts to sing along to not draw too much attention to himself. I think he'd say something along the lines of, "A girl well versed in philosophy, who always speaks her mind." This gets a chuckle out of the others, and Shang says he respects Ping's taste.

The army sees the destroyed village and the battle field, General Jiao orders everyone to search for survivors. While searching, Ping finds the girl's doll and picks it up. Ping eventually meets back up with the army as Chien Po returns with General Li's helmet and sword and gives them to Shang. Shang sticks the sword to the ground and places his dad's helmet on it, kneels down, and says a silent prayer. General Jiao gives Shang his condolences, but quickly orders the army to head out, saying they have to head towards the Tung Shao Pass to intercept the Huns before they reach the Imperial City. As the army starts to move, Ping kneels down next to Shang and hugs him, Shang hugs him back. Then Shang sees the doll, takes it, and rests it against his dad's sword. Shang and Ping get up and join the rest of the army.

As the army moves through the Tung Shao Pass, they are discovered by the Huns and a battle ensues. The Huns have larger numbers and the edge in the battle. With only one rocket left, Ping takes it, runs in front of the army, and aims it towards a high snow-covered mountain top. By the time Ping is able to launch the rocket, Shan Yu almost reaches Ping. Shan Yu taunts Ping, mocking him for missing at point-blank range, and Ping grins. Shan Yu looks back to see the rocket hit the mountain and the start of the avalanche. Furious,Shang Yu attacks Ping.

Then we have the scene where Ping saves Shang when they fall off the cliff. After reaching safe ground, Shang, thanks Ping, calling him the craziest man he's ever met. But not long after Ping passes out front the wound he got from Shan Yu.

After waking up, Mulan's identity is revealed. Chi Fu demands Mulan be executed, but General Jiao lets her live, saying she saved everyone's life but still leaves her alone in the mountain.

Mulan is ready to turn home when she discovers the Shan Fu, and a few Huns survived the avalanche. She rides towards the city and tries to warn Shang and General Jiao of an attack, but they both silently ignore her. A while later, the Huns attack and capture the Emperor. While trying to save the Emperor, General Jiao is injured by Shan Yu. Shang takes the lead of the rescue mission, and he and a few soldiers try to break down the doors of the palace using brute force.

Mulan arrives on the scene and draws their attention, saving she has an idea. Yao, Ling, and Chien Po quickly follow her, followed by Shang. They scale pillars and enter the palace, specifically the wing where the concubines live. Mulan has Yao, Ling, and Chien Po as concubines to distract the guards so she and Shang can reach Shan Fu and the Emperor.

A fight ensues, Shan Fu's remaining Huns are apprehended, Yao, Ling, and Chien Po escape with the Emperor, and Mulan cuts the rope so Shan Fu can't follow them. Shan Fu goes to kill Shang when Mulan reviles herself to be the soldier that destroyed Shang Fu's army. Shang Fu furious chases her across the palace till they get on the roof. Looking around, Mulan sees the tower with the fireworks and asks Mushu to get her the largest one.

As Mushu gets the rocket, Mulan and Shan Fu fight, and eventually, she disarms him using her hand fan, just in time for Mushu to arrive and light the rocket. The rocket sends Shan Fu flying to the firework tower and is blown up. Mulan, Muchu, and Cri-Kee safely get off the roof before the explosion and land on the steps to the Palace.

Shang runs up to Mulan and hugs her, glad she's safe. Shang tells her that using the fireworks was an insane idea. Mulan laughs, saying she got the idea from him. Shang laughs, embarrassed, and reminds Mulan she promised to keep his accident a secret, Mulan tells him his secret is safe with her. Then Yao, Ling, and Chien Po show up and congratulate Mulan. They're followed by General Jiao, who congratulates Mulan, telling her she is as great a soldier as her father.

Then Chi Fu shows up and berates Shang, Yao, Ling, Chien Po, and General Jiao telling them to stand aside. Shang stands up to defend Mulan when the Emperor shows up.

The Emperor silently tells tells them to step aside and looks at Mulan. Mulan bows to him as he goes on his speech on all the laws Mulan has broken in the last few weeks "I've heard a great deal about you Hua Mulan, you stole your father's armor, ran away from home, impersonated a soldier, deceived your commanding officer, dishonored the Chinese army, destroyed my palace, and... you have saved us all." Then the Emperor bows to Mulan as everyone else in courtyard kowtows to Mulan.

The Emperor offers Mulan a job in his council, but Mulan asks to go back home. The Emperor accepts and gives her his medallion and the sword of Shan Fu.

As she leaves, Mulan hugs Yao, Ling, and Chien Po, General Jiao shakes her hand, and then she goes to Shang, who tells her, "You fight good." Mulan sadly walks past him as she mounts Khan and rides home as the crowd cheers.

Shang looks at Mulan riding away as the Emperor walks towards him. At first, the Emperor tries to be nice and says, "The flower that blooms in adversity is the rarest and most beautiful of all." Seeing that Shang is not getting the hint, the Emperor talks bluntly and tells Shang."You don't meet a girl like that every dynasty!" and walks away.

Cut to a few says later at the Hua residence. Mulan arrives home to see her dad sitting in the garden under the cheery blossom tree. Hua Zhou is shocked to see her, but before he can say kneels before him and gives him the sword of Shan Yu and the Emperor's medallion. Zhou throws them aside and hugs Mulan, telling her, "The greatest gift in honor is having you for a daughter."

Mulan's siblings run to her and hug her. They immediately start asking Mulan questions about her adventure, and Zhou tells them to give Mulan some room to breathe.

We switch to Mulan's mom and grandma looking at the other with the Grandma, saying that Mulan should have brought a man. At that moment, Shang shows up, asking if Mulan lives there, and the Hua Li and Grandma Hua point toward Mulan.

Shang walks towards Mulan and Zhou. Shang bows to Hua Zhou. After seeing Mulan, he tries to give her back her helmet but starts to panic a little. Mulan looks at her dad, who silently gives her a go-ahead. Mulan takes the helmet and invites Shang to stay for dinner. Grandma Hua in the background invites Shang to stay forever. Shang accepts, despite having Chun and Wei glaring at him from behind Mulan.

The Ancestors restore Muchus' status as a Hua family guardian.

End of movie.

Overall I didn't make that many changes mostly adding a few extra scenes here and there. But Mulan is already almost flawless, so there's not much that does need change.

Part 1 - Disney Ladies 1937-1985

Part 2 - Disney Ladies 1988-1993

I’m going in chronological order, and doing both A Squad and B Squad, because I’m interested in tracking how the ideal “disney girl” has changed in the past 85 years (right now I’m only looking at the human-shaped heroines of Disney animated theatrical releases) A more detailed break-down of the system I’m using is right here, but the basics are these: 

PRIMARY (ie MOTIVE) 

BADGER ~ Loyal to the group.

SNAKE ~ Loyal to yourself and your Important People.

LION ~ Subconscious Idealist. Ideals are linked to feelings and instincts. 

BIRD ~ Conscious Idealist. Ideals are linked to built systems and external facts. 

SECONDARY (ie METHOD) 

BADGER ~ Connect with the group. Make allies, work steadily and well. Be whatever the situation calls for. If you find a locked door, knock.

SNAKE ~ Connect with the environment. Notice things. Tell people what they want to hear. If you find a locked door, get in through the window.

BIRD ~ Collect skills, tools, knowledge, personas, useful friends. If you find a locked door, track down the key or learn to pick the lock.

LION ~ Be honest, be direct, speak your truth. Either the obstacle is going down or you are. If you find a locked door, kick it in.

POCAHONTAS (1995)

(& John Smith)

Pocahontas is an incredibly loud Lion Primary. Marrying Kocoum is the good choice, the responsible choice, the right choice - she knows this - but she just can’t do it. It feels wrong. She “goes wherever the wind takes her,” accompanied by the swirling leaves that are a kind of physical manifestation of her primary, since they match up so perfectly with the compass. (Classic Lion primary metaphor - see also Jack Sparrow.) When Pocahontas doesn’t know what to do she dreams of the confusing “spinning arrow,” but when she does... that arrow points straight in one direction and she just goes. She “listens with her heart”  to the degree that it gives her superpowers.

It’s tempting to say she’s a Lion secondary too. She enjoys whitewater rafting and BASE jumping, which I guess are activities stereotypically associated with Lion secondaries. Also, the climax of the movie does involve her physically flinging herself across John Smith’s body. BUT her big song (“Colors of the Wind”) is just so, so, SO Bird secondary. John Smith isn’t getting it, and so Pocahontas’ response is - let me explain, show you, you clearly don’t have all the information. She’s a problem-solving Bird. Pocahontas’ first instinct when the English arrive is to investigate from the shadows, with two animal sidekicks that represent Curiosity and Caution. (Which is perfect, because is that not what a Bird secondary is? Observe, assess, plan.) Then, Pocahontas seems surprised that her tribe has such a negative emotional reaction to the newcomers. Clearly it's because they don't have all the information - and when she goes off to talk to John Smith and get that information, that's her primary and secondary working together.

As for John Smith, well. His arc is about shifting his definition of “Person” to include everyone he categorized as “savages” early in the film. That’s very Badger primary character development, and John Smith is very Badger primary. He loves being part of a group, he loves his men, and the fact that he doesn’t really belong anywhere bothers him. The implication is that he keeps going to all these “New Worlds” trying to find one where he fits. It’s a cool bit of costume design that he’s the only one in Spanish armor - like maybe he did a similar trip with the Spanish conquistadors a few years ago. Also, it’s gutsy that his ‘I want’ song (“Mine”) is literally a duet with the villain. Like, sure John Smith and Governor Ratcliffe don’t like each other... but they start off with pretty similar politics.

I like that at the end John isn’t accepted into the Powhatan tribe or something. He finds personal peace by redefining his own community, and gaining a broader perspective on the world. HE is absolutely a Lion secondary though: really straightforward, cannot lie, and always solves problems by throwing himself physically at them. Pocahontas only does that the once, after her Bird secondary strategy - trying to reason people around to her point of view - didn’t work.

ESMERALDA (1996)

(& Quasimodo, Claude Frollo, Phoebus)

At first Esmeralda seems like she might also be a Lion primary. She’s the revolutionary, she stands up on platforms and yells things like “Justice!” Even through all the adaptational changes, the Victor Hugo soul of the story is still very much there, and he loves a Lion primary. But… that isn't really where Esmeralda is coming from? She cut Quasimodo’s bonds specifically because she was trying to change the vibe of the room - “Letting the crowd torture that poor boy? I thought if one person could stand up to him…” That’s a Badger primary motive.

Esmeralda has deep roots in her outsider community, and being separate from them (trapped in the cathedral) is very, very bad for her. But then, she brings Notre Dame itself into her community. Esmeralda goes up to the statue of Mary, the cathedral's patron, and says, “Still I see your face and wonder / if you were once an outcast too.” Once she does that, the ‘outcast’ bellringer of Notre Dame and even the building itself start fighting for her. It’s important that Esmeralda’s ‘I want’ song has nothing up to do with her at all: “God Help the Outcasts” is about helping her community - the outcasts. We get lines like “I ask for nothing, I can get by / for I know so many less lucky than I,” leaning into classic Badger primary need-basing. Esmeralda consistently goes to whoever needs her help the most, doesn’t matter if she knows them or not. And her way of helping Quasi is to give him a map of the city - that brings him straight to her Community. 

It’s nice to pair this very understanding, inclusive Badger primary with basically a Jack Sparrow secondary. Esmeralda likes disguises. She likes improvising weapons. She improvises her escapes, and comes up with stuff as she goes along. She also has a lot of faces that are all equally her. She is the sexy pole dancer. She is also the grounded, spiritual earth mother, and when her primary requires it, she’s the revolutionary too.

If you put the weird tonal mismatch that is the gargoyles to one side, this film has a really elegant little structure. There are three men who are in love with Esmeralda: Quasimodo, Claude Frollo and Phoebus. And it’s subtly done, but Quasi and Frollo both dehumanize her - Frollo by only seeing her sexy side and deciding she’s a demon temptress, and Quasi by only seeing her more motherly side and deciding she’s an angel. I always thought it was interesting that “Heaven’s Light” and “Hellfire” - Quasi and Frollo’s songs about Esmeralda - are back to back, with similar titles, even the same track on the soundtrack. They’re almost a duet, and I think it’s a way of showing that there are two ways to make someone inhuman. (In a movie that is SO interested in the idea of what makes someone inhuman.) And then Phoebus just sees Esmeralda as… this cool chick, with a great sense of humor and some sweet moves, who he’d like to get to know better. Of course she picks him. 

Frollo, Phoebus and Quasi are ALL Lion secondaries (no wonder they butt heads.) It’s harder to tell with Quasi, because his secondary is so ridiculously Burnt, and only wakes up once his Snake primary finds something to latch onto that isn’t Frollo… which takes him most of the movie. Phoebus has a very straightforward Paragon Lion primary that seems to match up well with Esmeralda’s Badger, and Frollo, oh man. Frollo has the most twisted Bird primary imaginable. He has a belief system that is impossible to live up to, so - instead of maybe questioning that - he blames Esmeralda? Or he blames God? for making Esmeralda too tempting for him to resist? and so therefore it’s not his fault? He’s a Bird Primary who consistently fails at following his system, and deep down he knows it. That’s why he’s so scared of the actual Notre Dame cathedral, why it keeps hurting him, and why it ultimately kills him. He cannot look those statues in the face, he cannot look at the system he tells himself he follows better than anyone else.

(Inspector Javert of Les Mis is also a Bird Lion villain. Big Victor Hugo trope.)

MEGARA “MEG” (1997)

(& Hades)

Meg is the example I would use to illustrate a Burnt Snake primary. She sold her soul (gave up everything) for her boyfriend, he left her, and now she doesn’t think it’s safe to love like that again. “Look I learned my lesson, okay? I’ve sworn off man handling.” Meg won’t let herself trust anyone: “He comes in with this big handsome farm boy act, but I can see though that in a Peloponnesian minute.” It’s because she doesn’t trust herself: “If there’s a prize for rotten judgement / I guess I’ve already won that.” 

Her only connection in the world is Hades, this weird and kind of compelling combination of bitchy best friend and shady producer who’s trapped her in a bad five-record deal. They are both similar flavors of Snake secondary, which is how they they can be antagonistic… but still kinda get each other, and work well together. They both enjoy sitting in a kind of blunt Neutral, but get things done by being charmers - creatively telling the truth, and switching approaches quickly in order to to figure out what resonates best with the person they're talking to.

We see Meg use Hercules’ fan girls as a smokescreen to sneak into his villa, and then talk him into playing hooky and having a night on the town. After which, she falls into his arms with her line about “weak ankles” as a way to get him to get him talking about potential weaknesses. But of course, she catches feelings and her big song “I Won’t Say I’m In Love,” is a nice little portrait of a Snake primary unBurning. Meg goes from not trusting herself at all, to deciding that… maybe it could be different this time. 

This is where Hades misreads Meg, which is ultimately his downfall. He assumes that Meg is a Lion primary like he is. Because Hades is (a bit of a narcissist) and a huge Glory Hound Lion. He hates that he got the shitty assignment, hates that things are “a little dark, a little gloomy, and as always, hey - full of dead people." He wants to be the top dog, he wants to be Zeus. So he offers Meg freedom. That's what a Lion primary like him would want more than anything, were he in her position. But Meg’s not a Lion. She’s a Snake. So we get exchanges like this:

HADES. Hear that? It’s the sound of your freedom, fluttering away. MEG. I don’t care. I won’t do anything to hurt him.

And Hades just does not see that coming. 

FA MULAN (1998) 

 (& Fa Zhou, Mushu, Li Shang, Shan Yu)

So my question is... why does Mulan run away and join the army? Let's get the obvious answer out of the way - it's definitely not “to uphold the family honor."

FA ZHOU. It is an honor to protect my country and my family. MULAN.  So you’ll die for honor?

Fa Zhou is definitely a Badger primary, and Mulan… isn’t. She doesn’t get it. He’s not speaking her language. But, she clearly loves her dad, and the next explanation we get is that she did it all to protect him. That's more plausible. However, at her lowest and most vulnerable she says - “Maybe I didn’t go for my father. Maybe I went to prove that I could do things right.” Which is an interesting shift. Now the issue isn’t with why she acts, it’s with how she acts. Which means Mulan’s internal conflict isn't coming from her primary, it's coming from her secondary.

This is where we start getting into gender and gender performance. There is a lot of Badger secondary in this movie, and it’s all framed as female (Mulan's mom and grandmother are both Badger secondaries, for example.) There’s also a lot of Lion secondary, which is framed as male. (Fa Zhou, Li Shang, and Shan Yu are all Lions.) And Mulan… tries both options, and fails both times. She gets into a huge amount of trouble trying to be the quiet, caretaking bride at the matchmaker’s, and just as much trouble trying to be the brash, fight-starting Ping at the camp. 

Then we have Mushu, who is Mulan's Lion secondary coach… despite not being a Lion secondary himself. He wants to be - disgraced failure Mushu is introduced trying to breathe fire and shake awake the bigger, tougher Great Stone Dragon. He’s trying to seem like an intense Lion when he is happiest and most effective doing a more Badger secondary thing. He comforts Mulan, makes her breakfast, carefully forges letters, wins her allies and generally gets… maternal (“my little baby is all grown up and saving China.”) This is a smart movie, and in a very light, comedic way… it’s saying that Mulan is not the only one self-sabotaging because of gender presentation roles.

So Mulan tries to be a Badger, which doesn’t work. She tries to be a Lion, which doesn’t work. And eventually, of course, she realizes that she was a clever, inventive Bird secondary all along. We are introduced to Mulan while she's making little gadgets to do her chores, and when she taps into that she becomes powerful. She is able to figure out a way to use the handicap weights to climb the post and reach the arrow, and defeat Shan Yu’s army by starting an avalanche. Mulan even finds time to plan during the heavily improvised final battle in the palace: it's a two-pronged attack, luring Shan Yu up onto the roof, where she knows Mushu is already in place with a rocket.

As for why she does things… Mulan has an intrinsic inner truth, and just wants to project that truth out into the world. She’s a Lion primary who wants to “be myself” be “true to [her] heart,” and not hide. “When will my reflection show who I am inside?” Lion primaries will get hit especially hard with that kind of identity angst. 

To round out the sorting for this film (which really holds up) - Mushu is probably a Lion primary like Mulan, which is why he gets where she’s coming from. He starts off as an immature “stage mom” Glory Hound Lion, but gets better. Shang is definitely a Loyalist, probably a young Badger primary. (I think Mulan just likes Badger Lions, her dad is one too.) Shang is very group-orientated, wants to be “the leader of China’s finest troops - no, the greatest troops of all time!” He's also, to be honest, kind of Establishment. Shang has a much harder time getting his head around Girl!Ping then Mulan’s more Snakey buddies, and ultimately needs an authority figure to tell him to cut it out. And Shan Yu, the film’s comment on toxic masculinity, seems like an Exploded Lion primary. He gives his motivation in the first scene- “[the Emperor] invited me. By building his wall he challenged my strength.” Which means that - with the single exception of Hades... all the guys in this wave have been masculine-coded Lion secondaries, and the heroines aren't girly Badgers, but the cool "third option" - Birds or Snakes.

Tl;dr

Pocahontas ~ Lion / Bird (occasional Lion model) 

John Smith ~ Badger / Lion 

Esmeralda ~ Badger / Snake

Quasimodo ~ Snake / Burnt Lion

Phoebus ~ Paragon Lion / Lion 

Claude Frollo ~ Burnt Bird / Lion 

Megara ~ Burnt Snake / Snake

Hades ~ Immature Lion / Snake

Fa Mulan ~ Lion / Bird (unhealthy “girl coded” Badger performance) (unhealthy “boy coded” Lion performance)  

Fa Zhou ~ Badger / Lion

Mushu ~ Immature Lion that matures / Badger (unhealthy Lion performance)

Li Shang ~ Badger / Lion

Shan Yu ~ Exploded Lion / Lion