I shared this in another Eurovision fan-group, but I have it hear for you too! A few months ago, I drew an art-piece featuring Poland's first four entries (1994-97), each with their own individual background in colored pencil. It's a follow-up to one with my favorite 1990s Greek entries, which I may post in the future.
Poland is still not one of my favorite countries in the contest--I never been enamored with their entries when I started watching the contest in 2017. However, they had a great run of entries to start, which makes their lack of form a bit saddening.
To nie ja (1994): Despite getting their best placing ever (2nd) in their debut, I'm not as enamored on this one. Edyta has amazing vocals and the lyrics tell a compelling Bildungsroman, but it just leaves me really cold. Also those who think she should've won that year (a definite pet peeve of mine) turn me off. (artist note: I found a pretty good picture of her rehearsal footage on RTE, albeit one with a different dress. It was actually easy to draw it thanks to a couple more references. The silver refers to her second-place finish, and I liked how it turned out on paper!)
Sama (1995): The complete opposite to their debut, Sama is pessimistic, out there, and intriguing. The combination of alternative music and orchestral arrangement conveys a dark atmosphere, added by the depressing lyrics. Justyna's vocals are an acquired taste, along with her performance, but they combine so fantastically in my opinion. (artist note: Getting Justyna's face tone right was quite difficult. I had to erase and re-do it with cream pencil over and over again. It kind of looks strange...)
Chcę znać swój grzech (1996): This one is pretty brooding and melancholic, and would've easily passed by if it weren't for Kasia's passionate delivery. One could feel her pain as she pleads to know what she did wrong, to save her failing relationship. Also, the title translates to "I want to know my sin...", and I have a soft-spot with religious references in music, haha. (artist's note: I wanted to mix the blue filter from the actual performance with the church atmosphere of the MV, but I'm afraid that the window wasn't drawn well. I also struggled to get a good source image.)
Ale jestem (1997): Probably my favorite of them, because it's so vibrant and full of life. From the initial strings (in the live version), one is taken in to a new world, filled with colors and light. Anna has delicate vocals which compliment this medieval-sounding song really well, and the lyrics are so poetic! (artist note: Anna Maria Jopek was the hardest source image to find, as I wasn't satisficed by the RTE archives and didn't like was on offer. So I created my own, and I'm happy how it turned out. Also, she had beige sleeves, but I changed them to gold because they just looked prettier. :) )