alice dyer and heinrich unheimlich are what tma fans wanted sasha james and michael distortion to be

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alice dyer and heinrich unheimlich are what tma fans wanted sasha james and michael distortion to be

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An idea about Eridians I've been turning over in my head for a while now is how Grace being the only human they've ever interacted with would affect how the Eridians view humans in general. Like, yes, Grace has given them his PC with tons of information on humanity and its sciences etc., but I'm not sure how much the Eridians would be able to take away from this inherently more visual medium (please do elaborate in response; I'm fuzzy on the details of how Rocky can read from Grace's laptop). So while sure, they would have statistics on human biology (pulse, size, temperature) and wouldn't just take Grace's stats as the baseline, what about things like biological sex? I first had the idea that they wouldn't be aware that human women exist (the thought came to me while browsing BloodyMary bc it's funny to think abt how Eridians would see that Simon is a man too and wouldn't even know that you can 'mate' with a woman too) and would be a bit weirded out if they ever met one (unless they learn their 8th grade human anatomy). Then I thought that they actually would be more likely to just not percieve or take notice of the difference in sex at all until Grace would point it out. Its kind of like when people can't tell apart a female and male representative of the same animal species because they aren't trained to spot the difference. This frame of thinking can apply to any other human characteristic. I just got intrigued with this one because of the ship and because it has comedic potential maybe? I imagine Rocky being like "What the FUCK is this thing?? Why is it's voice like that? It's scary!!", or something.
Alternatively, Rocky is perplexed and annoyed with how often gender has to be specified and mentioned in conversations that have nothing to do with the topic per se. Like "Ugh, why do I have to keep specifying that you belong to this category of humans? We're not even talking about that right now." And "Oh my god dude, okay, sorry I called you Mister. How the hell am I supposed to tell that you're a woman? Your voice and Grace's voice differ by barely anything on the vocal range of Eridians."
our limited life!etho fictive watching c!etho getting beat up on hermitcraft by gem: oh, rip him. thankfully I don’t have to deal with that.
*looks at session 6* ah fuck
Hermit: Docm77
This was originally supposed to be a fusion prompt from hermitcraftfusions of Doc and BadTimesWithScar, but I think it’s ended up just being Doc.
i am. unsurprisingly. relistening to the magnus archives. and something occurred to me for the first time: how much did hearing elias and martin's confrontation affect jon's feelings for martin?
like. okay. jon is autistic as fuck. we know this. he routinely struggles with identifying his own feelings. he misread martin's concern for him as evidence martin may have been plotting against him. do. do we think that hearing martin say he had feelings for jon on that tape was the first time jon even considered the POSSIBILITY of martin having a crush on him. and then that's when things started to click about his own feelings for martin

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Clark and Jax: A Comparison
Since I saw the Amazing Digital Circus finale in the cinema on the 4th and went to see the Backrooms movie a week ago, I've been thinking about the parallels and similarities in Jax's and Clark's storylines, the main common trait being the refusal to change and pushing people away. In this post I will attempt to put some of these thoughts into words and explore this topic a little. You're very welcome to reply with your own thoughts and observations!
Let's begin with Clark. Backrooms portrays Clark as a character diametrically opposed to his therapist Mary. In his mental struggles Clark is clearly the perpetrator and abuser, while Mary is the victim in hers. The movie follows both characters in their struggle with being trapped in their own dysfunctional patterns, which is symbolically manifested by the backrooms, the difference being that Clark's storyline ends in him realizing and acccepting that he doesn't actually want to change and that he would rather cling to his grudge and victim mentality (blaming every bad thing on others and refusal to take accountability), as demonstrated by the scene where he and Mary re-enact his argument with his wife. In contrast to that Mary refuses to let herself be caged by her own destructive patterns and fights to get out.
Now onto Jax. I will be using they/them pronouns for Jax because I like to leave the final interpretation of Jax's character up to the reader (I personally like to engage with both the interpretation of Jax as transfem (and personally see it as canon) as well as all other variotions and interpretations like femboy Jax, transmasc Jax and even cis Jax if I'm feeling adventurous (it's so fun to have multishipper mentality but for interpretations). Anyway, Jax shares this trait of avoiding accountability with Clark, though in a fairly different way. They do their best to convince themselves that their actions don't matter because they're living in a digital world. Jax struggles with taking accountability so hard because for that to happen they would need to first let go of the very beliefs that keep their whole identity afloat and keep them functional and protected from potential ridicule and harm, while also shielding them from their crushing feelings of guilt and worthlessness that stem from their interpersonal trauma (their mother and Ribbit). This would simply be too destabilizing and enough to push them to abstraction. Instead Jax chooses to keep masking and pushing everyone away.
This is the same thing that Clark ends up doing, as he himself states in the beginning of the movie: "In the end, I end up alone". He alienates the people that get close to him by always complaining, blaming everybody /-thing for his bad acts (=refusing to take accountability) and never changing. In the end Clark comes to an acceptance of the fact that he does not actually want to change.
A similar thing happens to Jax: while a bit more sympathetic, they still choose to continue to alienate anyone who gets close to them, as they believe that this way they're both protecting the others and themselves. In a frustrating and tragic development the audience watches Jax as they double down on pushing everyone away. It's not an entirely malicious or fully intentional act (not that it would excuse any of it!), it's the consequence of Jax taking away the wrong lessons from their past experiences: That Jax is inherently dangerous to be around and that letting people see the real Jax is painful. So the only logical thing for them to do is to fully isolate from any real relationship (serves their anxiety, self-punishing tendencies due to guilt, self-protection). In a tragic "misunderstanding" this is the very behavior that harms Jax and the people around them. In their and Pomni's last conversation Jax, like Clark, finally faces the reality of their actions and is confronted with the painful realization that it did not have to be that way. Their arc is focused on being proven wrong, but realizing it too late, because they were only able to let their mask fall when they felt like they had nothing left to lose.
In conclusion, both are chronic avoidants with Clark being the more grudge-holding victim mentality type and Jax feeling terrified and self-loathing. Jax believes it is ALL their fault, while Clark wants to believe none of it is.
knowing that colin apparently arranged to meet henrich unheimlich in germany makes his "why would going to germany help 😐" to sam in ep 1 soooo fucking funny. like first alice ragebaits you through the new guy, then the new guy inexplicably seems to drop a hint about your secret contact with a scary german toymaker monster. what an interaction from colin's perspective
so. i rewatched everything everywhere all at once a few nights ago. and upon my rewatch i was struck by the scene where evelyn embraces nihilism across the multiverse—signing the divorce papers, revealing racaccoonie, turning away deirdre, breaking the window in the laundromat, though im not sure it was in that order—and how it shows that choosing to believe that nothing truly matters actively ruins your life and the lives around you. like, okay, whatever, nothing has any meaning and in the grand scheme of the universe, the consequences of your actions are never going to ripple out and affect the cosmos in a way that truly matters. but your choices don't have to have that kind of massive effect for them to matter at all. does the universe care that evelyn did all those things? not particularly. but look at waymond's face when she signs those papers. the way chad cried when she separated him from racaccoonie. deirde's reaction to the rejection of such a sincere display of affection. that's what matters. it's only when evelyn decides to go back and show that she cares about other people, by helping them or just being kind to them, that anyone's lives can be improved.