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Sheb Wooley was the person who made the scream. The director that set up the recording is unknown. The recording was previously owned by USC Cinema found in the Sunset Editorial Collection, when the original nitrate tapes were transferred to safe tape in the early 1970s.
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Distant Drums, Italian lobby Card (fotobusta), 1952
The Wilhelm Scream In Movies & Television
The Wilhelm Scream In Movies & Television
You may have never heard of the Wilhelm Scream. But if you enjoy war, action or even comedy films, it’s very likely that you’ve heard it. So what’s the Wilhelm Scream you ask? Well, it may just be the most famous sound effect in movie history. What Is The Wilhelm Scream? So what exactly is the Wilhelm Scream? It’s the now familiar sound effect first used in the 1951 movie Distant Drums…
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Distant Drums
ディスタント ドラムス
外弁が紫色を帯びたピンクで、花の中心部はオレンジ色を帯びたベージュ。咲く時の気温で花色には幅がありますが、その変化が毎回楽しみでもある品種です。ミルラ系の香りで分かるように、イングリッシュローズが交配で使われています。初期のイングリッシュローズ「The Yeoman」が交配親です。
耐病性のある品種を作出することで有名なバック氏の品種ですので、病気には強く育てやすいのですが、日本の高温多湿には弱く夏場に下葉を落とすことがあります。ですが、シュラブローズの血が入っていて底力があるので気温の低下と共に回復します。シュラブの血が入っている品種の多くは、成長期の強い切り戻しを嫌います。成長期は花がらを取るくらいの弱い剪定にして、高さの調節は冬季剪定で行って下さい。
この品種は、個人的に思い入れが強い品種です。はじめて目にしたのは、今はなき「国際バラとガーデニングショウ」でした。弊社も出店して間もない時で、必死に販売をしていました。出店の向かいのお店が改良園様で、この品種を販売していて飛ぶように売れていました。その当時、茶系の木立ち品種は「ジュリア」や「カフェ」などがありましたが、ピンク色がのるこの品種を目にした時の感動は今でも覚えています。ものすごい勢いで売れていて、確か販売期間の2日目の午前中位で完売してしまいました。改良園様はアメリカからの輸入苗を販売していたので、売り切れたら来年までは在庫がないと聞いていました。どうしても諦めきれずに声をかけた所、B苗なら2鉢在庫があるとの事で最終日に持ってきて頂き手に入れました。パテントもないとのことだったので、その年に接ぎ木を行い増殖しまいた。
日本中の苗のほとんどのものが、弊社が生産したものから殖えていると思うと非常に不思議な感覚です。
6寸 ￥3500（税別）
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Distant Drums (Raoul Walsh, 1951)
Seen: Distant Drums
Who: Hideaki Hamada / website / instagram / flickr
Where: Book and Sons, Meguro
When: September 7 - 29, 2019 / Open 12:00-19:00
In a flash bright natural highlights Hideaki Hamada burst onto the photo scene in 2012 with Haru & Mina, a charming series of photographs of his children. Since then he’s gone on to have a successful commercial and editorial career shooting for magazines and other clients and has built up an international following along the way. With commercial assignments taking Hamada-and his Pentax 67, and rolls and rolls of Kodak Portra- around the world he built up the collection of images that makes up this show- one that fills all three floors of the building.
Accompanying the exhibition is a thick hardcover and full-color photobook that is already in its second printing a mere 10 days after first being released ( ! ) and a selection of images printed as postcards and posters.
Speaking with the photographer in the gallery, he told me that while his work took him to some very well known spots he chose not to photograph them directly, instead finding things of interest outside the usual frames in which they are taken. We chatted about gear a bit- The 105mm lens for the Pentax 67 is his favorite- and not for the technical reasons most would think. The 105, while fairly standard, is a slightly longer lens and thusly has a sense of distance that’s lacking in the 90mm and 75mm lenses for the system. This lens, he told me, allows him to keep his distance. I knew that he wasn’t talking about using the lens to peek in from afar, but rather to open up a space for the viewer to enter.
