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Sri Lanka'da Yeni Dönem: Dissanayake ve Amarasuriya'nın Atamaları
Sri Lanka’da Yeni Dönem Başladı Ulusal basındaki haberlere göre, dün yemin ederek görevine başlayan Devlet Başkanı Dissanayake, ülkenin 16. başbakanı olarak Amarasuriya‘yı atadı. Bu atama, Sri Lanka’nın siyasi tarihi açısından önemli bir adım olarak değerlendiriliyor. Ulusal Halk Gücü (NPP) partisinin bir üyesi olan Amarasuriya, akademik kariyeri ve insan hakları savunuculuğu ile tanınan bir…
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Sri Lanka'nın Yeni Devlet Başkanı Dissanayake'den Dış Politika Açıklamaları
Hindustan Times’ın haberine göre, Sri Lanka’nın yeni devlet başkanı olan Dissanayake, dün yemin ederek görevine başladı. Görevine başlamasının ardından Monocle dergisine verdiği röportajda, ülkesinin dış politika ve büyük bölgesel güçlerle olan ilişkilerine dair önemli değerlendirmelerde bulundu. Dissanayake, Sri Lanka’nın jeopolitik rekabetlerin içine çekilmekten kaçınacağını vurgulayarak,…
Sri Lanka swears in left-wing Anura Kumara Dissanayake as president
Leftist leader Anura Kumara Dissanayake has been sworn in as Sri Lanka’s 10th president. His success was won during an election that saw voters reject an old guard accused of leading the country into economic crisis and following days-long riots, which spread into the presidential house and office in the country’s capital, Colombo. Dissanayake, 55, ran as head of the Marxist-leaning National…
Sri Lanka'da Başkanlık Seçim Sonuçları: Dissanayake Önde
Sri Lanka’da Başkanlık Seçim Sonuçları Sri Lanka Seçim Komisyonu’nun güncel verilerine göre, 2022’deki derin ekonomik krizden bu yana gerçekleştirilen ilk devlet başkanlığı seçiminde, Dissanayake isimli aday, oyların yaklaşık %50’sini alarak önde gidiyor. Bu seçimde, muhalefet lideri Sajith Premadasa yaklaşık %30 oy oranıyla ikinci, mevcut Devlet Başkanı Ranil Wickremesinghe ise %15 civarında…
எஸ்.பி மற்றும் டிலான் பெரேரா ஶ்ரீலங்கா பொதுஜன பெரமுன கட்சியுடன் இணைவு
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What is usually uncritically considered to be 'music,' at least in the academy - Western classical music and perhaps jazz - has developed over the past two centuries within an aesthetic or 'high art' tradition where music, like art in general, is considered nonfunctional ('for its own sake') and generally listened to with full attention in special settings, or on recordings in the home [...]. (49)
Dissanayake E. 2007. Ritual and Ritualization, in S. Brown & Volgsten U. (ed.) Music and Manipulation: On theSocial Uses and Social Control of Music: 31-56. New York: Berghahn Books.
In the modern West, music - although difficult to define - typically refers to formalized melodic and rhythmic sounds produced by the human voice or other instruments. In small-scale societies, however, a phenomenon that we would call music (say, melodic vocalizing or drumming) may well be categorized somewhat differently and overlap with phenomena that a Western observer would probably consider irrelevant. (33)
Dissanayake E. 2007. Ritual and Ritualization, in S. Brown & Volgsten U. (ed.) Music and Manipulation: On theSocial Uses and Social Control of Music: 31-56. New York: Berghahn Books.
Although the term 'music' does not mean the same thing in all cultures - indeed, most societies have no concept or word for 'music' in a Western sense - the activities of singing and otherwise making and participating in music appear to be universal in humans. That is, 'human sound communication outside the scope of spoken language' [...] exists in all known and described human societies, and has observable effects on its makers and listeners. (32)
Dissanayake E. 2007. Ritual and Ritualization, in S. Brown & Volgsten U. (ed.) Music and Manipulation: On theSocial Uses and Social Control of Music: 31-56. New York: Berghahn Books.
