#disneyfail

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🎥 BLACKSITE ENTRY — “WHY THE MALE GAZE IS THE SPINE OF STORYTELLING (AND WHY HOLLYWOOD IS BLEEDING MEN LIKE A SLOW STABBING).”

🚨 I. THE CRIME SCENE

Hollywood, Disney — lean in.

Men aren’t leaving your movies because they’re misogynists. They’re leaving because you keep feeding them cafeteria gruel and calling it steak.

You stripped away the one thing that glued asses to seats for 70 years: > The Male Gaze.

Not a slogan. Not a buzzword. Not a sin.

It’s biology. It’s dopamine. It’s the only reason James Bond sold tickets while your Marvels action figures rot in a discount bin next to expired dog food.

🧠 II. BIOLOGY DOESN’T CARE ABOUT YOUR PRESS RELEASES

Let’s do science before the comedy.

fMRI scans show erotic female imagery activates male amygdala + reward centers in 300 milliseconds.

Waist-to-hip ratio between 0.67 and 0.8 has been proven across dozens of cultures to spike attraction response.

Men’s brains process sexual stimuli with faster recognition and longer retention than neutral images. Translation: men remember cleavage longer than plot points.

You can scream “that’s misogyny” all you want. It’s also why your dad remembered Princess Leia’s bikini but forgot what he ate last Tuesday.

Biology doesn’t attend diversity seminars. Biology doesn’t file HR paperwork. Biology just wants sex, status, and spectacle.

Take that away, and men take themselves away.

🩸 III. DISNEY: A MASTERCLASS IN AUDIENCE ALIENATION

Kathleen Kennedy wore “The Force is Female” in 2018. Cute shirt. Horrific optics.

To the 65–70% male fanbase? It read like: > “Thanks for building this galaxy, now get out of it.”

George Lucas admitted it plainly: “Star Wars is for 12-year-old boys.” That wasn’t exclusion. That was clarity.

Disney threw that clarity into a woodchipper.

Luke Skywalker? Turned into a bitter hermit who milked alien nipples for dinner.

Rey? Given powers without struggle, then used as a mouthpiece for corporate feminism.

The Acolyte? Force witches and lectures about patriarchy.

Result? Unsold toys stacked at Ollie’s like tombstones. Fans fleeing like villagers from a leper colony. Disney execs gaslighting: “If you don’t like it, you’re sexist.”

No. We just don’t like homework disguised as lightsabers.

🎯 IV. THE M-SHE-U: WHEN MARVEL CUT OFF ITS OWN BALLS

After Endgame, men were hungry. Give us pain. Loss. Heroes rebuilding.

What we got:

She-Hulk twerking with Megan Thee Stallion.

Hulk neutered into comic relief.

Thor reduced to “dad bod clown.”

The Marvels marketed like a PowerPoint presentation on empowerment.

Marvel’s male audience share: 60–65%. Men walked.

Not in protest. Not in rage. They ghosted.

And when men ghost, your franchise doesn’t get closure. It gets buried.

🪓 V. RECEIPTS: THE BODIES PILED UP

The Wrap 2024: Star Wars = 65–70% male audience. MCU = 60–65% male.

Variety 2025: Disney losing Gen Z men (13–28) at catastrophic rates.

Merchandise data: Rey, She-Hulk, and Acolyte figures unsold, flooding clearance aisles.

Box office: The Marvels cratered. Indiana Jones 5 limped to its grave. The Acolyte canceled after one season despite “high engagement.”

The only thing “engaging” was the sound of wallets snapping shut.

💀 VI. THE DARK TRUTH HOLLYWOOD WON’T SAY

Men don’t buy tickets to be lectured. They buy tickets to escape.

Give them heroes to admire. Give them women to desire. Give them stakes to feel.

Instead, Hollywood keeps handing out substitute teachers in spandex telling men they’re the problem.

Newsflash: No guy pays $18 to get scolded. If he wanted that, he’d visit his ex.

🔬 VII. HOOKUP CULTURE VS. HOLLYWOOD LIES

Hollywood insists: “Women fear men. They’d rather fight a bear than walk past you.”

Meanwhile, Tinder exists. Hookup culture exists. Men know women who initiated sex the same night they met.

Fear isn’t what made her unzip your jeans.

The gap between what men live and what Hollywood writes is so wide it could swallow the box office whole. And it has.

🏴‍☠️ VIII. THE AUDIENCE EXODUS

Men didn’t riot. They didn’t protest outside Disney HQ.

They just left.

To UFC. To gaming. To indie creators. To porn.

Anywhere but multiplexes showing neutered superheroes and scolding space witches.

You can’t gaslight an empty seat. You can’t guilt trip a ghost.

⚡ IX. DARK HUMOR 101: THE REMINDERS

Men aren’t misogynists for wanting movies that make them hard and hopeful.

Hollywood isn’t progressive. It’s just allergic to profit.

The “male gaze” isn’t oppression. It’s rent money.

Biology doesn’t read Variety. Biology just buys tickets — or doesn’t.

📌 X. THE FIX (THAT WILL NEVER HAPPEN)

Disney could win men back tomorrow by:

Making heroes aspirational again (not punchlines).

Writing women men want to sleep with, not attend HR training with.

Respecting fanbases instead of insulting them.

But they won’t. Because ego > receipts.

And the receipts keep rotting.

🚨 CONCLUSION: THE FORCE IS MALE (AND ALWAYS WAS)

Hollywood, here’s your eulogy:

You didn’t lose men because of politics. You lost them because you forgot men are still the backbone of your audience. 65–70% of Star Wars. 60–65% of Marvel.

You traded desire and awe for lectures and hashtags. You turned dopamine into detention. And the men left.

Theaters don’t echo. They rot.

🧠 Reblog if you’ve ever rolled your eyes at a blockbuster lecture. 💀 Reblog if you know biology is louder than Twitter. 🩸 Reblog if you believe the Male Gaze isn’t optional — it’s gravity.

🐺 Reminder: Men don’t boycott. They ghost. And when men ghost, franchises die and nobody shows up to the funeral.

📢 For more forbidden doctrines that mix humor, horror, and truth: 👉 https://linktr.ee/ObeyMyCadence

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STAR WARS HOT TAKE 2.0 -- THE MONSTER SHE SHOULD’VE BEEN

Sometimes an idea escapes the page. Sometimes it jumps the fence between fan theory and the actors themselves.

Back in May, I wrote the post that should’ve saved the sequel trilogy. The one that said: Rey shouldn’t have been the light. Rey should’ve been the monster.

That post caught fire. People debated. People frothed. People screamed “NOOOO” in comment sections like Vader at the end of Episode III. And now? John Boyega -- Finn himself -- is echoing the exact framework I laid out.

Coincidence? Maybe. Or maybe the idea was too obvious, too mythically right, to stay buried.

THE CORE OF MY ARGUMENT

Rey, granddaughter of Sheev Palpatine (Star Wars Satan himself), should not have been the “girlboss messiah.”

She should have fallen. Hard. Brutally. Inevitably.

Not because she was weak, but because the bloodline demanded it. Because the tragedy was written into her DNA like a curse. Because that’s how myth works.

Instead, Disney gave us toothpaste commercial feminism. Sanitized. Polished. Lifeless. A protagonist who could do no wrong, never stumble, never bleed.

That’s not a hero. That’s a mascot.

JOHN BOYEGA JUST SAID THE QUIET PART OUT LOUD

CinemaBlend just ran the interview: Boyega assumed that Finn and Rey would face off. That they’d end up Obi-Wan and Anakin — brother and sister in the Force, but tragically split by ideology and fate.

He thought they’d duel. He thought she might turn.

And then he learned what the rest of us did: the writers never had the guts.

Now -- is it possible Boyega’s reflecting what fans have been screaming for years? Sure. But let’s not play coy:

When you drop mythologically airtight narrative bombs into the discourse, when those posts circulate, when the actors are chronically online like the rest of us -- ideas travel.

I can’t prove Boyega read my May post. But if you trace the timeline, if you map the discourse, if you understand how echo chambers ripple into press junkets? It’s not unreasonable to imagine the seed reached him.

And even if it didn’t, the point stands: the actor playing Finn saw the same problem the rest of us did.

🩸 THE BLOODLINE LIE

Let’s strip this bare. Palpatine’s son -- Rey’s father -- was written as a good man. A selfless man. He risked and sacrificed to protect her.

So… follow the logic. Palpatine’s “evil” blood produces goodness. His descendant Rey? Perfect. Untouchable.

Where’s the darkness? Where’s the shadow? Where’s the mythic cost?

It’s like Disney is terrified of the simplest truth in storytelling: Blood curses burn.

You don’t inherit the Devil’s DNA and come out a Disney Princess.

MYTH WAS NEVER SUPPOSED TO BE SAFE

Greek tragedy. Norse sagas. Shakespeare. All of them knew one truth:

The stories that last don’t coddle you. They scar you. They make you sit with the horror of choice, fate, and downfall.

Anakin worked because he fell. Because he chose. Because we watched the golden boy scream himself into Darth Vader.

Imagine if Lucas had chickened out. Imagine if Anakin “chose the light” at the last second. Imagine if he shrugged off the dark side with a Hallmark speech.

That’s not myth. That’s fanfiction. And that’s exactly what Disney gave us with Rey.

THE VERSION WE DESERVED

Picture this:

Rey accepts her Palpatine heritage. Not as shame. As power. She wears it. Breathes it. Lets it seduce her until it feels like home.

Finn, the man who loves her, becomes the Jedi not because of prophecy, but because he has to stop her.

Not Kylo. Not some reheated Vader-lite. But Rey.

His love. His sister-in-arms. His friend. Turned into the monster.

The duel writes itself. The heartbreak fuels it. The tragedy makes it timeless.

🤡 WHAT WE GOT INSTEAD

“I’m all the Jedi.”

A hug circle.

Skywalker cosplay.

Purell-washed empowerment arcs written by a marketing department.

That’s not cinema. That’s content.

WHY THIS MATTERS NOW

Disney is resurrecting Rey again. Another trilogy. Another corporate séance.

And guess what? It’s already DOA. Because they killed the only arc that mattered.

Rey’s fall wasn’t just an option. It was the only way to make her story unforgettable.

And Boyega, whether he read my post or just felt the same mythic itch, proves it: even the cast knew the narrative potential was wasted.

FINAL WORD

If your saga can be summarized in a press release, it’s not a myth. If your chosen one never risks corruption, it’s not Star Wars. If your villainous bloodline produces nothing but light, it’s not storytelling.

It’s brand management.

And no matter how many times Disney tries to necromance this corpse, the fans know. The actors know. The myth knows.

Rey should have been the monster. Finn should have been her executioner. And Star Wars should have grown the hell up.

Reblog if you’re done watching myth get neutered.

Share with someone who thinks villains can’t be women. Follow for mythic alt-timelines, narrative weaponry, and anti-Disney heresies.

Read more cadence-based myth corrections and cultural autopsies at: 👉 https://linktr.ee/ObeyMyCadence

Original Posts:

🧠 STAR WARS HOT TAKE -- THE MONSTER SHE BECAME

🧠 BLACKSITE SCROLLTRAP -- “THE FORCE IS FRAUDULENT: HOW DISNEY GUTTED THE MYTH”

I REBUKE THIS IMAGE: They didn’t honor the Jedi. They hijacked them.

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Dear Disney, what the fuck?