#egodeath

“Virgin Loser” 2025

This is my most recent piece of artwork and my first official post. I’m very proud of it.

I painted this on CSP with a mixture of crayon and cream marker brushes. The inspiration behind it stems from chronic isolation and the intense need for skin to skin contact while riddled with deep shame. This pertains to my OC’s general character.

But here is what the mystics across era, civilisation, religion and tribes also understood: you cannot access the sacred gateway of relationship while your wounds are running the show. You cannot see the divine in your beloved when you are stuck projecting your mother or your father. You cannot experience the in-between when your nervous system is in survival mode. This path of relationship requires to meet your conditionings guarding the threshold, and honestly facing your shadow, integrating your wounds, reclaiming your wholeness, so that you can show up to your beloved as a full human being rather than a fragmented gremlin, asking to be rescued.

IMMEDIATE CESSATION OF THE SELF

Ego death is... it’s like splitting in two. The new you stands off to the side, watching as the old you clings to every scrap of identity. Every habit, every name, every little myth you told yourself to stay real. They fight. They plead. They insist that this isn’t happening, that they’re still here. But the new you can’t interfere, even if they wanted to. They already know this is a kind of molting.

When the old you finally stops screaming and slips beneath that heavy, inky blackness, there’s a stillness so complete that feels like an oppresive paralysis. You remember their life; their friends, their fears, their favorite breakfast cereal, but the memories feel borrowed. Like photos left behind in a stranger’s wallet or an album hidden in the back of a dusty antique shop.

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🎥 BLACKSITE ENTRY — “WHY THE MALE GAZE IS THE SPINE OF STORYTELLING (AND WHY HOLLYWOOD IS BLEEDING MEN LIKE A SLOW STABBING).”

🚨 I. THE CRIME SCENE

Hollywood, Disney — lean in.

Men aren’t leaving your movies because they’re misogynists. They’re leaving because you keep feeding them cafeteria gruel and calling it steak.

You stripped away the one thing that glued asses to seats for 70 years: > The Male Gaze.

Not a slogan. Not a buzzword. Not a sin.

It’s biology. It’s dopamine. It’s the only reason James Bond sold tickets while your Marvels action figures rot in a discount bin next to expired dog food.

🧠 II. BIOLOGY DOESN’T CARE ABOUT YOUR PRESS RELEASES

Let’s do science before the comedy.

fMRI scans show erotic female imagery activates male amygdala + reward centers in 300 milliseconds.

Waist-to-hip ratio between 0.67 and 0.8 has been proven across dozens of cultures to spike attraction response.

Men’s brains process sexual stimuli with faster recognition and longer retention than neutral images. Translation: men remember cleavage longer than plot points.

You can scream “that’s misogyny” all you want. It’s also why your dad remembered Princess Leia’s bikini but forgot what he ate last Tuesday.

Biology doesn’t attend diversity seminars. Biology doesn’t file HR paperwork. Biology just wants sex, status, and spectacle.

Take that away, and men take themselves away.

🩸 III. DISNEY: A MASTERCLASS IN AUDIENCE ALIENATION

Kathleen Kennedy wore “The Force is Female” in 2018. Cute shirt. Horrific optics.

To the 65–70% male fanbase? It read like: > “Thanks for building this galaxy, now get out of it.”

George Lucas admitted it plainly: “Star Wars is for 12-year-old boys.” That wasn’t exclusion. That was clarity.

Disney threw that clarity into a woodchipper.

Luke Skywalker? Turned into a bitter hermit who milked alien nipples for dinner.

Rey? Given powers without struggle, then used as a mouthpiece for corporate feminism.

The Acolyte? Force witches and lectures about patriarchy.

Result? Unsold toys stacked at Ollie’s like tombstones. Fans fleeing like villagers from a leper colony. Disney execs gaslighting: “If you don’t like it, you’re sexist.”

No. We just don’t like homework disguised as lightsabers.

🎯 IV. THE M-SHE-U: WHEN MARVEL CUT OFF ITS OWN BALLS

After Endgame, men were hungry. Give us pain. Loss. Heroes rebuilding.

What we got:

She-Hulk twerking with Megan Thee Stallion.

Hulk neutered into comic relief.

Thor reduced to “dad bod clown.”

The Marvels marketed like a PowerPoint presentation on empowerment.

Marvel’s male audience share: 60–65%. Men walked.

Not in protest. Not in rage. They ghosted.

And when men ghost, your franchise doesn’t get closure. It gets buried.

🪓 V. RECEIPTS: THE BODIES PILED UP

The Wrap 2024: Star Wars = 65–70% male audience. MCU = 60–65% male.

Variety 2025: Disney losing Gen Z men (13–28) at catastrophic rates.

Merchandise data: Rey, She-Hulk, and Acolyte figures unsold, flooding clearance aisles.

Box office: The Marvels cratered. Indiana Jones 5 limped to its grave. The Acolyte canceled after one season despite “high engagement.”

The only thing “engaging” was the sound of wallets snapping shut.

💀 VI. THE DARK TRUTH HOLLYWOOD WON’T SAY

Men don’t buy tickets to be lectured. They buy tickets to escape.

Give them heroes to admire. Give them women to desire. Give them stakes to feel.

Instead, Hollywood keeps handing out substitute teachers in spandex telling men they’re the problem.

Newsflash: No guy pays $18 to get scolded. If he wanted that, he’d visit his ex.

🔬 VII. HOOKUP CULTURE VS. HOLLYWOOD LIES

Hollywood insists: “Women fear men. They’d rather fight a bear than walk past you.”

Meanwhile, Tinder exists. Hookup culture exists. Men know women who initiated sex the same night they met.

Fear isn’t what made her unzip your jeans.

The gap between what men live and what Hollywood writes is so wide it could swallow the box office whole. And it has.

🏴‍☠️ VIII. THE AUDIENCE EXODUS

Men didn’t riot. They didn’t protest outside Disney HQ.

They just left.

To UFC. To gaming. To indie creators. To porn.

Anywhere but multiplexes showing neutered superheroes and scolding space witches.

You can’t gaslight an empty seat. You can’t guilt trip a ghost.

⚡ IX. DARK HUMOR 101: THE REMINDERS

Men aren’t misogynists for wanting movies that make them hard and hopeful.

Hollywood isn’t progressive. It’s just allergic to profit.

The “male gaze” isn’t oppression. It’s rent money.

Biology doesn’t read Variety. Biology just buys tickets — or doesn’t.

📌 X. THE FIX (THAT WILL NEVER HAPPEN)

Disney could win men back tomorrow by:

Making heroes aspirational again (not punchlines).

Writing women men want to sleep with, not attend HR training with.

Respecting fanbases instead of insulting them.

But they won’t. Because ego > receipts.

And the receipts keep rotting.

🚨 CONCLUSION: THE FORCE IS MALE (AND ALWAYS WAS)

Hollywood, here’s your eulogy:

You didn’t lose men because of politics. You lost them because you forgot men are still the backbone of your audience. 65–70% of Star Wars. 60–65% of Marvel.

You traded desire and awe for lectures and hashtags. You turned dopamine into detention. And the men left.

Theaters don’t echo. They rot.

🧠 Reblog if you’ve ever rolled your eyes at a blockbuster lecture. 💀 Reblog if you know biology is louder than Twitter. 🩸 Reblog if you believe the Male Gaze isn’t optional — it’s gravity.

🐺 Reminder: Men don’t boycott. They ghost. And when men ghost, franchises die and nobody shows up to the funeral.

📢 For more forbidden doctrines that mix humor, horror, and truth: 👉 https://linktr.ee/ObeyMyCadence

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