DIKY Jason Todd x reader smut like a few years into their relationship, maybe reader accidentally ate the aphrodisiac chocolates that were meant to be a gag gift for dick.
THANK YOU I LOVE YOUR WRITING.
I don't know why it makes me laugh, but I think I got a smut request for DIKY during the last challenge I did. They really were horny for each other, so I love that we have them going at it. My babies in their new apartment being rabbits, means everything to međ Enjoy!
Warnings: SMUT, aphrodisiac (so drugs I guess), PinV, uh if there's something else I should add let me know!
Kandy's Writing Challenge
Do I Know You? Masterlist (DIKY)
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It was just chocolate. It was on the counter, so you ate it. Just chocolate. You repeat mentally as you fan yourself. You were warm, too warm, and squirmy, and you didnât know what to do with yourself. You were fine an hour ago!Â
âSweetheart,â Jasonâs voice is soft and dolcet as he closes the door to the apartment, locking up. Your feet carry you right to him without thought. He startles slightly when he looks at you, âYou okay?â
âWhere did you buy that chocolate?â It's the first thing you ask. You mean to be firm and upset, but the energy just isnât there; head a little fuzzy.
Jason stares at you, then glances at the open chocolate on the kitchen counter, then back to you. He moves a little closer, clearly on the move to placate. His words confirm what you were thinking, âHoney, baby-â
âJay,â you whine, stomping your foot childishly, âWhy would you-â
âIt was for Dick, not you, sweetheart, as a prank. Whyâd you eat it?â he murmurs as he steps in front of you. His hand hovers above your arm, not touching, but you feel the heat of him nonetheless. It makes you feel a little crazy.
Your shrug, âCause I live here and it didnât say to not to eat it.â
Jason's jaw ticks in mild frustration, âThatâs my bad, âm sorry.â
âItâs okay,â you hum, stepping closer, âbut Iâm dying, and I need you to fix it.â
His jaw ticks again, less out of frustration and more something else, âHow do you feel?â
âWarm,â you answer, âand needy and- would you just do something?â
Jasonâs hand skips your arm entirely to hold at the back of your neck. You feel like you're shocked by the touch, but his lips are soon on yours. Your body burns at the contact, and you press forward, hands on his chest, seeking more. Jason moves back, a surprised noise leaving him as you press him to the kitchen counter, kissing him harder. He shifts, thigh pressing between yours, and you moan against his lips.
The hand on the back of your neck curls tighter, pulling you from his lips. You pout, trying to follow his lips, but it only gets you a tighter grip on your neck.Â
âJay baby, please,â you whine. Jason stares at you, his other hand coming up to stroke your jaw as he laughs softly. Your face pinches at the laugh, âWhat?â
âWeâve been here before,â he murmurs, âa little different, but weâve been here before. I think I have more self-control than you.â
âWhat are you talking about?â You lean forward against him, arms curling around his waist like he might try to run away.
âYou donât remember? It was the first time we kissed.â his voice is in a lilted tease as he kisses the corner of your mouth.
Your lips part. Of course, how could you forget? It was the first time heâd done anything explicit leaning toward you. Not that he got far with a knee to the crotch. You shake your head, âThis isnât the same thing.â
He nods in agreement, ââCourse not, baby. Now we can do something about it.â
âIâm feeling terrible,â you complain softly, thighs pressing against his between yours, âDonât tease meâ
His thigh presses up more, his hand leaving your jaw to grip your hip, pressing you down, âYou feel terrible? We should do something about that.â
Your forehead falls to his shoulder. âI donât like you.â
âYeah, yeah,â he pats your butt before nudging you off him, âBedroom?â
âLiving room,â you pull him, âNow, please.â
âYa always so polite about it,â He hums, only to brush your hand off and pick you up. Your legs wrap around his waist, face burying into his shoulder. The position isnât strange or new to you both, but you had already been squirmy, thighs pressing in need, but now you had something better to press against. You grind against him, quietly whining as he carries you to the living.
âJason, please,â you whimper. He sits down on the couch, helping you straddle him properly despite the way you fight him a little to hump against him.
His hands pull your shirt up and off in one motion, âTake it easy, sugar.â
You tug your bra off, stretching out the band rather than waiting to unclip. His hands find the bare skin of your ribs, ghosting up to your breast. You pay his soft demand to take it easy no mind, diving to kiss him roughly, hips grinding down as he hardens under you.Â
âNeed you, Jay,â you pant, hands dipping to his jeans, fighting with the buckle.
âSweetheart,â he mumbles, pinching your tight nipple. Your hips jerk, another whine leaving you, but you don't let up on your goal. Stand from his lap and push your own pants, underwear and all.Â
You stand there naked a moment, skin overheated, thighs already damp. You stare down Jason while he simply admires you. You huff, âTake your pants off.â
The jerk laughs again, âSugar-â
âJason, I am so serious right now,â you glare, and he finally moves, lifting his hips to pull his pants and boxers. He only gets them to his knees before you're climbing back in his lap.
âWait,â he laughs again, only for it to die in his throat as your hand curls around the base of him. You give his cock one tight stroke before you press the head to your entrance. His hands grab at your hips, stopping you before you can sink.Â
You whine, âWould you-â
One of his hands smacks at your hip, and you shut right up, hazy eyes focusing on his dark, warning ones, âThatâs enough of that. You need to calm down right now before you hurt yourself.â
âI can take you,â you argue, too horny to care at this point, âYou know I can. Can you take me?â
âThatâs cruel,â he bites out, but his half-hard cock twitches. âAre you sure? You're kind of drugged right now.âÂ
You roll your eyes, âLike we wouldnât be fucking in bed tonight anyway?â
âYou're really worked up,â he hums, and you wiggle your hips in his hold, trying to sink.Â
His grip tightens nearly bruising, and you whimper, âPlease.â
He finally breaks, hands easing, and you drop the moment you're free. A tight-gasping moan leaves your chest. You swear your vision goes black for a second from the sensation of him stretching you out alone, your senses in overdrive. Jason hisses as you envelop him, warm and slick like usual but much tighter.Â
Your chest heaves as you take a moment. You think, maybe, your body would calm down. It doesnât; your thighs tremble already. Your hands curl around Jason's neck as you lean forward, sensitive breast pressing to his T-shirt.
âTight, sugar,â Jason groans, his head falling against the couch, âsure you didnât hurt yourself?â
Your lips aim for his, but you miss, with his head lying back, mouth just below his chin. Your hips shift in a test grind. Your eyes flutter shut at the sensation, so full of him, your clit grinding against his pubic bone.
One of his hands traces up your spine as the other squeezes your waist, âBaby?â
âIâm fine,â you whimper, âcan I go crazy a moment?â
Your request as his head tipped back up for him to meet your eye, âGo crazy? What do you- oh fuck!âÂ
Your hips rise and drop, not a test, not a slow build-up. Something desperate makes for your shaking thighs to repeat it as fast as possible the second you start. You gasp and moan as you ride him with all you have, a wet pap filling the room with the slick dripping from you.
âJay, Jason,â you gasp. His hands flutter across sensitive skin, and it only makes you wish you could bounce faster as he repeatedly nudges that gummy spot inside.Â
He lets out a groan, hips jerking every few thrusts but mostly letting you ride him. Your body jolts as his lips wrap around your nipple as it bounces in front of his face. You cry out at the sensation. Abrupt and overwhelmed everything as you cunt suqeezes him, âAh, fuckin-â
Jason moans around your breast as you falter with harsh gasps, his blunt nails digging into your hips. He pulls off your boob to meet your eye, âDid you-â
âYeah,â you pant, and then your hips are moving again even as you whimper, âbut I need more.â
Jason presses his forehead to your sternum, âFuck, okay. Let me-â
He shifts back on the couch more, planting his feet on the ground only to fuck up into you.
âOh Jesus, fuckâ you gasp at the sensation. Your mouth stuck open, noises leaving you unfiltered. Your eyes flutter shut, face pinched.
âI know,â Jason grunts as he finds your pace from before, âI know, let me take care of you.â
Your nails dig into his shoulders, T-shirt still on despite everything, the flush of his cheeks. He keeps you up, keeps fucking you. You drop a little, his grip on your waist slippery with sweat. You let out a gasp as your back suddenly hits the couch. Your eyes go wide before slamming shut as he fucks right back into you. The top of your head presses into the couch armrest with each thrust. Your eyes prickle with tears as your body bends to the heat again.
âJason!â you cry out.
His arm slides under your waist, arching your back, âI got you, sugar, I got you.â
His thumb slips to your clit and your body seizes right up as you cum again. Your tight heat pushes Jason right over the edge with you. He buries his face into your neck as he comes with a groan. He gives a few weak thrusts before he settles.Â
You lay there sliding a hand in his hair as your chest heaves for air, skin hot. You take a beat, two. You rock your hips up with a needy whine. Jason whimpers, pressing your hip back down on the couch.
âYou gotta be fuckinâ kidding me,â he pants as he lifts his head to look at you.Â
You pant, hips squirming against his hold, âYour fault. I can't help it.â
âYeah, I know.â He pulls out of you, leaving you clenching and whining. He kisses your swollen lips, then your jaw, your throat, down to your sternum and belly, âIâll take care of itâ
And take care of it, he did. Again and again until you were finally worn down. He may or may not have ended up hiding the chocolate on a high shelf for a rainy day off.
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Synopsis: Red Hood makes an appearance again. Jasonâs sorry about it.
Note: Red Hood is back for a minute, baby. Also, just putting this out there, this is like if one of the sex-pollen fics backfired. Is there a kiss? Maybe. Is it the one you guys wanted? I guess youâll just have to read and find out, lol. Enjoy!
Masterlist
A month later, as the days grew warmer, you finally felt like yourself. Mostly. You had nightmares on the nights Jason didnât stay with you, which was more often than not. Apparently, while he did make his own schedule, most jobs were done at night. You thought it was weird but didnât think any harder about it (you did think harder about it, but it made you open The JarTM and remember similarities you werenât happy about, so you closed it all up again and ignored it).
You had decided that you liked liked Jason. He took you to the Gotham Zoo on one of the warmer days and told you all about his little brother, who loved animals. He actually told you about his family unprompted. So, you just quietly walked with him and listened. Seeing him open up to you about something that he was usually so closed off about, well, you felt delighted about it.
You wanted to tell Jason how much he meant to you, but you still had a worm in your ear telling you he was just being nice. You argued with yourself about it a lot. It had been two months since the warehouse incident (and your subsequent fight with Red Hood). If Jason was playing nice because of that, then he would have stopped by now. Unless heâs just playing with you, the worm would add. You had come to the consensus that you wouldnât do anything unless Jason said otherwise. Â
You became somewhat of an insomniac when Jason didnât stay at your apartment, leading you to scroll on your phone in the middle of the night. It probably didnât help, but you would at least get out of bed and do it in the kitchen, so your brain didnât get confused about where phone time should be done. As you liked a group of posts from Steph (she had gone skiing with Tim and some other friends. Seriously, how rich were these people?) when you thought you heard something, a racketing outside.
You stop to listen but donât hear anything else, so you go back to scrolling when you hear it again. You brush it off as some of the cats getting into a fight, but then you hear a squeak. You tense up, hand curling around your emergency alert locket on instinct. You turn and watch as Red Hood practically falls through your window. Red Hood, who you hadnât seen since you blew up at him. Your chest squeezes.
âRed?â you ask, rounding the island but pausing at the edge of it, a mountain of emotional turmoil interjecting itself into your veins. His head snaps up to look at you, and you instantly feel like something is wrong, aside from the fact that you have no idea why heâs here. His helmet is missing, nowhere in sight. His chest heaves like he can't quite catch his breath. Even though you can't see his eyes, you can feel him staring a hole through your skin.
He doesnât answer you. So, you take a few more cautious steps closer. His fists clench at his side as he leans against the wall next to the window. Closer, you can see his face is flushed, and you wonder if heâs sick, and if heâs sick, why would he come here? You donât have time to ponder the question because he takes a step forward, and the rest of him follows quickly. Startled by his speed, you trip backward on your own feet and squeak as you fall, body tensing, waiting for the pain. It never comes because heâs on you as you fall, hand curling on the back of your scalp to stop you from hitting your head as you land on the ground with a shocked huff.
You stare at him hovering above you, but you donât have time to whisper out a thank you or say anything because his lips are pressed against you, hard. Your eyes widen and remain unmoved in shock. He moves only slightly as he kisses you, head tipping this way and that. You break out of your stupor when he shifts to nip at your lip, and your hands press at his shoulders to push him off of you, unsuccessfully. Instead of pulling back, he just moves to your neck to press closed-mouth kisses there, more nuzzling your neck than anything else. Youâd think it ticklish if you werenât so confused.
âRed Hood, what are you doing?â you ask the question calmer than you expected. You should be more worried about the current events, but you genuinely think something is wrong. You donât believe he would ever try to do something to you otherwise, despite the two months itâs been since youâve seen him. He just hums against your skin as his free hand curls at your hip and grips hard enough to hurt.
âRed Hood, you need to stop. Something's wrong.â You can feel the warmth of his forehead against the side of your jaw. Heâs burning up, feverish and sweaty. He pays you no mind, just continues his strange kisses to your skin, moving lower to the junction of your neck and shoulder. He clearly wasnât himself. You understand now that he won't listen to you, that you'll have to stop him yourself.
Your mind goes back to two weeks ago. Jason, on a spiel about you walking home alone, said you needed to learn self-defense. He had taught you a few moves, but if there was one thing he drilled into your head, it was to always go for the balls. The idea had made you laugh at the time, in spite of how serious he looked about it, but now it made sense.
Even though Red had his face practically smashed to your neck, the rest of him hovered over you, his thick thighs straddling you. You could move your legs easily. You werenât sure if this would do anything, especially if Red wore protection down under, but it was worth a shot. You flatten your knee, then bring it up quick and hard against his backside. He groans against your skin, but it must have been enough to knock him out of his reverie because he rolls off of you and huddles in on himself.
You scramble backwards quickly, standing, and curl your hand around the lamp on the table next to the couch. You point it at him threateningly.
âStay,â you tell him while you try to fumble with the locket he had given you. Itâs supposed to alert all the bats, so maybe somebody can pick him up and help him. He shifts, and your grip on the lamp tightens, but he doesnât move more than to just stare at you. Heâs still flushed, and his hands dig into his legs.
âIâm sorry, sweetheart, Iâm so sorryâŚâ he starts, and then heâs on a roll, muttering about how he never wanted anything bad to happen to you and that he should be better. You think he gets distracted because then he talks about how pretty you look and how good you smell. You donât notice how much heâs moved towards you until your bum is pressed to the back of the couch and his hand is curling around your calf. Both of your hands tighten on the lamp, but you donât have the heart to use it. He just looks so distraught.
His hands climb as he talks, up the side of your thighs and hips until he wraps his arms around your waist and buries his face in your stomach. Heâs back to mumbling apologies again, but you are far too distracted (more than youâd like to admit) with the man on his knees hugging you. You're stuck staring at him, unsure of what to do, until a voice youâve never heard before breaks you out of it.
âAm I interrupting something?â the voice is deep but gleeful. Your eyes snap to a fit man in a black and blue get-up. Red Hoodâs hold tightens on your waist at the sound of him.
âSomething's wrong with him.â You say it quickly, like you're trying to explain the scene heâs witnessing. You're sure it's an odd sight. The big bad Red Hood hugging your waist like his life depends on it and you, holding your lamp in a vice grip above him. The man's lip quirks briefly into a frown.
âThis is so not how I wanted to meet you.â He says as he takes a step forward. Red Hood all but growls, his arms tightening enough to make you wince slightly, distracting you from asking what he meant. The man stops moving.
âTake it easy, Little Wing. You know Iâm here to help.â He offers you an apologetic smile. âHe had a run-in with Ivy. Sheâs been on a more aphrodisiac spin recently.â It takes you a minute to understand what heâs saying (mostly because you're trying to figure out who Ivy is).
âWhy would he come here?â The manâs smile changes into a teasing smirk that you donât love.
âIâm sure it's nothing to think too hard about.â You feel seriously out of the loop, and you donât think you want to know. With someone else present, you put the lamp on the couch. Your hands settle on Redâs biceps, trying to gently pry him off of you.
âCome on. It's time for you to go withâŚâ you pause glancing at the other man.
âNightwing,â he offers, albeit with a scrunched brow, like you should have known that. You squint at the weird name before looking back down at Red.
âItâs time to go with Nightwing. Get you the help you need.â His arms tighten again, and it makes you squirm slightly. âYou're hurting me, Red.â His arms loosen, and his face pulls away from your stomach just to prop his chin there so he can pout at you. You canât believe youâre thankful for his stupid mask. If you could see his eyes, youâre sure it would be game over.
âI canât help you,â you explain to him, unthinkingly running your fingers through the top of his hair. He shudders and sighs. You decide you're not helping your case, so you pull your hand away.
âNightwing and whoever else can help you to feel better, right?â You glance over at Nightwing, who is awkwardly looking to the side. Â After a moment of silence, he finally looks back at you, realizing you were talking to him.
âOh, yea. Red Robin and Oracle already have an antidote ready. Just need to get him back to the cave,â he says. You decide you really need to look into the vigilantes of Gotham because you have no idea who these people are. You turn your attention back to Red Hood.
âSee. They can help, I canât,â He grumbles and buries his face back into your stomach. You sigh, already feeling like you're arguing with a toddler, but then he lets go, slow and lethargic. He stands and nearly collapses. Nightwing is quick to catch him, and you feel incredibly useless.
âSorry about this,â Nightwing tells you, giving a blinding apologetic smile before heâs cramming Red Hood out your window with less finesse than you anticipated, although you think Red Hood fought him the entire time.
****
Itâs only after you have locked your window and sat on your couch that it comes to your attention that you were not as freaked out about what just happened as you should be. Red Hood had forced himself on you (respectfully, somehow) but he hadnât groped you, hadnât humped against you like a mad dog. The worst he did was kiss you, held your hip a little too firm, and hugged you.
You bring a hand to your lips, tracing them. You hadnât been kissed in years. If you had been prepared, you think it mightâve been nice. You snap yourself out of your thoughts. You liked Jason. You and him⌠werenât dating, per se. You think about kissing him far more than you should. You think about The JarTM in your mind and blame it for why youâre thinking about how nice it was when Red kissed you. This is stupid, you decide, you missed Red Hood but not for kissing reasons.
Seeing him and then him being gone again, your emotions come back. You sag on your couch, preparing to nitpick your mind. You were mad at him again, not that it ever stopped. It had been covered up by the sadness of missing him. First, He got you kidnapped, and you still havenât forgiven him for that. Second, he never tried to talk to you again (you ignore the fact that you told him to never come back because that clearly did not stop him). And thirdly, he kissed you, unconsented, and, if you hadnât pressed that button, probably would have done something else (yes, he was drugged. You understand that, but he could at least have said something, or better yet gone somewhere else. Why did he come to you?).
You settle on just being peeved with him and keeping a mental list of complaints to tell him all about the next time you see him. The next time you're kidnapped, or heâs drugged probably, you think. A pointlessly petty thought but whatever. You did not get any more sleep that night.
****
A day later, Jason showed up at your door without warning. He would usually send you a text that he was coming over, but you got nothing. You wouldnât have even checked who was knocking at your door if you didnât recognize the way he knocked. You think he may have been sick because when you open the door, heâs sagged against the frame of it. He looks pale, exhausted, and guilty for some reason, weary eyes watching you.
âAre you okay?â is the first thing that leaves your lips. His own quirks, like he finds the question funny.
âAre you?â he asks in return with hint of earnest in knowing the answer. You shrug.
âIâm not the one who looks like the walking dead.â You mean it as a joke, but his lips press into frown and wonder how that could upset him.
You donât have an opportunity to ask him because the door across the hall creeps open just an inch or so. You spot the brown eyes of your new neighbor. She was an older Italian woman who spoke just enough English to get by. She was sweet, in that old lady sense. A little nosy though, she reminded you of Darla just a bit in that sense.
âCiao,â you say, the extent of your Italian knowledge, waving at her as you gently tug Jason into your apartment and close the door. He sags against the kitchen counter.
âYou know Italian?â he asks.
âNot at all,â you answer as you nudge into his space as he so often does with you and press your hand to his forehead. His eyes close for a moment before heâs blinking at you.
âWhatâre you doing?â the question almost sounds accusatory, and you start to pull your hand away but his wraps around your wrist, pressing your palm to his cheek (Jason nearly started kissing up on your hand and wrist, leftover side effects of ivyâs new treat, but he managed to control himself).
He sighs into your palm, and you think itâs a new sound that youâve heard before just not from Jason. The JarTM rattled louder than it had in months. It stuns you enough that your hand twitches, fingers curling slightly against his face. Damn Red Hood, you think, he just had to show up and mess up the way you think. Jason was not Red Hood; itâs a stupid connection that makes no sense. You mentally shove the stupid jar back into its corner (you may have been dissecting yourself in the past month but that would not be a part of that process) because Jason is staring at you, and you find his eyes are greener than usual, nearly sickly.
He still looked exhausted, still looked pale, but he hadnât felt warmer than he usually did. He did have that stupid look in his eye (stupid because you canât figure out what it is) as he stares at you. You suddenly remember that he asked you a question.
âYou donât look good,â you say quietly as your thumb rubs against his cheek where he holds your hand. He sags even more and your worry he might collapse in the kitchen if it werenât for the little smirk that shows itself.
âYou always sound so sweet when you insult me, sweetheart.â The heat of his breath skims across the inside of your wrist. You can feel the movement of his lips at the joint there. It throws you off enough to have you tugging your hand out of his hold.
 Itâs not that you felt uncomfortable; you know that you and Jason thrive off of physical touch, but you were usually the one that initiated the more⌠intimate moments. Jason was prone to just tucking your hair, giving you hugs, and pressing a kiss to your temple. You were the one that would drag him into bed or on the couch to cuddle. He liked to stand close to you, but you were the one that would curl your fingers together, not him. Things that bordered the line of platonic and less so.
This moment in the kitchen with his eyes staring into your soul and his lips nearly pressed to the sensitive skin of your wrist has your heart in your throat because, for some bizarre reason, it felt like the least platonic thing that has ever happened to you (despite him having literally bathed you in your underwear).
âI mean you look sick,â your words come out in choked stutter that has an embarrassed warmth spreading up your neck, âand you should lay down.â
You step out of his space because you need air. His body leans forward, following you, enough that you worry heâs going to fall. You steel yourself and get rid of whatever swirl of butterflies Jason always gives you. He had spent nearly two months taking care of you in his own ways. It was your turn to take care of him.
âCouch or bed?â you ask and his face makes a weird crinkle before heâs full-on smirking at you.
âIf you wanted to seduce, babe, you couldâve just said something,â he says.
You sputter, skin growing warmer by the second, âIâm not- that isnât- shut up and answer the question.â
âThat doesnât work, sweetheart. Either you want me to shut up or you want me to answer the question. I canât do both.â He teases and you donât know what to do with yourself.
****
Okay, so, maybe the family was right. Maybe he should have waited another day before coming to see you. Barbara, Tim, and Bruce told him at separate times that Ivyâs newest pollen would still have lasting effects and that, because he had already gone to you before, if he saw you again those side effects might get stronger before they went away. He felt fine when he left (snuck out of) the manor. He didnât have a fever anymore, didnât feel like he was going to claw out of his own skin. He was fine and he wanted to see you (less desperate than the night before but still a little desperate).
Then he saw you and you touched him, and he nearly felt like he was on fire. His hands and mouth moving of their own accord. He could tell how surprised you were by it but watching you sputter was doing something to him. Part of him, the more sensible part, was worried, of course, that he was making you uncomfortable (part of the reason he had wanted to see you was because he wanted to make sure you wouldnât revert back to hermit mode after what he tried to do the night before as Red Hood). However, you hadnât stepped very far away from him. If Jason wanted to, he could easily wrap his hand around your arm and pull you back into his space.
He didnât. Instead, he stared at you. You really were pretty, even in your embarrassed state. You hadnât gone to work today. He could tell because it was 2 in the afternoon, and you were still in pajamas. It made him want to kiss you again. Last night, he had been out of control, most of his urges taking over before he could stop them. Today it would be different, he could stop himself from acting out. He still wanted to kiss you.
You seem so unsure of yourself that he decides to reign it in. You were offering your bed and hopefully that included you in it. He felt exhausted suddenly. The ride to your apartment he had so alert with the fact that he was going to see you but now with you in front of him, close enough that he could smell your shampoo, his energy was gone.
âIâm sorry, sweetheart,â he pushes every ounce of remorse into those two words, especially after he had forced himself on you last night, âI am sick, and Iâd like to lay in bed with you if I havenât scared you off.â Your flustered features relax, and you smile at him sweetly. It nearly killed him how much he wanted to drag you close to his body.
âYou donât scare me, Jay,â you say oh so sugary. Oh my god, heâs going to die, âIf anything you make me feel safe.â You point a finger and poke at his stomach. His hand curls around your wrist again, more light, more delicate. Despite all of Jason urges to kiss you (and do a bunch of other things that heâs tucked away in a deep dark hole), they all pause to appreciate what youâve just said.
He made you feel safe. It surprised him honestly. Jason had been playing hero since he was 12 years old. He had done nothing but try to save people or make life better for people as Robin (which backfired in his face, literally) and then as Red Hood. But here you were, giving him a shy look after your admittance, saying that Jason made you feel safe. Not Robin. Not Red Hood. Jason.
Jason Todd was a ghost in all sense of the word. Technically, Bruce had made him legally alive again and kept it quiet. There was no media story about the second son of Bruce Wayne no longer being dead and he was okay with that. He never liked the flashy life Bruce lived outside of the Bat and itâs not like they were always on good terms. Even both actually and legally alive Jason Todd was still a ghost. He haunted the streets of Gotham City, haunted the halls of Wayne Manor. He wasnât a real person.
 He was Red Hood. Didnât have a life outside of it. Focused on saving people, helping people in Gotham and all across the world. until you. You with your queries about his books at the coffee shop (the only guilty pleasure he had). You with your nervous habits. You with your sweet smiles. You changed everything. He hadnât gone out and around Gotham as Jason Todd since he came back from the dead. He didnât realize how much of a tourist he was in his own city until he was taking you out. It didnât matter though, because he wasnât haunting these places. He was with you. He was alive.
He tuned out his thoughts to focus back on you. You looked worried doing that odd shift on your feet you do. He lets one urge go through and wraps his arms around your shoulder to pull you into a hug, nosing at your hair. A squeak escapes you, but you settle against him, hands moving up and down his back in a soothing manner.
âI lo-â Jason stops himself choking on his own words. His hands tighten slightly as he tries to regain control of his mouth.
âYou mean the world to me, sweetheart.â
âYou mean the world to me too, Jay.â Your voice is muffled against his shoulder but itâs the clearest thing heâs ever heard.
Jason keeps you there for much longer than necessary, just holding you, until that exhaustion from early creeps into his knees and heâs not sure he can stand much longer. He finally speaks up.
âIâd like to lay in bed. With you if thatâs okay?â You pull back to look at him. Your hand comes up to hold his cheek, thumb caressing the scar there. It used to bother him, and it still does when other people stare, but youâre always so soft and sweet about it.
âCourse it is, handsome. Whatever you need.â You say softly and a dumb smug feeling erupts in his chest. You only ever call him Jason, Jay, or, within the last week or so, bubs. Heâs got a plethora of pet names for you but for you to reach out for something so pleasant⌠oh, youâve ruined him.
****
You try to quickly usher Jason to your room because when you had pulled away, you thought he looked even paler than before. You shuffle into your bed and drag him with you settling against the pillows. You think he would be content with how you usually sleep, your cheek pressed to his shoulder, but he tosses and turns for what feels like thirty minutes. You finally sit up with a huff.
âJason, what do you need?â he gives you a kicked puppy look, and you instantly feel guilty for how irritated you sounded.
âSorry. You keep moving. How can I help?â He sits up next to you and gestures vaguely at you.
âCan I?â The gesturing and the question tell you nothing, but you trust Jason, so you nod. He gently pushes you down on your back and manhandles you to the middle of the bed. Then heâs hovering over you, legs tangled. You stare up at him, and you hate how your mind thinks of Red Hood. But Jason isnât even staring at your lips. Heâs concentrated on moving around some more. He pauses and meets your eye.
âIs this okay?â you nod because you can't find your voice, because you donât actually know what heâs doing, because you're pretty sure you would let Jason do just about anything to you and wouldnât mind. His arm sides under you, making your back arch. You wonder if Jason is putting you in an inherently sexual position on purpose or if youâre just aroused for some reason.
You get your answer (your just horny) when Jason finally lies done on top of you, you huff quietly, not prepared for it. He tucks his head under your chin, wiggles there a moment before finally settling down. You bring your hands up to settle on his back, one curling into the hair at the nape of his neck and he melts against you. It nearly makes giggle if not for the way he instantly becomes a dead weight on top of you, breathe evening. Thirty minutes of him rolling around and heâs out the moment heâs on top of you. Unbelievable.
You werenât tired but his warmth and weight makes you drowsy. You try to fight, running your fingers through his hair. You give in eventually. Your sleep schedule was already shot. Whatâs an afternoon nap going to do?
Additional note: There was so much happening in this chapter, its crazy. also shout out to MagandaJinx on Ao3 for giving me the idea of the little old woman neighbor, she will be showing back up later. Anyways, I feel like I went off the rails with this chapter, so please give me some critics if you would like.
[ chapter ten â 5.5k words ] [ masterlist ]
[ prev chapters: one, two, three, four, five, six, seven, eight, nine ]
you don't open the letter.
richie jerimovich x reader, past mikey berzatto x reader, slow burn
handcuffs, bus, metal detector, strip search. three pairs of socks, toothbrush, toothpaste. everything stolen by your cellmate as soon as you arrive, except what youâre wearing. entire jail segregated to hell. you claimed by the italians, who were expecting you. instructions are simple: stick to the bottom bunk, keep your mouth shut, and youâll make it. this is jail, not prison.
nothing and no one can touch you when youâre like this, sunk deep inside yourself. your throat is still hoarse from shouting last night, but thatâs incidental, not important. nothing is important.
you donât want to be here, so youâre not.Â
youâre standing on the corner with half a pack in your jacket pocket, and heâs not thereâyou canât see him right now, not even in your headâbut heâs on his way. the winter sinks cold so deep into you that your forehead starts to hurt. if you stand here much longer, youâre going to get a runny nose. youâre itching for a cigarette. you donât want to smoke without him.Â
a lot of people want your attention.
julie, youâve got mail. whoâs this, your man? is he trying to get you back? put a price on it, maybe you can finally get us something from commissary.Â
julie, the feds are not playing around. it looks like thereâs charges related to human trafficking coming down the pipeline, and theyâre trying to tie you to it. iâm doing my best with your defense, but if you donât want to cooperate, i canât guaranteeâdo you hear me?Â
julie, when she comes through, weâre gonna take her back here. if you see a guard coming, just keep your mouth shut and kick the dryer, okay?
a lot of people want your attention, but nobody gets it. you can survive this, put one foot in front of the other, only as long as you can stand partly sheltered by the angle of your apartment building, and listen to the wind rushing past. waiting and safe, as long as he never arrives.
the snitch gets carried out on a stretcher.
the lawyer leaves unsatisfied.
you donât open the letter.
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.
.
itâs much worse at night. but still, sometimes, you can sleep.
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.
lunch here has a queasy familiarity. it feels like barracks or school. you sit at a long table and corresponding bench with the italians, wondering if all this sodium is gonna worsen your perpetual low-grade headache, squeezing peanut butter from its plastic packet directly into your mouth, not bothering with the bread.Â
behind you, you pick out the word doctor in somebody elseâs conversation. thinking that it might have something to do with you, you turn and glance over your shoulder, just in time to catch a woman saying, too loudly, no iâm fine. you think her words sound a bit slurred. youâre fifty percent sure her name is aja.Â
youâre sweating, says her friend, a woman with box braids whose name youâve never learned. she sounds exasperated. did you take something? when she gets no answer, her voice gains a note of urgency. hey. did you take something?
aja, leaning hunched forward on the table, mumbles no.
relieved, her friend says, then just eat your lunch.
i donât...aja blinks. goes to lift one baby carrot to her mouth, looks at it, then stops. is car warning, she explains.
in the back of your brain, something stirs.
by now, youâve been noticed by the other women at that table, and theyâre staring daggers back. theyâre almost all black women, just like all the women at yours are almost all whiteâand your stare is violating rules more important than the law.Â
beside you, your cellmate janine has caught on too. she smacks your arm a little harder than she needs to, annoyed that she has to reiterate a fundamental lesson. mind your business. but you can still hear aja muttering out a slow explanation of increasingly jumbled words, and thatâs all you care to hear.
itâs like there was a heavy weighted blanket keeping you down and separate from life, and thatâs suddenly lifted. you can see and hear. there are words floating to the surface, and next steps, and youâre on the move, standing up.Â
every woman sitting at ajaâs table is up on their feet in five seconds flat, except for aja and her friend, though the friend gives you a look that could cut glass. you can hear everyone from your table getting up behind you, too.Â
whatâs your problem? says one of the women standing opposite.
iâm a doctor. youâre not even looking at her, but when she says, sure you are, thereâs enough menace in it to stop you in your tracks. then janine has an iron grip on your arm, trying to drag you away. itâs too late. when you said youâre a doctor, you believed it, and with that the world has come into focus with perfect clarity. the rest doesnât matter.
is she diabetic? you say.
janine hisses in your ear stupid fucking bitch fast and low and you can see a flicker of movement to your right, another woman from your side coming for you, so you wrestle free from janine and dart a few steps forward. as quick and smooth as if youâd planned it, a woman from ajaâs side steps behind you, between you and your own table. sheâs taller than you by about six inches. she says, yeah, sheâs diabetic.Â
permission enough. you sit down on the other side of aja. up close, sheâs sweating and wearing a concerned expression, like sheâs forgotten where she left her phone. you can hear the guards shouting, getting closer. you ignore them.
donât touch her, the friend snaps.
whoâs gonna take her pulse, then? keeping a careful eye on the friend, you reach for ajaâs arm. nobody stops you. aja herself looks at you with vague suspicion in her golden brown eyes, but sheâs not all there enough to resist. once you get your fingers on her wrist and find her pulse, you donât bother counting it for a full thirty seconds, thatâs how fast her heartbeat is going.Â
at this point, the outside world has gotten too loud, too insistent, and you can feel the moment about to break.Â
she needs sugar now, you say to the friend. or sheâll end up in a coma.
got it, she says, and then the guards are on you. with shouts and shoves, they break up the gathering, end lunch ten minutes early. with a yank of your shirt, youâre returned to your group.Â
what the fuck is wrong with you, janine hisses, but you barely hear her. youâre still thinking on your patient, trying to get a look. you think you see the friend reaching for somebody elseâs trayâto get a packet of strawberry jam, maybeâbut you canât be sure.
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.
it makes no sense. your head throbs. if janineâs threats are even half true, youâre in for more trouble than you know how to handle, and you didnât know how to handle your troubles before. but somehow, once youâre in the laundry room, it happens.Â
you realize that you like it all. the strong smell of detergent, the sun coming in golden through the high windows built too thin for jumpers, the way you have to lean forward and really push against the weight of hundreds of t-shirts in the hamper trolley. even the finicky machine quitting mid-cycle only amuses you, because you know the trick to starting it up again: thump it in the right spot a couple times, hear it rumble back to work. itâs not until one of the guards passes by you that you hear, the fuck are you smiling about? and you realize you were smiling at all. you stop at once.
the thing is: you fucking did it. at dinner, youâll see aja sitting at that same table, eating and talking clearly. sheâll be fine. you did that. you never thought youâd get this again, but it seems not everything is over. there is still a little life in you, enough to save hers.
not everything is over, and for once you can think about the letter tucked into your bra without it burning you.Â
you donât imagine it contains forgivenessâhope isnât the same as delusionâbut there could still be something in it that you would want to keep. richie could never respect your decision to leave. loyalty is what heâs cared about most, the one value heâs managed to cling onto by the skin of his teeth. but he might at least understand.Â
times past, he has understood you far better than you expected, and strangely enough, youâve understood him too. he might understand you now. stranger things have happened.
you wonât read the letter, of course. but youâll keep that possibility with you, the one thing you have left to hold.
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.
hey doc, come here. look at this.Â
janine is calling to you from across the laundry room, beckoning you towards the back corner where the security cameras donât quite reach. you hesitate. youâre not stupid. thatâs exactly the spot they once made you stand guard, and given how publicly you ignored all orders today, you wouldnât be surprised if it was janineâs turn to stand watch and your turn to take the beating. itâs been a while since youâve done that. youâre probably rusty. ah, fuck it.
you leave the bin of stained shirts where it is and walk over, rounding the corner to find two women waiting for you. one you recognize immediately as an enforcer, blonde and tall and glaring ferociously at you. the other, slight and silver-haired, is the leader.Â
do you know why youâre here? she says. calm, even pleasant, like a schoolteacher.Â
i have a guess, you say.
so the leader explains. she takes her time with it, uses so many words, but the long and short of it is: you have been living an easy life. they have been taking care of you, and youâve repaid them with nothing but trouble. angieâthe massive woman leaning on the far wall, the enforcerâburned herself today in the kitchen, on purpose, badly enough that she got sent to the infirmary. sure enough, thereâs a bandage around the enforcerâs left forearm. aja was supposed to also be in the infirmary, unconscious.
why angie and aja would need to be in the infirmary together, with aja unconscious, is obvious. the leader doesnât need to explain that part.Â
interfering is a crime. interfering in someone elseâs murder is a crime whose punishment you canât afford.
i didnât know, you say. on hearing your thin voice, you realize your mistake. times like these, youâre supposed to keep your mouth shut. matter of fact, almost always, youâre supposed to keep your mouth shut.Â
iâve been told you have a letter on you, the leader says. let me see it.
you say nothing. she motions to the enforcer.
in your second tremendously stupid choice of the day, you fight back. you duck one punch only to get your ears rung by another, square in the left eye. after that, she deals with you easily, with the advantages of height, weight, reach, and the knowledge that this might be her one chance to get you back. she hates you and she fights like it, like she might just kill you and call it an accident. itâs all you can do to keep quiet, not yell for help.Â
in under a minute, sheâs back to the leader with your letter in her hand, snatched from your bra. the sound of your own heavy breathing is so unsteady, itâs almost as bad as crying. your eye has already begun to swell up.Â
we have a problem, the leader says. if you canât follow the most basic instructions, how can we trust you? and if we canât trust you, what can we do?Â
in the silence, you realize: they have everything now.
you need to prove that we can trust you. you have no idea how you could possibly do that, and then she adds, tell me about what you did for linda.
this time, you think it through before you open your mouth.Â
you know what sheâs asking about, of course. itâs the only thing youâve ever done for your bossâs wife directly, and you were told to keep it secret, too. an iud for her daughter-in-law, along with a fake fertility treatment. what a woman would do to convince the people closest to her that she wants children, when she doesnât. you know what those men are like.
i donât know what youâre talking about, you finally say. if you have a problem with linda, go settle it with her.Â
the enforcer starts forward, but the leader stops her. iâll give you the night to think about it, she says, as undisturbed as ever. but first, i want you to tell me the list of things we could do if you turn out to not be trustworthy. i need to make sure that you know.
you need to get these women away from you so badly now that itâs almost easy to talk.Â
you could kill me. you say that first because you doubt theyâd bother with that much effort. or make my life miserable. you could keep that letter. you could talk to your boss and work it so i get stuck in here for a ten-year stretch.Â
and other than that?
i donât know.
we could make it so you never work as a doctor again.
does she know?
her pale green eyes give nothing away, and the longer you stare at her, desperately trying to pierce her pitiless calm, the more you feel youâre only exposing yourself. eventually, you give up. it doesnât matter if she knows. the carusos know. if they expose you, the best years of your life, spent in hard work and little else, theyâll be gone. the worst years of your life, spent in restless loneliness and little else, theyâll be gone too. if that bomb drops, thereâs no point to any of it. a decade of your life, best and worst, all for nothing. every second of every day. everyone you pushed away.Â
iâm in jail, you manage to say. i donât think iâll get work as a doctor ever again.
iâm just the messenger, the leader says. see you tomorrow.
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that night, you wait for janine to snore, then you bury your face in the pillow and discover that youâre wound too tight to even cry. the pillow smells like old socks. you turn over and stare up at the bunk bed above you instead.Â
itâs not a choice, itâs just pure dread. in this place, you have nobody else. if the italians drop you, youâll be as easily extinguished as the slugs that little boys like to sprinkle with salt, but itâll take much longer, however long they make your sentence. your lawyer said the feds were trying to pin human trafficking on you. maybe theyâll succeed. itâs life or hell, thatâs the point. life or hell isnât a choice.
you will tell them what they want to know. they will pass it back up the chain to old caruso, who in turn will figure out that alessandra has been fooling him all along with that combination of iud and fake fertility treatment. wronged the family, in his eyes. maybe, given the raid that came not long after, it will be considered a sign that she knew the end was coming and helped it along.
maybe she did snitch. you donât know. does the truth matter? this man looked at his own wounded son and said, he should be dead. not helping death along was his idea of fatherhood. but he had considered it, you know. this is the man youâre going to deliver your patient to, the man who has you by the throat.
when you first learned about the hippocratic oath, you found it romantic in the only way you could bear: do no harm. not be kind or even do good, not change the world or save the day, and certainly nothing as lushly irrational as love. something possible and real. a solid foundation. first, do no harm.Â
alessandra might never know that youâre the one who gave her up.
thatâs your patient, you remember a veteran surgeon saying to another resident. you canât exactly remember what made him say it, some disrespect, but the viciousness of his voice left an impression on you. the unspoken seemed obvious. theyâre the patient, youâre the doctor. they let you cut them wide open and put your hands inside them, so you better be prepared to show some fucking respect. surgeons always have a reputation for ego, so maybe it had nothing to do with treating the patient well, maybe it was a pure ego thing. but it felt, and still feels, like a personal claim. you violate your own patient and you might as well be a leafless tree, an unloving father.
you think over the leaderâs words, trying to find yourself some loophole. relive each word as best you can while sniffing back snot because you have no tissues. but all you find is that the letter is gone now too, and with that, you tighten your jaw and refuse to let yourself start crying, because this time if you lose it, youâll be lost.
the laundry room sunlight feels like it fell on your face years ago. that hope is gone. richie would not understand you abandoning your patient, and you wouldnât want him to. you donât even want him living in the same country as this fucking place.Â
why didnât you open that letter when you had the chance? if itâs not understanding, itâs probably rage, and you want that. you would willingly read in excruciating detail just how fucked up it is that you caused his best friendâs death and then wormed your way so deep into his life that you could see him up close fighting the grief like a fish against the hook. youâd take that. if he tells you to go fuck yourself, fair enough. as long as itâs his words. that letter is the last of him, and you want it.Â
that letter is the last of him because once you give up alessandra, thereâs no coming back. once you give up alessandra, youâre not just a legal liability, not just a burden, but a genuine honest to god piece of shit twice over. you were a piece of shit already, but this?
you only realize you had hope now that youâre losing it. you only know you want to be a doctor once your license is on the line; you only know you were going to go back to him now that the door is receding many more years into the distance. thereâs some life left in you, yeah. thatâs not a good thing.
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when you get up out of bed the next morning to meet your fate, your left eye has swollen up so badly you can barely see out of it. you face the morning, the sudden harsh overheads turning on, with half vision and a desperate, helpless longing to be numb. the numbness doesnât return, though the leader does.Â
she sits next to you at breakfast. thereâs no enforcer this time. apparently youâre not enough of a threat.
well? she says.
you shouldâve cried last night; maybe then you wouldnât feel such an intense urge to cry now. stupid. you say nothing. you want to pick at the lumps of rubbery scrambled egg on your tray, but you only stare at them.
this is your chance. she doesnât say it like a threat. she says it like a friend. you sure you have nothing to tell me?
itâs happening, you can feel it happening, but you can barely process. she thinks your silence is a no. she thinks sheâs being denied. and you know you need to tell her what she wants to hear, but the guilt of it is so heavy that your mouth stays closed. youâre terrified of her. of yourself. you know what will happen once you crack and open your mouth and let your patient down: your life will be over. and you have no idea of exactly what will happen if you donât open your mouth, but your imagination can fill in those blanks a thousand different ways.Â
youâre just fucking scared in all directions, and what it amounts to is this: you keep your mouth shut.
after what feels like hours, the leader speaks.
okay, she says. iâll pass it on.Â
she gets up from the table. around you, women are eating and joking and squabbling as usual. it doesnât feel like you made a decision. it doesnât feel like the end of anything. it just feels like youâre waiting for the next punch to land.
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.
.
days go by and youâre still tensed, waiting for that punch. nothing seems to change, but itâs cold comfort. and thereâs no comfort in the moral victory, eitherâdiscovering that you have a single principle left doesnât make you feel any better when all your energy goes into keeping your guard up. every dull hour, every dull meal could be taken away from you at any moment. the afternoon light in the laundry room is still beautiful. somebody should try to hurt you, and soon. if they donât, youâre just going to lose it.
and then there she is. the enforcer, sitting on your bed, when you come back from the laundry room smelling of bleach from the white shirts. the burn on her arm is still bandaged. in full light, she looks even bigger. dirty blonde hair swept back in a ponytail, grey eyes hateful.Â
when she takes out that blue envelope, your chest tightens. you can tell that she enjoys the look on her face, but it doesnât last long. itâs strange. she tosses the letter with a dismissive gesture, and it lands on the floor between you.
congratulations. she still hates you, that much is clearâbut sheâs no longer enjoying herself, and thatâs vital. thatâs a good sign.
yeah? you say.
jack says you pass.Â
she shoves past you hard on her way out. itâs all you can do not to snatch up the letter from the ground, to try and look as though you have some kind of control.Â
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> dear julie,Â
> i donât know if you remember me, but you dated my best friend mikey a while ago. when i found out you got arrested, i talked to tina about it. she said you helped him till the day he died, and youâre the one who got us narcan.
> that sounds about right to me. i heard negative things about you once, but i never believed them. some things only come around once in a while, like a leap year. (which doesnât have 365 days, it has 366.) one of those rare things is a friend whoâs there when you need them. you have to recognize them when you see them. i think i recognize you now.
> this is just me saying that we havenât forgotten you. tina says hi, and iâll come visit, if youâve got the time to spare. iâm guessing youâre pretty bored in there, and i can honk my horn and take a pie to the face as well as the next guy.Â
> yours,
> richie
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yeah, thatâs him.Â
you know itâs him on the first reread, because you can see all the tightness falling away as he writes, from the cramped propriety and false casualness in the first sentences to the dear clown stupidity of the last. you know itâs him on the second reread, because heâs lying in his own way, trying to fit in with what you wanted, pretending heâs just the friend of your ex, not admitting to knowing you. youâre crying. youâve waited a long time to cry. thatâs incidental.Â
itâs only on the fifth reread that you snag on the part about the leap year. itâs the weirdest part, the parentheses. long after you have the letter half-memorized and tucked away in your bra, after dinner and lights out, youâre thinking on it. you fall asleep to the question and wake up the next morning with the answer.Â
iâd bet my life that there was a sig p365 in his hand when they found him.
some things only come around once in a while, like a leap year. (which doesnât have 365 days, it has 366.)
what if it wasnât you?
no, youâve been inside for less than two months and youâre already detaching from reality. thatâs probably whatâs happening here. but you can practically feel the warmth coming off the page, and thatâs all that matters.Â
your nose is practically fountaining snot, and without kleenex, you just wipe it on your sleeve and read the letter again.
itâs only hours later that you stop obsessing over the letter for long enough to truly realize what has happened. youâre going to be okay.Â
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the days pass quiet now. your swelled eye heals up slowly, until one morning you have full vision again. just as before, all you do is sleep, eat, work, and keep to yourself. nothing has changed.Â
nothing has changed on the surface.
.
.
.
you think about alessandra all the time, because of course you do.Â
just because old caruso couldnât get you to flip on her doesnât mean sheâs safe, and yet you think about her the way you think about aja, the way you think about a gap-toothed surgery patient from way back in your residency sometimes. the thing that made you text your bosses begging for news about the carbon monoxide poisoning patients. thatâs still in you.Â
you know you canât actually save anyone in a way that lastsâany and all work can be undone in an car-crash instant, and sometimes isâbut still. one of your patients has to make it, or else whatâs the point?
eventually you stop seeing aja around, but you donât hear any talk about her getting killed, so you figure: thatâs the one. thatâs the one you got to save. it makes no sense, you know, but you have this feeling that if you get to save anyone, you only get to save one. so you try to prepare for the news that alessandra is gone.Â
but when the news comes of a death in that family, itâs not the one you expected.
you stare at your lawyer, shocked. wait, so old caruso is dead?
suicide, she says matter of factly. hung himself in his cell.Â
the fuck? so do we think that⌠you trail off, mindful of the cameras, even if theyâre technically supposed to be turned off for lawyer consultations. you believe heâs dead, but you donât believe for a second that he actually killed himself.Â
your lawyer shrugs. who knows. all that matters is that apparently thereâs an informer of some sort thatâs turned over a bunch of shitâcellphone records, emailsâand theyâre willing to give an affidavit that you were threatened. thereâs a couple pretty graphic and specific examples. for example, allegedly, after the first surgery you performed in the easystop basement, the oldest of carusoâs sons put his hand in the semi-coagulated blood andâ
heâs dead now, you feel obligated to say. itâs whatever. you remember it well, though you wish you didnât.
sheâs admirably noncommittal, your lawyer. it would be nice if it wasnât so annoying. which one is dead now?
most of them, i guess. the fatherâs dead, the oldest son is dead, and the youngest son will probably never be the same despite your best efforts. considering those numbers, itâs nothing short of a miracle that jack, the middle son, has apparently decided to spare you. you kept your mouth shut on behalf of his wife, but right now thereâs such a tangle of complications and so few actual facts available to you that you canât begin to guess whatâs truly happening behind the scenes. you can only be grateful that you havenât been hurt worse.Â
your lawyer is considering you with shrewd eyes. after a second, she says, if i can get you a plea deal, will you take it?Â
i canât testify, you say automatically.
i know. i think i can get a deal without testimony included.
wait, really?Â
she gives you a look, as if to say, catch up, dummy.
how many years? you say.
months, possibly. weâll see.
you hardly know what to say to that. cool, you say, feebly.
youâve kept your mouth shut, so theyâre taking it easy on you, thatâs the bottom line. it feels like a copout to escape the worst punishments on the basis that you were coerced, even if thatâs true, because you feel like you probably deserve worse. but fuck, youâll take mercy from anywhere right now, right and wrong and dignity be damned.
iâll let you know. your lawyer gets up to go, but just as youâre about to call for the guard, she stops short. oh, one last thing. your landlady finally agreed that you donât need to pay her rent for the past two months.
lovely.
she threw out all of your belongings that the cops didnât take.
canât say iâm surprised. it still hurts, but itâs a hurt dwarfed by the immense relief of an imminent plea deal. iâd sue, but we both know my retainerâs gonna run out too soon for that.
she did forward your mail to me, though.Â
my mail? what is it, a dollar fifty off a personal pan pizza?
one postcard from your mom and her boyfriend and his family. one interview request for a doctoral residency program in indiana.Â
you donât know which of those is weirder. the residency applications you mostly did in a period of loneliness and boredom. they were an exercise in desperation daydreaming, not meant to touch real life, and you never even imagined a person reading the papers you submitted. getting a response, a good response, is as strange as a character stepping off a page. and your mom having a boyfriend is no surprise, but a boyfriend with a family? the worldâs ended, yeah, but is the world ending?
can you forward those to me? you say.
theyâre already in the mail. you should get them within the next two weeks.
when your lawyer leaves, youâre still sitting there. the guard has to call your name twice before you get up.
what a fucking week.
.
.
.
if youâre gonna get out in months, thenâŚ
.
.
.
you earn seventy-two cents per day working in the laundry. the first time you go to the commissary, you buy a stamp, an envelope, and a blank card. then you smuggle detergent out of the laundry room so you can bribe janine into letting you borrow her pen.
you have richieâs letter memorized, but you read it again anyway. then you stare at the blank white space of the card.Â
what is there to say? well, fucking everything, but there isnât much you can say with the inevitable prison guard reading it all too. that cuts you off from saying most things, and then dignity wants you to shut up about the rest. sorry i thought my life was over and tore you to pieces about it. turns out my life isnât over, can we be friends again?
thing is, if you write him a letter, heâll write back, even if itâs to tell you to fuck off. and honestly at this point, youâd give up a lot more than dignity for that. so here fucking goes.
> dear richie,
> thank you for writing. iâm not good company right now and i canât really write letters, but maybe we can get coffee sometime when iâm out?
> yours,
> julie
the yours gives you away, but you have so little else to offer. and besides, he started it.
itâs disciplined. thatâs what youâre trying to tell yourself. itâs disciplined and concise and it gets across exactly as much as he needs to know and jesus fucking christ that short note looks absolutely pitiful in the comparatively vast white space of the card.Â
so you make an addition.
> p.s. tear the bottom off for eva.
as best as you can, you draw the horses from memory. arched necks, white and dark patches on their coats, as close to the style of the girl who loved horses as you can. and then one girl with a superheroâs mask and a cape, holding up an apple so the tallest horse can eat it. you donât draw well, but you donât have the pen long enough to try a do-over. thereâs a small chance youâll make her smile, and thatâs all you want.Â
lick envelope, peel stamp, and send.
[ next chapter pending ] [ masterlist ]
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a huge thank you to all readers.
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dlouho nic, proto teÄ nÄco. retro-spek(ula)tivnÄ.
zastĂĄvka olomouc. tĂĄta od dvou holek, co spoleÄnÄ nasedli v ostravÄ, jim dĂĄvĂĄ kaĹždĂ˝ tah kartou poĹĂĄdnÄ seĹžrat. holkĂĄm je tak 10 a 13. mĂĄm chuĹĽ si s pĂĄnem zahrĂĄt a porazit ho a holkĂĄm vrĂĄtit sebÄvÄdomĂ do Ĺživota. ta menĹĄĂ se skoro nevejde do sedaÄky. s kaĹždou vÄtou tĂĄtovi asi plivnu do obliÄeje a nechĂĄm ho stevardkou vysadit. i s tim âobyÄejnym, no jasnÄ, prostÄ nÄjakĂ˝m velkĂ˝m kafem, jasnĂ˝ Ĺže bez mlĂka... ty cukry si vemteâ. jo a kolikrĂĄt v ĹživotÄ ses ĹĂznul o plastovej kryt regiojet sushi setu? pojdme to zaÄĂt poÄĂtat. todle je totiĹž some dangerous business.
zastĂĄvka ostrava, hlavnĂ nĂĄdraĹžĂ. zĂĄchod v cenÄ 20KÄ. tohle si dovolej jen na praĹžskĂ˝m hlavĂĄku. budÄjckĂ˝ nĂĄdraŞà 5KÄ. metro AndÄl 5KÄ. platĂm a ÄĂşrĂĄnĂ vysokĂ˝ hodnoty si uĹžĂvĂĄm.
zastĂĄvka frĂ˝dlant. âa do jakĂŠ tĂŠ ostravy jedete sleÄno?â hej kolik tÄch ostrav na tom naĹĄem ĂşzemĂ stojĂ? nevĂm, zmatenÄ koukĂĄm a zkouĹĄĂm âhlavnĂ nĂĄdraĹžĂâ. it works! balenĂĄ voda chutnĂĄ jako spasenĂ, i ty extra solenĂ˝ araĹĄĂdy ze sortimentu mĂstnĂ nĂĄdraĹžky. na ÄĹŻrĂĄnĂ mÄ usmÄvavĂ˝ hospodskĂ˝ pouĹĄtĂ samotnou opravdu nerad. nejradÄji by nĂĄs tam zamkl spoleÄnÄ. ĂşsmÄv a Ăşprk nakonec, ale postaÄil. nedÄlĂĄm si enemies v mÄstÄ tak dalekĂŠm jako frĂ˝dlant. i might be coming back, you never know. taky potkĂĄvĂĄĹĄ lidi a ĹĂkĂĄĹĄ si, kdo jim tĹeba dÄlĂĄ vlasy? ta mid-age panĂ s fialovo-blod melĂry a tÄsnou mikinou musĂ mĂt urÄitÄ super pĹĂbÄh. nÄjak jsem se ale bĂĄla zeptat.
zastĂĄvka luxusnisrub.cz. asi se podĂvej na ten jejich web, at je to clear. dĹevÄnĂ˝ divokĂ˝ doupÄ. vĂ˝Ĺivka, vĂ˝let a velkĂĄpĂĄrty. klĂĄrka se vdĂĄvĂĄ a mĂĄ to rĂĄda sexy. v krbu plĂĄl oheĹ a marshally hrĂĄly na plnĂ˝. afterka ve vodÄ, v malibu a mÄstu ponoĹenĂ˝m do tmy. je fajn koupat se nahĂĄ a nebejt na to sama. anetÄ hodnÄ plavou prsa. doporuÄuju se na to, should you have the opportunity, pĹĂĹĄtÄ zamÄĹit. je to docela dost hot. ĹĄneci z listovĂ˝ho tÄsta jsou mor a klĂĄrka jich pĂĄr za trest (nebo hlady?) utopila. julÄa nĂĄs v poĹĂĄdku dovezla aĹž z matiÄky prahy a jĂĄ ofiko smekĂĄm. ty ÄeskĂ˝ silnice jsou jedna velkĂĄ challenge.Â
zastĂĄvka stodolnĂ. pĂĄtek veÄer patĹil divokejm koÄkĂĄm. jo. nĂĄm. nic vĂc v tom nehledej. prostÄ surprise party plnĂĄ lidĂ, co k sobÄ pĹes tanec pĹiĹĄli. tanec v deĹĄti za hudby pouliÄnĂho umÄlce jakoby byl naĹĄĂm dennĂm chlebem (ano, bohuĹžel nenĂ). tanec na baru jako odmÄna pro moje opakujĂcĂ se nĂĄvĹĄtÄvy modrĂŠ nudle bez odvahy si tam stoupnout. stoupnuto a roztaÄeno. check. thanks. yay. ostravskĂ˝ placenĂ˝ taneÄnice majĂ ostravou znudÄnĂ˝ vĂ˝raz. budÄjckĂ˝m hokejistĹŻm to ale asi ĂşplnÄ neva. milujem tanec a tanec snad miluje nĂĄs back.Â