Jan 18
Just another rendering tutorial because I make too many of them. Miss digital painting and the convienance that comes with it. Oh well. Guess I'll be fine playing with my traditiomal airbrush instead for a while.
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Just another rendering tutorial because I make too many of them. Miss digital painting and the convienance that comes with it. Oh well. Guess I'll be fine playing with my traditiomal airbrush instead for a while.
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Something my past self wish I had. This might be a bit hard to see here so it's posted on my other socials as well feel free to hop over to DA or Arstation or whatever and grab it if you want to.
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As usual huge thank you to my small collective of patrons helping me stay optimistic that maybe one day I can do more. Patreon LinkTree
The past six months of experimentation and study for me to find a way to add good lighting quickly and uniformly has lead me to this so here's this one. There's many many ways to do and handle lighting in your pieces but this method with these particular settings are one of my favorite ones that I was able to stumble upon. I would still like to make a video covering a secondary method that I found works best for hotspots and colored lighting but yeah, I'm still not in a place where I have the free time to focus on a video recording and editing since my ginger boy is still healing. I was able to chip away at this slowly while he slept next to me though : 3
I'm going to do a bit a rambling now so if you're not interested you can stop reading at this point. This method actually failed for me many times during these last six months. Finding a setup that uniformly worked across light tones without burning them out to white and dark tones without burning them out to black was a challenge in itself. It wasn't until a million attempts later and adjustments that I got it to work. Having any lighting added to the base would mess it up. Using the mask to erase the shadow without adding light would be too dull. Having the contrast too high on the light mask would burn out and oversaturate the form shadow areas that were in light. There was a lot that I had to tweak and reapproach from different angles to finally find the best match for. And failing so much so often before getting there was very frustrating and discouraging lol. Anyway, that's all. I'm happy that the struggle with this is over and that I did fix what needed to be fixed so it could be a good method to work with for others and myself. : ) If you'd like to help support my art Patreon: https://www.patreon.com/JaeHaruArt/about If you'd like to follow me elsewhere LinkTree: https://linktr.ee/jaeharuart
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Tutorial sheet walking you through the steps to take to paint something semi-realistically using the layer modes in Photoshop and your base colors or black and white bases, because I spent years studying them and jump around these 3 methods myself depending on what look I'm going for. So here's this for myself and others. There a few typos in this. I really don't care. Patreon: https://www.patreon.com/JaeHaruArt?fan_landing=true Link Tree: https://linktr.ee/jaeharuart
How to Color Greyscale Sheet 02. Best modes for coloring over greyscale. Since my first sheet only covered the way I set up greyscale if I’m using Linear Light with it, I wanted to make this one which covers all types of greyscale you’d run into. There’s a quick video version of this up on my YouTube here: https://www.youtube.com/watch?v=vi9ScmJScSc
Patreon: https://www.patreon.com/JaeHaruArt?fan_landing=true Link Tree: https://linktr.ee/jaeharuart
A few of my personal fav tools to use to make edits and corrections to my own paintings so I thought I'd share in case someone might find them helpful for their own art : 3