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Another Year of Pissed-off and (Mostly) Charged-up Music: Jonathan Shawâs 2019 in review
Cloudrat (photo by Adam De Grosse)
Impeachment as media spectacle? Drone strikes and U.S. boots on the ground in Yemen and Somalia (and lots of other beautiful, exotic locales)? White nationalism ascendant? Soul-crushing economic exploitation and rapacious disregard for the health of the Earthball? 2019 had it all! And things ainât gettinâ any better! Â
For some folks, music is balm or an escape route into aesthetically transcendent spaces of wonder. I understand both of those notions, and have made use of those musical functions during this difficult, upsetting, infuriating, exhausting year. But precisely because I have found this year to be so very, very difficult, upsetting, infuriating and exhausting, I have more often tuned in to music that matches my grim moods. Hence this list. Â
As ever, I make no claims for the âgreatnessâ or âbest-nessâ of the music. These are the records that I spun most often this year, the ones that fought for rotation with all of the other records I should have been listening to (always another six or seven reviews I should have been writing and dozens of records I should have given more attention toâŠ), and won. If pressed, I would call Venom Prisonâs Samsara and Cloud Ratâs Pollinator the records of the year. But thatâs just one listenerâs opinion. You figure it out. Aside from those two, the records on the list below appear in alphabetical order. Iâd say âenjoy,â but thatâs not really the point.
Depressor - Filth/Grace (2014)

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Depressor â Hell Storms over Earth (Sentient Ruin Laboratories)
Hell Storms Over Earth by Depressor
Depressorâs music sounds like shit. Itâs amazing. Hell Storms over Earth collects a bunch of tracks released on splits, demos and hyper-obscure 7â records between 1998 and 2003, as well as three previously unreleased songs. By 1998, Depressor had abandoned the industrial crunch that dominated their mid-1990s cassette releases, moving in the direction of the stenchcore and death metal that band members Dave Benson and Gabe Gavriloff would go on to make with Acephalix. Benson and Gavriloff were crucial elements of the bandâs sound, but Depressor was guided by Chris Oxfordâs vision and idiosyncratic sensibility. During the period in which the songs on Hell Storms over Earth were written and captured, Depressor worked exclusively with a crap 4-track, recording their stuff themselves â maybe in someoneâs laundry room, if the muffled, vaguely damp sound is any indication. Check out the insane breakdown in âMold/Subsystem,â which somehow manages to sound both syrupy and gritty. The music is falling to pieces even as you listen, riven to bits by its own violence.