#demonrecords

I got a Simple Minds UK boxset for Christmas where all five record sleeves’ spines were busted thanks to the vinyl sliding around during shipping (left). Demon Records sent me all-new covers and inner sleeves (right) from overseas for free and now that set is oh so fine. That is awesome customer service—Thanks, Demon!

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03/05/1999 | Happy Release Day 1999 | Suede - Head Music Demon Records 2019 | Reissue #suede #Demonrecords @suedehq @demonrecords_management Vice (Brett Anderson): „Head Music is a weird album because it’s half a really good record. That’s how I often describe it“ „It’s regretful that we didn’t try to pull it together and make it a whole great record instead of a half great record.“ Pitchfork: „The album wasn't another Dog Man Star, but it was considerably darker and thornier than Coming Up“ „Head Music is neon to Coming Up's day-glo, and it's aged well sonically-- it is easily the band's most underappreciated album.“ Independent: „Their most humane album to date, Head Music's mixture of electro-pop and rock is pure pleasure.“ „… the band's sound, which is slicker and smoother than before, and better reflects the band's "chemical generation" outlook.“ NME: „But while Suede may be writing some of the most exciting pop of their career, they're also striking out for new pastures.“ „It's futuristic and alien, like a rock'n'roll Tubeway Army, and it suits them.“ Select Magazine: „Strung-out self-parody. Many said“ „A misunderstood wonder.“ https://www.instagram.com/p/CdGbBpvtg7x/?igshid=NGJjMDIxMWI=

29/03/1993 | Happy Release Day 1993 | Suede - Suede Demon Records #suede #nuderecords #demonrecords @suedehq @demonrecords_management Baltimore Sun: „But the best reason to believe the hype is "Suede" itself. Although Suede's glam-derived sound and sexually ambiguous stage show has earned comparisons with both early Bowie and classic Smiths, the group's greatest strengths are strictly melodic, thanks to the consistently tuneful interplay between Brett Anderson's voice and Bernard Butler's guitar.“ NME: „One of Suede's many achievements has been to inspire some of the most outrageous examples of self-aggrandising tommyrot the British music press has ever seen fit to print, and right from the start here was a band set up to provoke love or loathing.“ Allmusic: „And while the sound of Suede frequently recalls the peak of glam rock, its punk-influenced passion and self-conscious appropriation of the past make it thoroughly postmodern. Coincidentally, its embrace of trashy pop helped usher in an era of Britpop, but few bands captured the theatrical melancholy that gave Suede such resonance.“ Entertainment Weekly: „Sashaying in on a high wire of hype, Suede plunder the styles of their pop-fop forebears (Marc Bolan, Bowie, Morrissey) and rock your last nerve like a fabulously inappropriate prom date.“ Irish Times: „… Suede were a beacon of glammed-up decadence. Led by chiselled- cheeked Brett Anderson, a posing, preening amalgam of Bowie, Morrissey and Scott Walker, they sashayed on to centre stage in a flurry of powder and perfume.“ Pitchfork: „The British rock world was dominated by two waning trends, shoegaze and Madchester, both of which emphasized sound and vibe over personality and pomp. And here Suede were, with a very bold, direct, and sexually charged song that had the swagger of glam rock and was focused on the voice of Brett Anderson, who was powerful and distinctive. Anderson's vocals had a little of Bowie and a little of Morrissey, but there was a lot more there than a simple swirling of influences.“ https://www.instagram.com/p/CbsCLqGrAwT/?utm_medium=tumblr