1. Rijksmuseum, Anonymous, Delft, ca. 1710–1750
2. Rijksmuseum, Anonymous, Delft, ca. 1725–1760
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1. Rijksmuseum, Anonymous, Delft, ca. 1710–1750
2. Rijksmuseum, Anonymous, Delft, ca. 1725–1760

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European porcelain birdcages from the late 19th to early 20th century, rooted in the traditional Dutch aesthetic of Delftware. Their refined craftsmanship reflects the elegance of turn-of-the-century European decorative arts.
Primarily created as decorative objects for bourgeois interiors, they occasionally housed small birds, though their value was largely aesthetic rather than practical.
An English delftware figure of a mermaid, circa 1675, London, Southwark
Figurative and sculptural forms in English tin-glazed earthenware are rare and the present figure of a mermaid is unrecorded and appears to be the only example extant. The canon of delftware sculptures produced in England in the 17th and 18th centuries is small and includes portrait busts, figures, animal models and useful objects such as flower-holders and other vessels. The dating and attribution of this unique figure is based on overwhelming evidence of similarities in glaze, colouring and modelling in comparison to pieces in both public and private collections.
Sotheby's
Gotta find my way back to that Holy place...

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A tinned-glazed ble and white barber's bowl, probably Dutch, circa 1720
Christie's
For #InternationalDogDay on a #TwoForTuesday 🐶🐶:
Pair of Polychrome Figures of Seated Dogs
Delft, c. 1770
Tin-glazed earthenware (Delftware)
H 20.1 & 20.4 cm (7.9 & 8 in.)
Delft Blue Pizza